| Title |
Pages / Words |
Save |
| Harper Lee |
2 / 386 |
 |
| Mercedes Lackey |
3 / 672 |
|
| Learning the Writing Business from Book Agents and Editors |
7 / 2078 |
|
| Beowulf vs. Gilgamesh |
2 / 530 |
|
| 70'S Music And Style |
3 / 607 |
|
| American Realism |
3 / 887 |
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| american modernist poetry and the new negro renaissance |
3 / 643 |
|
| Comentation On Let Us Now Praise Famous Men |
4 / 903 |
|
| edgar allan poe |
2 / 336 |
|
| emmma |
1 / 252 |
|
| George Washington |
4 / 1035 |
|
| Literary Devices |
6 / 1558 |
|
| Biography Of Nick Joaquin |
2 / 446 |
|
| E.A.Poe |
2 / 460 |
|
| Langston Hughes |
1 / 215 |
|
| literary analysis of Mark Twain |
2 / 314 |
|
| Now |
4 / 1063 |
|
| papers on biography |
3 / 658 |
|
| Retorical |
5 / 1226 |
|
| Rudyard Kipling |
2 / 559 |
|
| Short Biography of Samuel Taylor Coleridge |
2 / 428 |
|
| Albert Camus' "the Plague" |
2 / 496 |
|
| Amimal Farm |
3 / 608 |
|
| Crash |
2 / 516 |
|
| Dr. Jekyll and Mr. Hyde |
3 / 805 |
|
| Dr. Jekyll and Mr. Hyde |
2 / 438 |
|
| Farewell to Manzanar Book Review |
2 / 538 |
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| Golden Demon |
2 / 529 |
|
| Identities |
1 / 111 |
|
| Kaffir Boy |
1 / 245 |
|
| Kate Chopin |
2 / 355 |
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| Mark Twain: Literary Analysis |
4 / 1167 |
|
| Masking Ends in Deception, Much Ado About Nothing |
2 / 550 |
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| Moby Dick-Structure And Form |
2 / 325 |
|
| mocking bird |
3 / 821 |
|
| Portraying Ad Magic through a literary elements |
3 / 755 |
|
| peace |
2 / 477 |
|
| The Adventures Of Huckleberry Finn: Critique |
2 / 373 |
|
| The Chrysalids |
2 / 338 |
|
| The Matrix |
4 / 1011 |
|
| The Necklace |
2 / 383 |
|
| The Spiritual Enlightment Of On The Road |
2 / 448 |
|
| The way hip hop influences me |
3 / 855 |
|
| coverletter |
3 / 660 |
|
| Marketing James Patterson Books |
4 / 1034 |
|
| Monetary Policy |
1 / 127 |
|
| retail |
1 / 117 |
|
| Singapore Airlines |
1 / 273 |
|
| A Summer Life |
2 / 352 |
|
| Alexander Pushkin And Fictionising History. |
6 / 1789 |
|
| Animal farm |
2 / 403 |
|
| Araby |
1 / 260 |
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| Argumentive Essay |
2 / 528 |
|
| Bakhtin Nad T S Eliot |
5 / 1232 |
|
| Beloved |
3 / 724 |
|
| Beowulf |
3 / 862 |
|
| Bildungsroman |
3 / 637 |
|
| Bless Me Ultima Response |
1 / 155 |
|
| Charles Dickens Bio |
2 / 363 |
|
| Cheever |
3 / 664 |
|
| Comparing The Old Man and The Sea and The Bluest Eye |
3 / 865 |
|
| Considering Fantasy's Special Effects |
5 / 1362 |
|
| Critique of "Genres at Home and at School: |
5 / 1385 |
|
| Cultural Studies |
2 / 405 |
|
| Definition of Literature |
4 / 1165 |
|
| Didacticism in Frank Norris' McTeague |
4 / 1151 |
|
| Doe's Shakespeare matter? |
2 / 325 |
|
| Dracula - Gothic Response |
2 / 464 |
|
| Edgar Allan Poe: Reflection Of His Pessimistic Moods In His Work |
2 / 386 |
|
| Edgar Allen Poe for Biography |
2 / 427 |
|
| Emerson |
2 / 476 |
|
| English Literature |
1 / 247 |
|
| Ernest Hemingway, A legacy for American Literature |
5 / 1474 |
|
| Fairy Tale |
2 / 474 |
|
| Farce |
2 / 429 |
|
| Film Noir |
8 / 2295 |
|
| GENDER ROLES IN LITERATURE |
2 / 456 |
|
| Hamlet Essay |
3 / 660 |
|
| Harry Potter and the Camber of Secrets |
2 / 557 |
|
| Henry V |
3 / 633 |
|
| History Of Philippine Literature |
1 / 264 |
|
| Horror Movies |
3 / 755 |
|
| How To Enjoy Reading A Novel |
3 / 602 |
|
| I Like The Look Of Agony |
6 / 1589 |
|
| Jane Eyre |
1 / 272 |
|
| Joyful Noise |
3 / 688 |
|
| Langston Hughes |
1 / 281 |
|
| Literary Terms and Concepts |
3 / 754 |
|
| Literature |
2 / 306 |
|
| all man is basically evil |
2 / 465 |
|
| allegory |
2 / 377 |
|
| bankim |
6 / 1751 |
|
| definition of literature |
2 / 314 |
|
| literacy in america |
2 / 375 |
|
| literature |
2 / 470 |
|
| Macbeth Act 1 |
2 / 558 |
|
| Macomber and Most Dangerous Game Essay |
4 / 909 |
|
| Portrayal of Gothic Images |
2 / 534 |
|
| Presidential Election |
