| Title |
Pages / Words |
Save |
| Leonardo da Vinci's "The Last Supper" |
8 / 2195 |
 |
| How Plot, Setting and Characters Influence Readers Response |
3 / 837 |
|
| American boom |
2 / 372 |
|
| apartheid |
3 / 682 |
|
| elie wiesel |
1 / 232 |
|
| The Kite Runner |
1 / 181 |
|
| w.e.b dubois |
2 / 349 |
|
| 5 People You Meet In Heaven |
2 / 556 |
|
| A Rose for Emily |
3 / 606 |
|
| an old man with enormous wings |
1 / 296 |
|
| Blood is thicker than water |
2 / 439 |
|
| Christian Morals In Beowulf |
3 / 617 |
|
| Crafting of the story 'Scary Movies' |
3 / 606 |
|
| Critical Analysis Of Young Goodman Brown |
2 / 305 |
|
| Deceit Lies Beneath |
2 / 530 |
|
| Foreshadowing- |
3 / 806 |
|
| Hunters in the Snow analysis |
2 / 381 |
|
| house on mango street |
2 / 324 |
|
| Interpretation of "Recitatif" |
2 / 448 |
|
| Johnny Tremain |
1 / 134 |
|
| killings |
2 / 530 |
|
| land Of Dreams - By: Joan Lowery Nixon |
1 / 200 |
|
| Maigret And Then Toy Village |
2 / 319 |
|
| Notes On "Road Not Taken" |
4 / 983 |
|
| O Pioneers! |
2 / 392 |
|
| Othello |
2 / 397 |
|
| Ovid's Metamorphoses Book II |
5 / 1218 |
|
| Response to Jack London |
2 / 318 |
|
| Romeo And Juliet Versus West Side Story |
3 / 649 |
|
| Rumble Fish by: S.E. Hinton |
2 / 361 |
|
| Saboteur |
3 / 762 |
|
| Salem: A result of Good Or Evil? |
2 / 465 |
|
| Structuring A Business Report |
4 / 943 |
|
| shooting an elephant |
3 / 682 |
|
| The Day Lincoln Was Shot |
1 / 211 |
|
| The Giant Wistaria |
1 / 230 |
|
| The Lottery |
2 / 367 |
|
| The Pigman |
1 / 281 |
|
| The Red Tent - Book Review |
2 / 355 |
|
| The Waters Of Babylon |
3 / 692 |
|
| The birds |
3 / 844 |
|
| The cask of Amontillado |
2 / 373 |
|
| There Will Come Soft Rains essay |
1 / 290 |
|
| To Kill a Mockingird |
2 / 438 |
|
| Treasure Island |
3 / 686 |
|
| tears of a tiger |
2 / 462 |
|
| the dandelion killer |
2 / 369 |
|
| Do You Agree That Brands That Chase Fads, Or Try To Create Them Will Fare Badly? |
2 / 315 |
|
| garlic case |
2 / 326 |
|
| hills like white elephants |
1 / 196 |
|
| international marketing |
3 / 798 |
|
| "Sweat" Hurston |
2 / 444 |
|
| A Farewell to Arms |
2 / 508 |
|
| A Literary Reading of Edgar Allan Poe's "The Cask of Amontillado" Using Traditional Approach |
2 / 440 |
|
| A Modest Proposal |
2 / 576 |
|
| A Response to "What We Talk About When We Talk About Love" |
2 / 471 |
|
| A Rose for Emily |
3 / 665 |
|
| A White Heron |
2 / 510 |
|
| A heavy price to learn a lesson in John-Jin |
2 / 408 |
|
| A tribute to ILCT |
2 / 494 |
|
| Analysis Of The Lottery |
2 / 395 |
|
| Baaah |
2 / 371 |
|
| Comment On Three Fictional Writers |
2 / 544 |
|
| Comparing "Story of an hour "vs "The Yellow Wall Paper" |
2 / 345 |
|
| Dsiree's Baby |
3 / 703 |
|
| Essay |
4 / 979 |
|
| Every Day Use |
2 / 442 |
|
