| Title |
Pages / Words |
Save |
| Transpotting Mise-En-Scene, Cinematography And Sound |
1 / 217 |
 |
| Requiem for a Dream |
2 / 328 |
|
| Digital Cinematography |
4 / 985 |
|
| Aneroxia Nervosa |
4 / 951 |
|
| Critique on Titanic |
1 / 137 |
|
| Eat Drink Man Woman Summary |
3 / 621 |
|
| The Shining |
3 / 726 |
|
| Cinematography: Everything You Need To Know |
3 / 859 |
|
| Woman in the Dunes - movie Review |
2 / 512 |
|
| I am Sam's Review |
3 / 649 |
|
| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
|
| Movie: The Fan |
1 / 197 |
|
| Maya Angelou |
1 / 160 |
|
| A flavour of contemporary India monsoons on screen |
3 / 728 |
|
| Contact |
2 / 562 |
|
| Style in pulp fiction |
3 / 709 |
|
| Citizen Cane |
1 / 234 |
|
| L'Avventura |
3 / 851 |
|
| Shaun of the Dead- Movie Critic |
3 / 705 |
|
| CInema Paradiso |
2 / 549 |
|
| truman review |
3 / 861 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Comparison of High Noon and Open Range |
5 / 1242 |
|
| FIght Club |
3 / 753 |
|
| movie analyze of "Heat" |
1 / 282 |
|
| Movie Evaluatioin of 300 |
4 / 1090 |
|
| Macbeth |
3 / 728 |
|
| Cinematography |
4 / 1048 |
|
| Cinematography In Macbeth |
2 / 423 |
|
| Cinematography In Macbeth |
2 / 423 |
|
| Singing in the Rain |
7 / 1877 |
|
| departed |
2 / 352 |
|
| A Review On The Pirates Of Silicon Valley |
2 / 328 |
|
| Film and video production |
6 / 1613 |
|
| Cinematography |
2 / 415 |
|
| Elizabeth |
4 / 1190 |
|
| Good Will Hunting |
4 / 983 |
|
| The Mission |
2 / 376 |
|
| Analysis of The Graduate |
4 / 936 |
|
| pleasantville |
2 / 383 |
|
| Review on Water |
2 / 394 |
|
| Mississippi Burning |
2 / 342 |
|
| Media Arts |
3 / 814 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| saving PVT Ryan |
2 / 462 |
|
| Requiem For A Dream |
2 / 436 |
|
| what makes an excellent film |
2 / 491 |
|
| How does the film's (Citizen Kane) cinematography and soundtrack affect emotional reactions to characters and the situations they face, using specific scenes from the film. |
2 / 386 |
|
| Book Review |
2 / 473 |
|
| Reading summary |
3 / 793 |
|
| Kustom Kar Kommandos |
2 / 579 |
|
| The Shawshank Redemption |
2 / 386 |
|
| Interview with the vampire |
4 / 1080 |
|
| Gandhi |
4 / 960 |
|
| citizen kane |
3 / 606 |
|
| The Grudge |
2 / 490 |
|
| Requiem For Dream Analysis |
2 / 467 |
|
| Chinatown: Movie Analysis |
2 / 432 |
|
| March Of the Penguins |
2 / 520 |
|
| Film Terms |
2 / 412 |
|
| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
|
| The Matrix |
4 / 1011 |
|
| Monsoon Wedding Analysis |
5 / 1306 |
|
| Review Of Three Movies: Trainspotting, Ferris Bueller's Day Off And Ju |
3 / 886 |
|
| Fight Club Movie Review |
5 / 1249 |
|
| Nothing |
3 / 610 |
|
| Micro Analysis Of |
5 / 1399 |
|
| Buster Keaton's The Cameraman |
4 / 1174 |
|
| Metropolis Film Review |
