| Title | 
           Pages / Words | 
           Save | 
          
                  
           | The Great Gatsby | 
           7 / 1805 | 
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           | Oedipus the King | 
           9 / 2601 | 
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           | At Cooloola | 
           2 / 469 | 
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           | The Flea | 
           3 / 684 | 
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           | To Autumn by John Keates - Critical Analysis | 
           2 / 575 | 
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           | Assignment #3 | 
           3 / 788 | 
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           | Breaking the Chains of Psychological Slavery | 
           2 / 509 | 
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           | Helen Keller | 
           5 / 1493 | 
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           | History and Demographics | 
           2 / 564 | 
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           | hidden text in Morrisons Jazz | 
           3 / 859 | 
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           | Antonio Vivaldi | 
           2 / 500 | 
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           | Maya Angelou | 
           2 / 413 | 
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           | Robert Longo | 
           2 / 443 | 
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           | Stonewall Jackson | 
           3 / 755 | 
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           | tupac | 
           3 / 708 | 
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           | Animal Farm by George Orwell | 
           2 / 571 | 
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           | Candide: A Critique | 
           3 / 733 | 
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           | Cask Of Amontillado Anaylysis | 
           2 / 494 | 
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           | Cat On A Hot Tin Roof | 
           3 / 685 | 
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           | Cold Sassy Tree | 
           3 / 666 | 
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           | Discuss Plath’S Treatment Of Maternal Identity In Ariel | 
           2 / 469 | 
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           | Light Association, Shaping Our Understanding | 
           5 / 1211 | 
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           | Maya Angelou'S The Graduation | 
           2 / 430 | 
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           | Miss Havisham | 
           3 / 656 | 
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           | Race and Racism in Britain review | 
           2 / 453 | 
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           | Symbolism In The Pearl | 
           2 / 526 | 
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           | The Great Gatsby: A Full Spectrum Of Character | 
           2 / 557 | 
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           | The Little Prince | 
           2 / 450 | 
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           | The Perfect Life | 
           3 / 678 | 
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           | The Scarlet Letter | 
           3 / 874 | 
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           | The soft machine | 
           8 / 2220 | 
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           | Zadie Smith | 
           2 / 588 | 
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           | Advertising and Sex | 
           8 / 2246 | 
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           | Businesspaper | 
           8 / 2386 | 
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           | case analysis Mcdonalds | 
           2 / 469 | 
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           | Gap Analysis Paper | 
           3 / 885 | 
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           | Home Depot | 
           13 / 3832 | 
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           | LEADERSHIP THEORIES | 
           4 / 937 | 
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           | Project Aerial | 
           4 / 1160 | 
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           | reflections of society in literature | 
           4 / 949 | 
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           | A Comparison of Nature in Romantic Poetry | 
           4 / 1075 | 
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           | Analysis Of Frost's "desert Places" And "stopping By Woods On A Snowy | 
           4 / 1046 | 
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           | Analysis of a poem | 
           3 / 877 | 
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           | Animal Imagery In The Wars | 
           6 / 1744 | 
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           | Antony and Cloepatra | 
           6 / 1701 | 
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           | Baldwin In A Microcosm | 
           2 / 559 | 
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           | Bliss | 
           2 / 494 | 
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           | Brilliant Folly: The Role Of Feste | 
           4 / 930 | 
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           | COM120 Final Grammar Quiz | 
           3 / 891 | 
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           | Cargoes | 
           2 / 535 | 
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           | Children of the City | 
           2 / 570 | 
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           | Commentray On rose | 
           3 / 652 | 
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           | Comparing Poems From Different Cultures | 
           3 / 771 | 
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           | Contemporary Insanity | 
           5 / 1316 | 
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           | Courtesy through Satire | 
           3 / 852 | 
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           | Critical Anylasis | 
           3 / 622 | 
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           | Cut by sylvia Plath | 
           6 / 1612 | 
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           | Dierks Bentleys My Last Name | 
           4 / 1059 | 
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           | Doll House Essay | 
           3 / 704 | 
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           | Dulce et Decorum Est | 
           2 / 593 | 
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           | English | 
           5 / 1246 | 
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           | Everyday Use | 
           3 / 603 | 
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           | Ex-Basketball Player | 
           2 / 500 | 
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           | Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts | 
           6 / 1665 | 
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           | Give Me Liberty, or Give Me Death! | 
           7 / 1936 | 
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           | Grapes Of Wrath Project | 
           2 / 399 | 
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           | Great Gatsby | 
           5 / 1398 | 
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           | Image Analysis | 
           3 / 604 | 
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           | Imagery In Poems “Daddy” And “Lady Lazarus” By Sylvia Plath | 
           5 / 1339 | 
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           | Imagery In Sally Croft'S "Home Baked Bread" | 
           2 / 536 | 
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           | Jonathan Swift's \ | 
           3 / 881 | 
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           | ballad of the landlord | 
           3 / 616 | 
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           | characterisation of hamlet | 
           2 / 567 | 
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           | coleridge | 
           6 / 1760 | 
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           | dream defered | 
           2 / 538 | 
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           | giving blood | 
           5 / 1492 | 
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           | hills like white elephants | 
           5 / 1383 | 
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           | “In What Ways, And With Effects Have Writers In Your Study Indicated Their Personal Preferences, Biases, Or Even Prejudice About Certain Subjects?” | 
           4 / 990 | 
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           | Macbeth: Style And Structure | 
           13 / 3830 | 
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           | Macbeth: Symbolism | 
           2 / 496 | 