| Farming of bones |
2 / 451 |
|
| Film: Philadelphia, Aids/Gay |
7 / 1853 |
|
| Gilgamesh Vs. Genesis |
2 / 426 |
|
| Horse Dealer's Daughter |
1 / 174 |
|
| How Corporal Colin Sterling Saved Blossom, Alberta, and Most of the Rest of the World as Well |
2 / 452 |
|
| How does Dickens use the first four chapters of ?Hard Times' to introduce the characters and themes of the novel? |
4 / 1086 |
|
| Irony and Abuse in the Story Of an Hour |
2 / 490 |
|
| Irony in The Story of an Hour |
2 / 422 |
|
| Irritation |
3 / 647 |
|
| Is it Iago, Venetian society, or himself that is to blame for Othello's downfall? |
5 / 1437 |
|
| "Identities" by W.D Valgardson |
2 / 372 |
|
| analysis of the story of an hour |
2 / 305 |
|
| battle royal |
1 / 243 |
|
| british newspapers |
2 / 515 |
|
| courage, opportunities and challenges |
2 / 424 |
|
| does utopia really exist? |
2 / 400 |
|
| good lit essay |
2 / 565 |
|
| irony in the story of an hour |
3 / 628 |
|
| Lyrics |
2 / 377 |
|
| Mark Twain, The Adventures Of Huckleberry Finn |
5 / 1472 |
|
| Master Harold |
7 / 2063 |
|
| Mr |
5 / 1204 |
|
| My Most Valuable Possession |
1 / 246 |
|
| Night |
1 / 288 |
|
| Point of View in Young Goodman Brown |
3 / 648 |
|
| Polonius |
2 / 323 |
|
| Racism in Short Stories |
5 / 1296 |
|
| Reading Comprehension |
2 / 512 |
|
| Red Death |
2 / 513 |
|
| Sandman-Case-Uncanny |
1 / 181 |
|
| Short Story |
1 / 241 |
|
| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
|
| Sir Gawain and the Green Knight and the Holy Grail |
2 / 538 |
|
| Socratic Question - "Story of an Hour" |
1 / 300 |
|
| Spider-Man Essay |
6 / 1550 |
|
| Steinbeck's "The Chrysanthemums" as a feminist text |
2 / 555 |
|
| Story Of An Hour |
3 / 655 |
|
| Summer Of 42 |
2 / 508 |
|
| Tell Tale Heart |
2 / 560 |
|
| The Horrific Ending to Poe's The Cask of Amontillado |
1 / 264 |
|
| The Insanity of Edmond Dantes |
2 / 466 |
|
| The Lost Heritage - Heather Buck |
5 / 1346 |
|
| The Secret Lion |
3 / 645 |
|
| The Story of an Hour |
2 / 508 |
|
| The Things They Carried |
2 / 394 |
|
| The Things They Carried |
1 / 184 |
|
| The Woman Warrior |
3 / 730 |
|
| Updikes A&P |
2 / 396 |
|
| What Means What |
4 / 1016 |
|
| What's So Funny |
3 / 736 |
|
| Why He Is Not A Man |
2 / 560 |
|
| matter of life and death |
1 / 269 |
|
| summary of hamlet |
2 / 325 |
|
| symbolism in the lottery |
3 / 756 |
|
| the lottery by shirley jackson |
2 / 314 |
|
| the story of an hour |
2 / 341 |
|
| Cubism Art |
5 / 1381 |
|
| P.O." |
2 / 319 |
|
| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
|
| The Arabian Knights |
3 / 798 |
|
| the last supper |
8 / 2194 |
|
| A White Heron |
2 / 510 |
|
| An Ounce Of Cure |
2 / 462 |
|
| Animal Farm 3 |
2 / 468 |
|
| As The Old Saying Goes, "an Ou |
2 / 462 |
|
| Cats In The Cradle - Appreciation |
