| Title |
Pages / Words |
Save |
| The Matrix |
2 / 388 |
 |
| As you like it - Act 1 |
5 / 1277 |
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| Revenge In Hamlet |
4 / 994 |
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| Douglas Macarthur |
4 / 1039 |
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| Ghmf |
4 / 990 |
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| history |
2 / 408 |
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| Jackson |
2 / 510 |
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| John Locke |
2 / 586 |
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| Kiss Me Deadly and Film Noir |
2 / 530 |
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| al capone , a true american hero |
1 / 158 |
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| Cromwell |
17 / 4956 |
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| Cyrano De Bergerac |
2 / 594 |
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| Giuseppe Garibaldi |
2 / 574 |
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| Jinnah: A Charisma Built for Disrupture |
2 / 592 |
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| Oprah |
2 / 408 |
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| Another Cyrano De Bergerac |
2 / 584 |
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| Atticus Finch |
3 / 608 |
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| Beowulf |
2 / 516 |
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| Billy Budd: Was Captain Vere Right? |
3 / 613 |
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| Cyrano De Bergerac |
2 / 597 |
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| Cyrano De Bergerac |
2 / 593 |
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| Hannibal |
3 / 716 |
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| Heathcliff the Byronic Hero |
5 / 1217 |
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| Macbeth |
2 / 420 |
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| Okonkwo Essay |
5 / 1214 |
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| Okonkwo is a tragic Hero |
3 / 724 |
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| Old Man and Sea Essay |
3 / 601 |
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| Othello: Iago - "o, Beware, My Lord, Of Jealousy" |
4 / 988 |
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| old man and the sea |
1 / 209 |
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| Red Badge Of Courage |
4 / 1160 |
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| Red Badge Of Courage |
5 / 1466 |
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| Revenge in Hamlet |
4 / 1074 |
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| red badge of courage |
5 / 1453 |
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| The Hero |
6 / 1715 |
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| The Imagery Of Blood In Macbeth |
2 / 560 |
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| The One |
2 / 471 |
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| The Red Badge Of Courage |
5 / 1453 |
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| The Virgian And Little Big Man |
5 / 1445 |
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| Tom Sawyer |
2 / 556 |
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| the oddesy |
1 / 222 |
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| Information Systems |
3 / 624 |
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| The Concept of Money |
2 / 592 |
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| A hero for the freedom of Scotland |
4 / 922 |
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| Abigail Williams |
2 / 568 |
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| Antigone |
5 / 1326 |
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| Anton Chekov: A Brief Biographical Sketch |
5 / 1255 |
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| Arhuna and Ravana |
2 / 464 |
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| Arthur Dimmesdale: Tragic Hero Or Merely Tragic? |
5 / 1280 |
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| As You Like it function of Act 1 |
5 / 1297 |
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| Beowulf paper |
2 / 541 |
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| Beowulf |
4 / 1006 |
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| Beowulf |
2 / 577 |
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| Cast Away |
3 / 836 |
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| Character Analysis |
2 / 431 |
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| DECEPTION IN OTHELLO |
5 / 1331 |
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| Death of a Salesman: Tragedy of the Common Man |
4 / 1086 |
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| Deceit within Much Ado About Nothing and The Taming of the Shrew |
3 / 688 |
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| Epic of Gilgamesh: A Hero |
5 / 1498 |
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| Essays |
2 / 567 |
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| Everyday Heroes |
1 / 236 |
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| Greatgatsby: Tragic Hero |
1 / 164 |
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| Hamlet as a Tragic Hero |
6 / 1562 |
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| Hamlet's Hesitation |
4 / 1086 |
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| Hamlet |
4 / 1048 |
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| Hero of Paradie Lost |
6 / 1617 |
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| Heroes in Anglo-Saxon culture |
4 / 1166 |
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| Heroes |
2 / 454 |
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| Holding the attention of the audience in Othello |
5 / 1248 |
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| How I Learned To Drive |
2 / 499 |
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| If you don't kill it, it'll kill you. |