3 / 720 |
|
| Reality TV |
2 / 594 |
|
| Romanesque |
4 / 1121 |
|
| Romantic Period -Williom Wordsworth |
1 / 281 |
|
| Sahara Review |
2 / 458 |
|
| Self- Help by Lorrie Moore |
2 / 399 |
|
| Setting in Araby |
2 / 400 |
|
| Sophacles |
5 / 1254 |
|
| Summer Life |
2 / 477 |
|
| Summer of The Seventeenth Doll - By Steph |
2 / 443 |
|
| The Adventures of Huckleberry Finn and Tom Sawyer |
1 / 79 |
|
| The Fish's Image |
3 / 866 |
|
| The Giver |
1 / 300 |
|
| The Importance Of Literacy |
4 / 987 |
|
| The Monk |
5 / 1333 |
|
| The Red Badge of Courage |
1 / 289 |
|
| The Role of Greek and Roman Literature. |
3 / 816 |
|
| The Tyger |
3 / 617 |
|
| The Unknown Citizen vs. Departmental |
3 / 776 |
|
| The bravest of individuals is one who obeys his or her conscience," |
3 / 729 |
|
| Type of Genre |
3 / 612 |
|
| Wants |
2 / 349 |
|
| William Wordsworth |
2 / 577 |
|
| Writing |
3 / 642 |
|
| o' connor and hawthorn |
3 / 724 |
|
| practical criticism |
4 / 1144 |
|
| the House of Mirth and the Gilded Age |
3 / 848 |
|
| the thousand and one nights |
3 / 722 |
|
| A Semi-Brief History of the Visual Narrative |
8 / 2123 |
|
| Letters by Women of the Ming-Qing Period ?V Yu Yin Cheng |
4 / 941 |
|
| Shakespeare: One of the Greatest Writers in the \ |
4 / 1097 |
|
| Who was Shakespeare? |
2 / 591 |
|
| Wlllll |
1 / 78 |
|
| St. Paul And The Apocalypse |
7 / 2059 |
|
| The Role Of Greek And Roman Literature |
3 / 809 |
|
| A Birthday |
2 / 426 |
|
| Albert Camus |
1 / 263 |
|
| All Types Of Entertainment |
3 / 717 |
|
| Biblical Exegesis |
5 / 1327 |
|
| Casking |
2 / 489 |
|
| Charles Dickens Bio |
2 / 363 |
|
| Dont have any |
6 / 1576 |
|
| Emo VS Indie |
4 / 974 |
|
| Ernest Hemingway 2 |
2 / 522 |
|
| Genre Of Clowning (Theatre, Drama, Arts) |
2 / 498 |
|
| Genres |
4 / 1040 |
|
| Greek Actors |
2 / 339 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
|
| Heart Of Darkness - Colonization |
1 / 58 |
|
| Literary Devices Used In Macbe |
4 / 904 |
|
| Macbeth: Time And Evil |
2 / 343 |
|
| Music Degrading To Women |
1 / 199 |
|
| Music Of Seville, Spain Powerpoint Slides |
2 / 456 |
|
| Photography |
2 / 533 |
|
| Role of greek and roman literature |
3 / 809 |
|
| Sarah Plain and Tall |
1 / 174 |
|
| Seeing is believing |
4 / 991 |
|
| Stephen King |
1 / 188 |
|
| The Best |
3 / 716 |
|
| The Controversy Around Banning Books |
3 / 658 |
|
| The Life Aquatic |
1 / 226 |
|
| The Life Of Edgar Allen Poe |
2 / 386 |
|
| The Maltese Falcon |
6 / 1564 |
|
| The Plague |
2 / 442 |
|
| The Plague |
2 / 484 |
|
| The Vampire as a Gothic Figure |
3 / 856 |
|
| To Listen Or Not To Listen: A Pop-music Question |
3 / 745 |
|
| 24 and how it fits into many genres |
5 / 1339 |
|
| A Brief History of American Hardcore |
5 / 1240 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| An Indie Influence In Fashion |
3 / 835 |
|
| Batman begins and sleepy hollow |
2 / 502 |
|
| Bessie Smith and St. Louie Blues |
2 / 411 |
|
| big sleep |
4 / 923 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| Exploring Popular music |
5 / 1248 |
|
| Frankenstein |
1 / 263 |
|
| History of Rock |
3 / 725 |
|
| Horror Movies: Gateway to Our Dark Side |
4 / 1176 |
|
| How TV title music influences it's viewers |
4 / 995 |
|
| Italian & French Opera |
2 / 512 |
|
| Leone: The Movies of Fantasy |
2 / 582 |
|
| Maltese Falcon |
5 / 1477 |
|
| Music |
5 / 1302 |
|
| music |
2 / 524 |
|
| Samurai in Film |
2 / 421 |
|
| semiotics |
4 / 908 |
|
| Talented Mr Ripley |
2 / 372 |
|
| The Genre of Horror |
2 / 597 |
|
| To Listen Or Not To Listen: A Pop-Music Question |
3 / 745 |
|
| History Defined |
3 / 852 |
|
| Kill Bill |
2 / 367 |
|
| Republic |
1 / 175 |
|
| The Context of Collapse: Surrealism, dialectic nihilism and objectivism |
3 / 860 |
|
| Biblical Exegesis |
5 / 1327 |
|
| The Bible And The Word "inspire" |
3 / 841 |
|
| Hawthorne |
2 / 463 |
|
| Participant Observation |
2 / 539 |
|
| Reality Television |
2 / 432 |
|
| AI |
3 / 671 |
|
| Disadvantages Of Mobile Phones |
2 / 420 |
|
| Intro to Intellectual Property |
4 / 1056 |
|
