| Title |
Pages / Words |
Save |
| Seabiscuit |
1 / 126 |
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| picasso movie |
2 / 334 |
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| Analysis Of The Fog Of War: Eleven Lessons By Robert S. Mcnamara |
4 / 1024 |
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| The Raven |
4 / 1093 |
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| death |
1 / 157 |
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| The Lost Truth |
2 / 375 |
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| I am Sam psychology movie review |
2 / 433 |
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| Antigony |
3 / 708 |
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| Clifford Geertz’s description of culture |
1 / 246 |
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| Hmong Diaspora and Media |
2 / 301 |
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| DESIGN AND IMPLEMENTATION OF A PROGRAM FOR COMPUTING SIZE OF CONNECTED COMPONENTS |
2 / 503 |
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| Steven Spielburg |
3 / 814 |
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| Lady or the Tiger |
2 / 586 |
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| Cladensine |
5 / 1464 |
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| Views on Death Penalty |
1 / 274 |
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| A Beautiful Mind |
3 / 644 |
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| Importance of Bein Earnest |
4 / 1153 |
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| Casablanca |
2 / 486 |
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| Inca |
2 / 348 |
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| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
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| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
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| Such A Beast!: Sexuality And Humanization In Dracula |
5 / 1304 |
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| charlotte temple |
4 / 971 |
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| Film Analysis |
8 / 2111 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| Leone's Spaghetti |
3 / 768 |
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| Graphic User Interfaces |
3 / 636 |
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| heart of darkness/ apocalypse now |
5 / 1356 |
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| MortgageCalc.java |
2 / 392 |
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| First Snow |
3 / 768 |
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| The Technique Of Role Playing |
2 / 509 |
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| Gilman's Yellow Wallpaper |
1 / 288 |
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| Babel Responce |
3 / 658 |
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| Kite Runner Movie |
1 / 298 |
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| Animal Farm |
2 / 455 |
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| A Comparison And Contrast Of Love In Christopher Marlowe's "the Passio |
5 / 1441 |
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| Movie Review: Yentl |
4 / 1008 |
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| Reading Comprehension |
2 / 512 |
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| The Taj Mahal |
3 / 801 |
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| Computer |
1 / 254 |
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| Deterrence and the Death Penalty |
2 / 317 |
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| Americans In Film- Race, Gender, And |
2 / 494 |
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| The Wizord Of Oz Symbolizing The Gilded Age |
2 / 533 |
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| What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| afterlife |
2 / 567 |
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| paper |
3 / 605 |
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| American Beauty |
4 / 1122 |
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| Life & Debt |
2 / 444 |
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| Crash - Analysis |
2 / 533 |
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| life, a short comedy |
1 / 272 |
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| Star Wars |
4 / 937 |
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| REGISTRY HACKS |
1 / 271 |
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| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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| Modernism vs. Postmodernism |
4 / 1094 |
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| The Pardoner's Tale: Themes Of Death And Greed |
1 / 169 |
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| Rabbit Proof Fence |
4 / 1073 |
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| Buyer / Product Manager with 10 years experience |
1 / 253 |
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| The Red Tent: My Reaction |
6 / 1511 |
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| French New Wave Cinema: Breathless 1959 |
5 / 1251 |
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| Binge Drinking Must be Stopped |
4 / 1082 |
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| Chinatown: Above the Film Noir Genre |
5 / 1405 |
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| Representations of Gothic Power in Karl Freund's Mad Love |
4 / 1191 |
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| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
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| NCAA: Give It Up |
3 / 628 |
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| sterphen spielberg |
3 / 605 |
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| Norman Rockwell |
3 / 698 |
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| Hamlet |
2 / 453 |
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| Reading And It's Impact On Education |
3 / 820 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
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| The Tommyknockers and Nuclear Energy |
3 / 634 |
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| Mansfield |
6 / 1511 |
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| Planet of the Apes |
3 / 848 |
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| White Man's Muscles |
4 / 908 |
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| Review: Pulp Fiction |
3 / 776 |
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| Censorship |
4 / 945 |
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| Bridge over the River Kwai |
2 / 476 |
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| Patch Adams |
2 / 510 |
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| Art and Business of Film Making |
6 / 1577 |
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| text comparison |
3 / 821 |
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| Khkhk |
2 / 340 |
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| John Donne and William Shakespeare |
1 / 281 |
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| Macbeth |
1 / 298 |
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| Far and Away |
3 / 827 |
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| Current Event |
2 / 311 |
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| Nixon's Speech |
2 / 316 |
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| child abuse |
2 / 590 |
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| Firestarter |
3 / 769 |
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| Compare and Contrast |
3 / 608 |
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| Interview with Mel Stuart |
4 / 977 |
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| 2001 A Space Odyssey Analysis |
4 / 915 |
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| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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| tegan and sara |
2 / 546 |
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| absolutism |
3 / 832 |
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| The Chocolate War |
3 / 677 |
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| Film Openings |
3 / 784 |
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| Look-Alike To 'Because I Could Not Stop For Death' |
2 / 355 |
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| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
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| MultiMediaProgramming |
2 / 536 |
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| Gallipoli - Australian Film Review |
3 / 853 |
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| Gallipoli - Australian Film Review |