3 / 612 |
|
| What makes a successful romantic tragedy? |
7 / 1887 |
|
| Institute of Extra Terrestrial Creatures |
3 / 723 |
|
| A history of Violence |
3 / 631 |
|
| Cider House Rules |
3 / 645 |
|
| Cider House Rules |
3 / 645 |
|
| Film Review: Close Encounters Of The Third Kind |
2 / 593 |
|
| Fahrenheit 9/11 |
6 / 1590 |
|
| Spartacus |
3 / 700 |
|
| Requiem for a Dream |
6 / 1568 |
|
| Jane Campion's, 'The Piano' |
8 / 2193 |
|
| Casablanca Cinematography |
6 / 1661 |
|
| movies |
3 / 619 |
|
| Citizen Kane |
3 / 655 |
|
| THE LAST SAMUARI |
3 / 684 |
|
| Gallipoli |
2 / 574 |
|
| Grapes of Wrath |
2 / 587 |
|
| West Side Story |
2 / 591 |
|
| West Side Story |
2 / 591 |
|
| Struggle for the soul of Japan |
3 / 651 |
|
| Mor than just a mere fire fighter |
3 / 782 |
|
| Special Effects |
5 / 1230 |
|
| Film Study - different types of editing and cut shots |
3 / 623 |
|
| Opinion on a negative and positive critique of Amistad |
2 / 592 |
|
| The Truth About White Supremacy: American History X |
7 / 2021 |
|
| Rabbit Proof Fence |
3 / 749 |
|
| Citizen Kane By Orson Wells |
3 / 788 |
|
| Citizen Kane By Orson Wells |
3 / 788 |
|
| Art and Business of Film Making |
6 / 1577 |
|
| Kill Bill: A Technical and Aesthetic Analysis of the Film |
6 / 1516 |
|
| An Analysis Of Moulin Rouge |
9 / 2450 |
|
| Wong Kar Wai and french new wave |
3 / 652 |
|
| Campion's 'The Piano' and Oppression |
3 / 768 |
|
| Film Analysis |
6 / 1625 |
|
| the dead of a salesman |
3 / 773 |
|
| Mice And Men Comparison Film &Amp;Amp;Amp;Amp; Book |
6 / 1606 |
|
| OSCARS |
3 / 775 |
|
| The General |
3 / 741 |
|
| Movie Review |
3 / 713 |
|
| Film and TV Narative: Manhunter |
3 / 702 |
|
| Mississippi Burning Paper |
3 / 888 |
|
| belly vs. traning day |
3 / 747 |
|
| The Black Dalhia Worst Film Essay |
3 / 758 |
|
| Living in the Moment |
3 / 791 |
|
| Ballad Of A Soldier |
4 / 1124 |
|
| into the wild two viewpoints |
4 / 1045 |
|
| Saving Private Ryan Critique |
3 / 828 |
|
| Romeo And Juliet Film Review |
3 / 660 |
|
| The Dawn Of Understanding: Three Years Later |
4 / 903 |
|
| Y tu mama tambien |
4 / 1034 |
|
| War In Cinema |
3 / 885 |
|
| Annie Hall and Jesus |
3 / 750 |
|
| pleasantville |
3 / 835 |
|
| King Lear Speech |
3 / 775 |
|
| Helena (Leni) Bertha Amalie Riefenstahl |
8 / 2215 |
|
| Glory: A Review |
7 / 1968 |
|
| Like Water For Chocolate |
3 / 791 |
|
| Fight Club |
4 / 1134 |
|
| Film Noir |
3 / 634 |
|
| Matrix Reloaded Movie Review |
5 / 1432 |
|
| Heart of Darkness vs. Apocalypse Now |
4 / 915 |
|
| Reservoir Dogs |
4 / 911 |
|
| a walk in the moon |
6 / 1564 |
|
| Summary and Analysis on Practices of Looking |
3 / 819 |
|
| Vertov and Eisenstein |
3 / 750 |
|
| A Brief Definition Of Pornography |
4 / 957 |
|
| Jane Campion's Piano |
3 / 773 |
|
| The Matrix |
7 / 2043 |
|