4 / 1034 |
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| Is Duddy Karvitz and Anti-Hero? |
2 / 474 |
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| King Lear Act V |
5 / 1392 |
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| King Lear Vs. Glouchester |
7 / 1915 |
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| King Lear |
3 / 752 |
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| Lady Macbeth |
2 / 415 |
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| critical essay on for whom the bell tolls |
4 / 1069 |
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| discourse and the wider world |
5 / 1367 |
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| holy grial |
1 / 169 |
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| MACBETH |
2 / 467 |
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| Macbeth - Tragic Hero |
3 / 666 |
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| Macbeth |
3 / 755 |
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| Merchant of venice |
6 / 1711 |
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| Metaphors That Justify War |
9 / 2560 |
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| Much Ado about Nothing |
5 / 1340 |
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| Odysseus Vs. Gilgamesh |
5 / 1319 |
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| Odysseus: A Hero |
5 / 1329 |
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| Odyssey: the Journey of a Hero |
7 / 1886 |
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| Oliver Twist |
6 / 1571 |
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| One Flew Over The Cuckoo's Nest - Written Responces |
3 / 719 |
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| Othello |
2 / 457 |
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| Othello: Iago Appearance Vs. Realality |
8 / 2311 |
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| Paradise Lost - John Milton's Satan; Hero or Not? |
6 / 1630 |
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| Richard III destiny |
4 / 1004 |
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| Romanticism in Frankenstein |
3 / 837 |
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| Romeo and Mercutio |
4 / 939 |
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| Satan: The True Hero Of Paradise Lost |
5 / 1458 |
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| Shakespeare?s 10 things |
4 / 1187 |
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| The Grandmothers Tale |
11 / 3056 |
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| The Grecian Hero Archetype |
6 / 1530 |
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| The Ideal of the Self |
11 / 3142 |
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| The Iliad: Literary Analysis |
6 / 1535 |
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| The Symbol Of Blood In Macbeth |
4 / 1118 |
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| The Tempest's Power |
2 / 397 |
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| The Tragedy of Death of A Salesman |
4 / 998 |
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| The many heroes of our day |
4 / 938 |
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| There are many critical interpretations of Iago’s character. Was he a ‘skillful villain’? Or perhaps he was a ‘mysterious creature of unlimited cynicism’? Or was he simply a ‘wronged man’? More sinned against than sinning? |
9 / 2517 |
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| Tolkien's Middle Earth |
3 / 790 |
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| Tragedy In Drama |
6 / 1705 |
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| Tragic Hero |
3 / 604 |
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| Traits Of Odysseus |
2 / 476 |
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| music in Much Ado About nothing |
6 / 1709 |
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| no ones alone |
2 / 438 |
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| othello passage analysis ACT 3, SCENE 3, LINES 163-215 |
4 / 1031 |
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| othello |
3 / 656 |
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| Ben Franklin |
3 / 645 |
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| Braveheart/ William Wallace |
3 / 658 |
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| Diocletian and the army near the Bosphorus |
2 / 388 |
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| Hamlet world theatre 102 |
4 / 1097 |
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| History |
2 / 517 |
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| Oedipus The Tragic Hero |
4 / 1123 |
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| odysseus - a different type of hero |
4 / 1185 |
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| The Key, Underlying Elements Portrayed in The Iliad |
3 / 860 |
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| The iliad and greek heroes |
5 / 1468 |
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| Tommy Rickets |
2 / 429 |
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| Troy vs. the Iliad |
4 / 1150 |
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| Why did Director Scott Fictionalize? |
2 / 547 |
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| Beowulf And Sir Gawain As True Heroes. |
6 / 1681 |
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| Alexander The Great |
4 / 923 |
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| Analysis On Hamlets Madness |
4 / 1118 |
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| Anton Chekov: A Brief Biographical Sketch |
5 / 1255 |
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| Arthur Dimmesdale: Tragic Hero Or Merely Tragic? |
5 / 1280 |
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| Ben Quarles Negro In The Revol |
5 / 1331 |
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| Canada Vs America |
4 / 1123 |