3 / 853 |
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| Beloved |
4 / 963 |
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| I,Robot; Language study, Text study and essay writting English upper intermediate |
5 / 1268 |
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| Beowulf and Grendel |
11 / 3191 |
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| The Green Mile |
4 / 1072 |
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| Compare and Contrast the language and layout of "We Drink To You All" and "Fresh Air". Explain how each text appeals to their audience. |
5 / 1209 |
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| studying media |
4 / 1060 |
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| The One Day of the Year |
3 / 738 |
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| Forsaken Rational |
3 / 701 |
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| Film Industry: then and now |
4 / 1111 |
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| Gospel Analysis |
2 / 569 |
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| Death Penalty Position Paper |
1 / 281 |
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| Brief Look At Andy Warhol |
2 / 310 |
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| Change Text on XP Start Button |
2 / 512 |
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| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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| The Temoest as a theatrical contribution |
4 / 1182 |
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| War In Cinema |
3 / 885 |
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| Martin Luther King |
4 / 1145 |
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| citizen kane |
5 / 1339 |
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| breaking the norm |
3 / 632 |
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| Dona Nobis Pacem: Vaughan Williams |
2 / 408 |
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| Huckleberry Finn Essay |
2 / 535 |
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| Thin |
3 / 676 |
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| Curious Incident of the dog in the nighttime |
2 / 515 |
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| Oracle 9ias Backup Strategy |
2 / 412 |
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| ritchie rich |
2 / 433 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| Lavender |
3 / 631 |
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| The Comparison Between China and Japan |
1 / 265 |
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| Death Wins Again |
3 / 643 |
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| Blue Velvet: Scene Analysis |
2 / 594 |
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| death penalty |
1 / 298 |
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| Novel WIthout a Name |
6 / 1634 |
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| history of hollywood |
3 / 854 |
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| film history |
4 / 1047 |
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| Horror Show |
2 / 397 |
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| Munich |
6 / 1519 |
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| The General |
3 / 741 |
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| Dead Man Walking |
5 / 1460 |
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| kramer Vs kramer |
4 / 908 |
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| The Language Of Text Messaging |
4 / 1176 |
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| Jesus And Muhammad |
5 / 1404 |
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| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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| Characterization: “The Tell-Tale Heart” |
3 / 622 |
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| Modern Drama |
4 / 1090 |
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| 007 |
23 / 6721 |
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| indian cinema |
3 / 713 |
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| Managerial Accounting Ch. 21 |
2 / 372 |
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| Woody Allen |
3 / 658 |
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| Billy Elliot |
2 / 342 |
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| Medieval Lessons in Leadership |
6 / 1654 |
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| Capturing the Friedmans |
5 / 1480 |
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| Random Comparison |
2 / 503 |
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| Sight and Blindness in Oedipus Rex |
4 / 1154 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| Marie Curie Article Summaries |
2 / 345 |
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| Marie Curie Article Summaries |
2 / 345 |
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| James A. Michner's: TEXAS |
3 / 724 |
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| Of Mice and men |
5 / 1326 |
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| Weapons of the Times |
5 / 1233 |
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| How Can Kodak’s Ceo Use Digital Imaging To Revitalize The Company? |
4 / 915 |
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| Carpe Diem Dead Poet Society |
2 / 354 |
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| Famine, Affluence Morality |
3 / 708 |
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| Case Briefing Gregg v Georgia |
2 / 474 |
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| Vertigo |
4 / 1072 |
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| Phaedrus |
8 / 2102 |
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| Psycho |
2 / 489 |
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| Soul Flayer |
2 / 391 |
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| Revenge themes in Hamlet |
4 / 932 |
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| Pauls Dad |
5 / 1392 |
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| raise the red lantern |
4 / 1084 |
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| Using database comparison |
3 / 616 |
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| Bye Bye Brazil |
3 / 715 |
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| media content reflects changing dominant discourses about femininity and masculinity. |
8 / 2112 |
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| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
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| Vertigo |
6 / 1597 |
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| The Bicycle Thief |
4 / 1119 |
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| American Culture |
1 / 299 |
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| Romeo and Juliet Speech |
2 / 349 |
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| Vice Virtue |
3 / 831 |
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| Harrison Bergeron |
2 / 402 |
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| Popular Persuassion |
2 / 549 |
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| Gattaca |
3 / 725 |
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| Film Review Of American History X" |
4 / 1015 |
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| Dhammapada |
4 / 1157 |
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| Obesity |
3 / 734 |
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| the connection between audience and author |
4 / 1053 |
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| beautiful mind |
2 / 441 |
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| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
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| Death of a salesman & M Butterfly comparison |
3 / 804 |
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| Michael Black Dances with the Wolves |
2 / 460 |
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| Cross-Cultural Film Analysis - Gattaca |
4 / 1199 |
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| It happened One Night Film |
3 / 616 |
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| George Eastman |
2 / 514 |
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| Tarantino |
5 / 1293 |
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| The Dead |
2 / 536 |
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| citizen kane |
2 / 600 |
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| Citizen Kane |
2 / 600 |
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| Hamlet |
2 / 474 |
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| Viewer Response - The Graduate |
2 / 387 |
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