| Title |
Pages / Words |
Save |
| Jenny Saville |
2 / 407 |
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| Photographic Influence on Degas Work |
5 / 1487 |
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| Pierre-Auguste Renoir |
2 / 541 |
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| Henri Cartier-Bresson |
2 / 476 |
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| Marc Chagall |
5 / 1219 |
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| Civil War Painting |
1 / 275 |
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| American Gothic |
4 / 957 |
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| Art History |
4 / 1093 |
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| buffalo soldiers |
3 / 811 |
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| bunching hoisery |
3 / 747 |
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| Daughters Of Edward Darley Boit |
6 / 1721 |
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| Edvard Munch |
5 / 1413 |
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| George Seurat |
3 / 671 |
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| History |
5 / 1222 |
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| letters from an american farmer |
1 / 185 |
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| nero |
3 / 663 |
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| Andrew Wyeth |
3 / 716 |
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| Da Vinci |
2 / 594 |
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| Edgar Degas |
3 / 683 |
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| Frida Kahlo: A Life in Pain |
4 / 1157 |
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| Hieronymus Bosch |
3 / 845 |
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| Ian van Eyck |
2 / 573 |
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| Jackson Pollock |
8 / 2138 |
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| Leonardo DaVinci |
2 / 525 |
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| Leonardo da Vinci |
2 / 512 |
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| Michelangelo Buonarroti |
4 / 1189 |
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| Michelangelo Buornarriti |
6 / 1604 |
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| Pablo Picasso |
2 / 498 |
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| Picasso |
3 / 614 |
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| raphael sanzio |
6 / 1528 |
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| Van Gogh |
4 / 907 |
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| "From Poppa" - book walk |
10 / 2897 |
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| Barogue through the post modern era |
1 / 179 |
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| censorship |
2 / 334 |
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| Girl with a pearl earring |
3 / 866 |
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| Girl |
9 / 2466 |
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| image as text |
4 / 967 |
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| pollock |
3 / 629 |
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| sas analyst with international experience |
2 / 565 |
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| shakespeare |
3 / 769 |
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| The Bookworms |
3 / 821 |
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| Case Study: Dell |
2 / 331 |
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| Cost descriptor memo |
3 / 629 |
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| Direct Marketing |
2 / 398 |
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| Is Direct Marketing Still Effective |
2 / 385 |
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| Is Royal Mail justified in offering and promoting its direct mail services? |
3 / 611 |
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| Jones Blair Company |
5 / 1289 |
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| my paper |
6 / 1525 |
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| Painting |
7 / 1950 |
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| Production Decisions |
2 / 434 |
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| Psychology of Marketing |
4 / 953 |
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| Robert Hayden |
6 / 1532 |
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| Rohm & Haas |
1 / 201 |
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| Vanguard |
1 / 268 |
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| A Way of Escape |
1 / 264 |
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| Artist Members Of Society |
4 / 1102 |
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| Auden's Museum Of Fine Art |
5 / 1204 |
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| Cubism |
5 / 1293 |
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| Culture |
4 / 953 |
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| Foreshadowing of Death in Moby Dick |
2 / 556 |
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| GOYA |
2 / 463 |
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| Gertrude Stein: Making Perception |
4 / 985 |
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| Gertude Stein and the Art of Cubism |
5 / 1298 |
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| Giovanni Panini |
1 / 171 |
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| Lady Lazarus, Sylvia Plath and the Art of Dying |
3 / 652 |
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| dying in the eyes of shakespeare |
2 / 423 |
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| indirect terms |
2 / 449 |
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| Lord of the Flies |
3 / 653 |
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| My Analysis on Phyllis Wheatley |
1 / 206 |
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| My Last Duchess |
3 / 619 |
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| My Mother Pieced Quilts |
2 / 535 |
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| Outsider Speech Exploring The "Outsider" Notion |
3 / 776 |
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| Power of Youth and Beauty |
6 / 1778 |
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| Response To Billy The Kid By Jack Spicer |
4 / 1066 |
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| Similarities between the music of Debussy and the painting of Turner |
3 / 746 |
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| Spirit |
3 / 738 |
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| Stopping by the Woods for Some Espionage and Bombs On a Snowy Evening |
4 / 1051 |
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| The Age of Innocence |
3 / 842 |
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| To The Lighthouse |
5 / 1422 |
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| my name is asher lev |
7 / 1890 |
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| the surreal world |
3 / 608 |
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| Art History |
2 / 430 |
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| art history |
5 / 1255 |
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| Bank Art |
3 / 759 |
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| Caravaggio vs. The Camera Obscura |
5 / 1308 |
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| Cubism Art |
5 / 1381 |
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| Da Vinci |
5 / 1250 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| Euopean Art in the Wake of World War 1 |
4 / 976 |
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| Gauguin:The Tahitian Escape |
7 / 1843 |
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| Goya, Delacroix, and Meissonier |
4 / 1082 |
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| Goya: Truth and War |
4 / 1126 |
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| Group of Seven |
4 / 992 |
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| graffiti |
3 / 888 |
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| Jupiter and Semele |
5 / 1216 |
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| japanese ink paintings |
6 / 1572 |
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| Lebanon: A Brief Cultural Overview |
2 / 554 |
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| Leonardo Da Vinci |
2 / 545 |
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| Leonardo Da Vinci |
2 / 501 |
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| Los Dos Fridas |
4 / 1022 |
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| Michaelangelo |
3 / 786 |
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| Muromachi Period |