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           | O'Connor Biography | 
           4 / 937 | 
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           | Ode on a grecian urn-john keates. | 
           3 / 625 | 
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           | Ode to a Grecian Urn | 
           3 / 621 | 
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           | Oedipus REx and Aristotle | 
           3 / 861 | 
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           | Oedipus the king | 
           9 / 2601 | 
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           | On Drama Translation | 
           7 / 1805 | 
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           | Othello | 
           2 / 594 | 
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           | Poetry Of Sound | 
           2 / 507 | 
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           | Pornography | 
           2 / 392 | 
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           | Pre1914-Prose | 
           14 / 4016 | 
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           | Prometheus Unbound | 
           8 / 2269 | 
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           | Rabbit Proof Fence | 
           7 / 1804 | 
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           | Raw | 
           2 / 561 | 
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           | Realism and Romanticism in the Poetry of Emily Dickinson | 
           4 / 1065 | 
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           | Red rose | 
           3 / 663 | 
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           | Sonnet 30 | 
           2 / 551 | 
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           | Spoon River Analogy | 
           6 / 1722 | 
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           | Stephen King - Film Elements | 
           12 / 3384 | 
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           | Student | 
           2 / 549 | 
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           | Tess | 
           4 / 1122 | 
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           | The Apple Of Life: A Critical Analysis Of Robert Frost's "After Apple- | 
           4 / 1097 | 
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           | The Art of Poetry: Interpretation and Imagination in William Carlos Williams' ?The Red Wheelbarrow' | 
           4 / 985 | 
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           | The Birthmark Term Paper | 
           4 / 1071 | 
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           | The Chrysanthemums | 
           5 / 1265 | 
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           | The Connection Of God And Nature In Bryant's Thanatopsis | 
           2 / 574 | 
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           | The Flea | 
           3 / 713 | 
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           | The Great Gatsby review | 
           2 / 572 | 
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           | The Individual and Society in 19th England | 
           5 / 1264 | 
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           | The Life of David Copperfield..or Charles Dickens? | 
           3 / 602 | 
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           | The Nature Of Evil In Young Goodman Brown | 
           7 / 1842 | 
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           | The Works Of Frederick Douglass | 
           3 / 660 | 
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           | Things Fall Apart | 
           3 / 795 | 
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           | To Act or Not to Act | 
           2 / 550 | 
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           | Tragedy | 
           3 / 700 | 
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           | Turtles Hatching | 
           5 / 1220 | 
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           | What are the qualities of a successful thriller and how are they exploited? | 
           4 / 1122 | 
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           | Wordsworth the Romantic | 
           2 / 517 | 
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           | Writing Styles in the Puritan Time Period | 
           2 / 520 | 
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           | pawn shop | 
           2 / 550 | 
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           | practical criticism | 
           4 / 1144 | 
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           | schlesinger's Canon Vs. My High School's Canon | 
           4 / 1041 | 
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           | whitsun wedding | 
           2 / 505 | 
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           | william Wordsworth and MAtthew Arnold | 
           6 / 1702 | 
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           | Artwork Comparison Of Davinci And Michaleangelo | 
           2 / 424 | 
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           | Cesar Chavez | 
           15 / 4488 | 
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           | Euopean Art in the Wake of World War 1 | 
           4 / 976 | 
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           | "Mirror Image" by Lena Coakley | 
           2 / 559 | 
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           | A New Forest To Conquer | 
           3 / 630 | 
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           | After Great Pain, A Formal Feeling Comes-- | 
           2 / 477 | 
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           | Airframe | 
           2 / 546 | 
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           | An Analysis of "The Horse Dealer's Daughter" | 
           2 / 496 | 
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           | Analysis Of Emily Dickensons C | 
           2 / 470 | 
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           | art history | 
           5 / 1296 | 
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           | art | 
           3 / 845 | 
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           | Baby Boom Review | 
           11 / 3231 | 
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           | Baldwin In A Microcosm | 
           2 / 559 | 
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           | Beach Burial - Kenneth Slessor | 
           5 / 1252 | 
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           | Beach Burial | 
           5 / 1252 | 
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           | Brave New World 7 | 
           2 / 474 | 
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           | Brave New World | 
           2 / 474 | 
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           | Brilliant Folly: The Role Of Feste | 
           4 / 930 | 
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           | Character Roles In Steinbecks | 
           2 / 535 | 
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           | Chronic Fatigue Syndrome | 
           2 / 402 | 
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           | Crumbling Is Not An Instants Act | 
           2 / 470 | 
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           | Cry The Beloved Country | 
           2 / 470 | 
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           | Educating Rita | 
           5 / 1279 | 
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           | Emily Dickinson 3 | 
           7 / 2091 | 
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           | Frederick Douglass: Portraying Slaveholders | 
           2 / 580 | 
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           | Guernica | 
           7 / 1814 | 
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           | Guy Fawkes | 
           4 / 911 | 
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           | Guy Fawkes | 
           4 / 911 | 
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           | Hey all | 
           4 / 1122 | 
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           | Hypnosis 2 | 
           6 / 1693 | 
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           | In Iago, Shakespeare has Created an Engaging and Complex Villain who Governs the Actions of the Play. Discuss | 
           9 / 2428 | 
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           | Judith Wright's Poetry | 
           2 / 527 | 
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           | Leguins Omelas | 
           2 / 586 | 
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           | Martha | 
           2 / 570 | 
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           | Poetry Of Sound | 
           2 / 507 | 
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           | Pornography | 
           2 / 392 | 
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           | Prospice | 
           4 / 1134 | 
             | 
          