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| China Town |
5 / 1277 |
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| Comparing Much Ado About Nothing |
4 / 943 |
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| Comparing Much Ado About Nothing |
4 / 943 |
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| David The Great |
3 / 701 |
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| Death Of A Salesman: The Tragic Anti-hero Of Willy Loman |
4 / 967 |
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| fighting On Two Fronts: Henry Fleming In Red Badge Of Courage |
2 / 577 |
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| Geat Vs. Greek |
4 / 963 |
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| Giuseppe Garibaldi |
2 / 574 |
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| gigamesh and the oddessy |
5 / 1340 |
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| Joseph Campbell Research |
4 / 1054 |
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| Julius Caesar |
2 / 556 |
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| King Lear - Clear Vision In King Lear |
5 / 1261 |
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| King Lear |
4 / 1114 |
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| King Lears Blindness |
8 / 2118 |
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| Macbeth - A Tragic Hero |
7 / 1948 |
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| Macbeth 2 |
3 / 828 |
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| Macbeth |
3 / 828 |
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| Marriage & The Monarchy: Anne Of Cleves & Katherine Howard |
9 / 2430 |
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| Meaningful Quotations from Turn of the Screw |
2 / 424 |
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| Mr. |
3 / 861 |
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| Muhammad Ali - Cassius Clay |
3 / 820 |
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| Muhammad Ali - Cassius Clay |
3 / 820 |
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| OEDIPUS REX ANALISYS |
3 / 851 |
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| Odysseus,the Hero, Homer |
2 / 525 |
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| Oedipus Rex 2 |
4 / 945 |
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| Oedipus Rex |
4 / 945 |
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| Oedipus Rex |
4 / 945 |
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| Oedipus The King 2 |
3 / 630 |
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| Oedipus The King |
3 / 630 |
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| Oliver Twist |
6 / 1571 |
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| Orson Welles |
4 / 1157 |
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| Paradise Lost - John Milton's Satan; Hero Or Not? |
6 / 1630 |
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| Perspective Journal- The Punisher |
2 / 442 |
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| Position Paper On Heroes |
3 / 699 |
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| Red Badge Of Courage |
5 / 1466 |
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| Red Badge Of Courage |
5 / 1466 |
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| Red Badge Of Courage |
4 / 1160 |
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| Romeo and Juliet |
2 / 460 |
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| Rosa Parks |
2 / 489 |
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| red badge of courage |
5 / 1453 |
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| Satan: The True Hero Of Paradise Lost |
5 / 1458 |
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| Sisyphus |
3 / 610 |
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| Tartuffe |
2 / 552 |
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| The Old Man And The Sea |
1 / 234 |
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| The Red Badge Of Courage |
5 / 1453 |
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| The Women Of Shakespear |
7 / 1840 |
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| Tragic Hero |
3 / 604 |
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| Views Of King Lear |
4 / 1181 |
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| Views Of King Lear |
4 / 1114 |
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| Wuthering Heights |
2 / 499 |
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| Blaire Witch review |
2 / 475 |
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| Charlie's Angels Review |
2 / 600 |
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| China Town |
5 / 1277 |
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| Enemy At The Gates |
3 / 749 |
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| Field of dreams |
4 / 1068 |
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| Film Review: The Patriot |
3 / 613 |
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| Rabbit Proof Fence analysis |
2 / 358 |
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| Representations of Gothic Power in Karl Freund's Mad Love |
4 / 1191 |
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| snatch |
4 / 920 |
|
| The producers of television programmes use a set of codes and conventi |
5 / 1434 |
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| Westerns |
2 / 354 |
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| Children Play Observation |
4 / 915 |
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| Hispanics In The Film Industry |
2 / 578 |
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| inportant in life |
1 / 198 |
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| relationship between thrillers and society |
6 / 1527 |
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| Spider Man |
3 / 751 |
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| The impact of media on uneducated masses |
3 / 879 |
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