6 / 1699 |
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| Pablo Picasso'S Guernica |
2 / 550 |
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| Paleolithic Art |
5 / 1228 |
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| Pictorialism |
2 / 485 |
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| Ringling Museum Review |
4 / 991 |
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| Schroeder House and Schoenmaerker in the DeStijl Movement |
4 / 914 |
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| The Crusades |
3 / 881 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| Was Michelangelo a Genius or is He still one? |
3 / 753 |
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| Winckelmann Article |
2 / 519 |
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| Different Types Of Art Forms |
5 / 1431 |
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| Should Moral Values Be Taught In Schools |
3 / 732 |
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| Aboriginal Art |
3 / 635 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| Aphrodite |
3 / 638 |
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| Art Evaluation (year10) |
4 / 1145 |
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| Art Values |
3 / 606 |
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| Art11 Compare and Contrast essy |
5 / 1463 |
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| Art |
2 / 523 |
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| art history |
5 / 1296 |
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| art |
1 / 259 |
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| Bulls On Parade |
4 / 908 |
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| Chinese Art |
5 / 1204 |
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| Chuck Close |
2 / 479 |
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| Comparison of Picasso and Raoul Dufy |
4 / 1004 |
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| common themes, different feelings |
3 / 657 |
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| Direct and Alternating Current |
2 / 412 |
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| Diversity In Body Art |
3 / 609 |
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| discussions on Alegoria de California |
4 / 924 |
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| Etruscan Women |
3 / 655 |
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| Ferrera |
1 / 275 |
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| Fra Lippo Lippi |
5 / 1481 |
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| George Berkley |
2 / 547 |
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| Goya and Daumier comparison |
4 / 1158 |
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| Goya |
2 / 463 |
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| Henri Matisse:Goldfish |
5 / 1241 |
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| Impressionism |
2 / 456 |
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| Juan Gris |
5 / 1467 |
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| johnt |
3 / 680 |
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| Ken Ferguson: Kansas City Ceramics |
1 / 199 |
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| Lady of Shallott |
5 / 1322 |
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| Leaders Of World War Ii |
2 / 437 |
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| last supper |
3 / 893 |
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| lily |
2 / 514 |
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| Manet - Still Life |
7 / 1938 |
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| Margaret Preston: Life Summary and Description of 3 Artworks |
2 / 598 |
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| Marilyn Monroe Vs. Crying Girl: Who Is The Face Of Pop Art? |
4 / 1141 |
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| Master a Skill |
2 / 312 |
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| Matisse |
1 / 198 |
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| Michelangelo 3 |
2 / 514 |
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| Monet |
7 / 1938 |
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| Monets Green Reflections |
3 / 870 |
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| modern-day and 18th century artist comparison |
5 / 1288 |
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| Pablo Picasso Guernica VS. Theodore Gericault's Raft of the Medusa |
5 / 1498 |
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| Paint a House |
3 / 655 |
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| Picasso - Cultural Expression |
3 / 867 |
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| Picasso's Guernica and Uccello's Battle of San Romano : Different Images of War |
6 / 1629 |
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| Quotes About Life |
1 / 219 |
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| Renaissance Art |
5 / 1402 |
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| Renee Magritte |
2 / 459 |
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| Renoir's Depection of Women in 19th Century Art |
7 / 2043 |
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| Reproduction Businesses of Thomas Kinkade's painting |
4 / 1063 |
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| Romeo And Juliet, An Affair To Remember And Moulin Rouge - "the Path O |
4 / 932 |
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| Symbolism and multiple meanings in Jan Van Eyck's Wedding Portrait |
7 / 1836 |
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| student |
2 / 335 |
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| THE GROUP |
2 / 411 |
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| The Self Portraits Of Gertrude Stein And Pablo Picaso |
6 / 1761 |
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| The Wait |
1 / 264 |
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| The big N/A |
6 / 1580 |
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| Vincent Van Gogh |
5 / 1233 |
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| Vincent Van Gogh |
5 / 1470 |
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| Vincent Van Gogh |
5 / 1470 |
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| Visual Art in Greek Mythology |
5 / 1296 |
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| what shapes a trust bridge have |
4 / 1167 |
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| works of art compaired |
7 / 1995 |
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| Cider House Rules |
4 / 1161 |
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| Musorgsky: A Reminiscence of Victor Hartmann |
6 / 1571 |
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| rennacaince power point |
2 / 512 |
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| Vincent Van Gogh Critique |
1 / 262 |
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| Aquinas' 2nd Argument |
3 / 724 |
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| euripides |
1 / 217 |
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| Gustave Courbet |
4 / 1161 |
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| The Objective Nature of morality |
2 / 481 |
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| Truth in Picasso's The Old Guitarist |
5 / 1417 |
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| What does it mean to be an Individual? |
3 / 778 |
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| Personalities Theory Paper |
1 / 206 |
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| Art Theories and Influence on Artists |
7 / 1828 |
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| There is a God! |
3 / 723 |
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| big foot |
1 / 194 |
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| Censorship And Art - Piss Christ |
5 / 1313 |
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| concership |
1 / 252 |
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| Informative Essay: Women in the U.S. Army |
1 / 241 |
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| Malaysia Contemporary Art Issues: Art as Idea-A view from Jalaini Abu Hassan |
6 / 1551 |
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| No More Killing |
3 / 606 |
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| Stress |
1 / 252 |
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| the depth of vanity |
1 / 262 |
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| BUILDING A HOUSE |
3 / 651 |
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| DIRECT CONNECT MANUAL |
2 / 495 |
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