                  
           | Read the passages in Chapter 3 where Jack and Simon are each in the Forest. How does the language convey their contrasting character and roles in the novel? | 
           9 / 2681 | 
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           | Robert Frost - Ideas | 
           2 / 571 | 
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           | Robert Frost Ideas | 
           2 / 571 | 
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           | salvador dali | 
           2 / 489 | 
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           | Tess | 
           4 / 1122 | 
             | 
          
                  
           | The Boston Strangler - Serial Killer | 
           3 / 844 | 
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           | The Fall Of The House Of Usher: Imagery And Parallelism | 
           6 / 1618 | 
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           | The Frame Structure Of Franken | 
           4 / 960 | 
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           | The Hollow Men | 
           2 / 487 | 
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           | The Nature Of Evil In Young Goodman Brown | 
           7 / 1842 | 
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           | The Scarlet Letter | 
           4 / 910 | 
             | 
          
                  
           | Tribute Paper | 
           2 / 548 | 
             | 
          
                  
           | UNITED STATES MARINE CORPS INTELLIGENCE OFFICER | 
           2 / 514 | 
             | 
          
                  
           | Why Art Is Important To Religion | 
           3 / 605 | 
             | 
          
                  
           | Wolfbrother | 
           5 / 1281 | 
             | 
          
                  
           | Writing Styles In The Puritan Time Period | 
           2 / 520 | 
             | 
          
                  
           | Critique of "Tis Calling" song | 
           4 / 1002 | 
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           | Gattaca, Andrew Niccols Negative Portrayal Of The 'Not-Too-Distant' Future | 
           4 / 943 | 
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           | gorrilaz feel good inc | 
           2 / 544 | 
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           | Movie: Life, Like The Great Gatsby | 
           7 / 1809 | 
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           | This is The End | 
           6 / 1763 | 
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           | World Without End | 
           2 / 547 | 
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           | Kubla Khan and its Relation to Romanticism | 
           9 / 2435 | 
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           | Plato | 
           3 / 640 | 
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           | The Romantic Philosophy | 
           3 / 841 | 
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           | Attachment and early exploration | 
           2 / 490 | 
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           | annotated bibiliography on eating disorders | 
           4 / 958 | 
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           | Beyond the Common Myths of Hypnosis | 
           8 / 2163 | 
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           | Color Perception After Viewing Emotional Media | 
           2 / 532 | 
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           | The Boston Strangler - Serial Killer | 
           3 / 844 | 
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           | Cancer | 
           2 / 447 | 
             | 
          
                  
           | Subliminal Messages | 
           8 / 2298 | 
             | 
          
                  
           | The Florida Everglades ? A Wetlands Ecosystem | 
           7 / 2069 | 
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           | Advertisements | 
           2 / 576 | 
             | 
          
                  
           | Are We Helping Stereotypes? | 
           5 / 1398 | 
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           | death penalty | 
           3 / 843 | 
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           | Gay USA | 
           2 / 510 | 
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           | Is the media at fault for portraying genders falsely? | 
           3 / 601 | 
             | 
          
                  
           | Changing Technology Brings With It A New Bag of Tricks | 
           6 / 1656 | 
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           | Datamining And Security | 
           4 / 928 | 
             |