| The Greatest Game Ever Played |
4 / 1160 |
|
| Star Wars And The Matrix - A Comparison |
3 / 779 |
|
| The Pianst, Scene 15 (Technical, Thematic, and Personal) |
4 / 1181 |
|
| year 12 physical journeys |
4 / 1104 |
|
| Patriot vs. Braveheart |
7 / 1820 |
|
| REBEL WITHOUT A CAUSE |
8 / 2103 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| Phenomenon |
4 / 934 |
|
| great expectations |
8 / 2126 |
|
| Casablanca |
4 / 916 |
|
| Importance of Bein Earnest |
4 / 1153 |
|
| Walk the Line |
4 / 1063 |
|
| red violin |
4 / 997 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Blackrobe Movie Review |
4 / 1051 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| Film Reviews on The African Queen, Pride and Prejudice and The Grand Illusion |
11 / 3027 |
|
| Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface |
4 / 1108 |
|
| George Lucas |
6 / 1657 |
|
| The Graduate |
8 / 2259 |
|
| Movies Of 2001 |
4 / 914 |
|
| hush |
4 / 1112 |
|
| The Shawshank Redemption |
4 / 1122 |
|
| Emotional Triggers |
10 / 2937 |
|
| Structuring Brilliance |
7 / 2012 |
|
| ESSAY SAMPLE ON "CRITICAL ANALYSIS OF THE FILM THE SHAWSHANK REDEMPTION" The Shawshank Redemption |
4 / 1124 |
|
| Citizen Kane - Textual Analysis Of The 'picnic Scene' |
7 / 2094 |
|
| Hollywood recovery |
9 / 2535 |
|
| Visual Images in JFK |
4 / 942 |
|
| thomas crown affair |
5 / 1412 |
|
| hitchcock |
5 / 1327 |
|
| Film Auteurs |
5 / 1306 |
|
| Alfred Hitchcock: 50 Years Of Movie Magic |
9 / 2497 |
|
| Death of a Salesman |
5 / 1269 |
|
| Time is Luck: An Analysis of Miami Vice |
5 / 1382 |
|
| washington square 1997 review |
4 / 1183 |
|
| lockstock |
5 / 1370 |
|
| Atonement Literary Elements |
5 / 1272 |
|
| Taxi Driver |
6 / 1671 |
|
| disney |
5 / 1383 |
|
| The Dead |
4 / 1149 |
|
| The matrix |
4 / 1036 |
|
| LA STORY AND SHAKESPEARE |
5 / 1450 |
|
| film auterism |
5 / 1361 |
|
| Eternal Sunshine |
5 / 1483 |
|
| The Lacanian Mirror: Reflections On Oldboy |
11 / 3181 |
|
| Review of "Fight Club" |
6 / 1530 |
|
| Natural Born Killers |
5 / 1296 |
|
| Has Technologies’ Birth To Film And Photography Played A Vital Role In The Destruction Of Art In Its Traditional Sense, Or Has Art Naturally Adapted Into Other Criteria As A Liberal Movement? |
10 / 2751 |
|
| Classical and Post-Classical Hollywood Cinema |
9 / 2512 |
|
| Depth Analysis of a Movie ? "CHICAGO" |
12 / 3339 |
|
| citizen kane |
5 / 1339 |
|
| Chinatown: Above the Film Noir Genre |
5 / 1405 |
|
| Biomechanics of Running |
5 / 1346 |
|
| Zeitgeist in contemporaneous literature |
6 / 1564 |
|
| Ballet Mecanique |
5 / 1481 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
|
| Garden State |
6 / 1573 |
|
| Gladiator (Movie) |
5 / 1373 |
|
| Menace II Society and Colonization |
11 / 3097 |
|
| Black White |
6 / 1575 |
|
| Slingblade |
6 / 1504 |
|