1 / 152 |
|
| Cinema of Attraction |
5 / 1334 |
|
| Dances With Wolves |
2 / 432 |
|
| Describing Biblical Parallels In Hawthorne's "rappaccini's Daughter" |
2 / 402 |
|
| Destiny Deacon |
2 / 442 |
|
| Differences A like |
3 / 796 |
|
| Domestic Violence |
2 / 308 |
|
| Every Day Use |
2 / 442 |
|
| e-business |
1 / 43 |
|
| Help Desk Support |
2 / 511 |
|
| Henry Darger |
2 / 323 |
|
| How to Tell a True War Story |
2 / 541 |
|
| Huck Finn Review |
1 / 264 |
|
| Huck Finn |
2 / 390 |
|
| King arthur |
2 / 363 |
|
| Lisa Bright And Dark By John N |
2 / 339 |
|
| Lisa Bright And Dark |
2 / 339 |
|
| Margaret Preston: Life Summary and Description of 3 Artworks |
2 / 598 |
|
| Mark Twain, The Adventures Of Huckleberry Finn |
5 / 1472 |
|
| Model T |
2 / 335 |
|
| me3 coursework |
2 / 361 |
|
| Oedipus Rex |
1 / 279 |
|
| Self-portraits - Van Gogh And Rembrandt |
3 / 844 |
|
| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
|
| Sonny's Blues |
1 / 210 |
|
| Story of an hour |
2 / 321 |
|
| Summer Of 42 |
2 / 508 |
|
| The Catcher In The Rye |
2 / 508 |
|
| The Merchant Of Venice: Portia's Suitors |
6 / 1504 |
|
| The Road Beneath My Feet |
2 / 529 |
|
| The Things They Carried 2 |
2 / 522 |
|
| The Use of Force |
2 / 495 |
|
| The Woman Warrior |
3 / 730 |
|
| The Yellow Wallpaper |
2 / 509 |
|
| ur face |
1 / 283 |
|
| What Means What |
4 / 1016 |
|
| What'S The Story |
1 / 284 |
|
| Wuthering Heights |
3 / 607 |
|
| Wuthering Heights |
3 / 607 |
|
| Art of Story Telling |
2 / 496 |
|
| a Rose For Emily: A Review |
3 / 626 |
|
| Blowup could never be staged as a theatrical play.’ What are the elements that make Blowup so filmic? |
8 / 2166 |
|
| Critique Of Romeo And Juliet The Movie |
2 / 474 |
|
| Essay on Do the Right Thing |
3 / 779 |
|
| Film Noir |
3 / 634 |
|
| In the Name Of the father |
2 / 421 |
|
| My Piece Of MInd |
3 / 837 |
|
| The Notebook |
2 / 449 |
|
| The Prestige movie critique |
1 / 248 |
|
| Crucible |
2 / 464 |
|
| philosophy |
1 / 285 |
|
| Heart'S And Eyes |
1 / 152 |
|
| Candy |
2 / 510 |
|
| Discuss the creation narratives: Gen. 1:1 ? 2:3 and Gen 2:4 ? 9 |
3 / 857 |
|
| The creation story views |
2 / 316 |
|
| Unter Der Eiche |
2 / 429 |
|
| anatomy of the eye |
2 / 337 |
|
| Chem Formal Lab |
5 / 1205 |
|
| Determining The Concentration Of An Aqueous Solution Of Sodium Hydroxide, Naoh. |
2 / 400 |
|
| Electrons to Quarks |
9 / 2644 |
|
| Childrens Development |
3 / 623 |
|
| marketing |
1 / 286 |
|
| red and blue |
2 / 458 |
|
| The ones who walked away from Omelas" |
2 / 378 |
|
| What We Talk About When We Talk About Love What We Talk About When We Talk About Love |
2 / 348 |
|
| Why I Want To Take Fine Art At Oxford |
2 / 452 |
|
| computers in education |
4 / 1164 |
|
| Driver Characteristics |
3 / 771 |
|
