| Title |
Pages / Words |
Save |
| Macbeth |
19 / 5628 |
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| William Shakespear's MacBeth |
33 / 9811 |
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| REBEL WITHOUT A CAUSE |
8 / 2103 |
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| The Merchant Of Venice: A Tragic Play |
3 / 790 |
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| Violence On The Tube |
5 / 1476 |
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| Love, Sex & Eating the Bones |
4 / 1124 |
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| WILLIAM SHAKESPEAR |
3 / 624 |
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| Phenomenon |
4 / 934 |
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| great expectations |
8 / 2126 |
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| CHARACTERISTICS OF A PARAGRAPH |
3 / 759 |
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| Casablanca |
4 / 916 |
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| Importance of Bein Earnest |
4 / 1153 |
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| Classification Essay |
2 / 539 |
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| Walk the Line |
4 / 1063 |
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| red violin |
4 / 997 |
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| Sleepy Hollow |
4 / 1073 |
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| Look Both Ways (film text) |
3 / 767 |
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| Blackrobe Movie Review |
4 / 1051 |
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| The Picture Of Dorian Gray: Evil |
3 / 897 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Film Reviews on The African Queen, Pride and Prejudice and The Grand Illusion |
11 / 3027 |
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| Prosecution Of Witchcraft |
3 / 736 |
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| Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface |
4 / 1108 |
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| The Dramatic Uses of Intoxication in Shakespeare's play "The Tempest" |
8 / 2128 |
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| George Lucas |
6 / 1657 |
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| The Graduate |
8 / 2259 |
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| Change Management |
5 / 1498 |
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| Movies Of 2001 |
4 / 914 |
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| hush |
4 / 1112 |
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| The Shawshank Redemption |
4 / 1122 |
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| Emotional Triggers |
10 / 2937 |
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| Structuring Brilliance |
7 / 2012 |
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| ESSAY SAMPLE ON "CRITICAL ANALYSIS OF THE FILM THE SHAWSHANK REDEMPTION" The Shawshank Redemption |
4 / 1124 |
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| Kdkkdkdkkdl |
3 / 668 |
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| Have you explored the abortion alternatives |
4 / 970 |
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| Citizen Kane - Textual Analysis Of The 'picnic Scene' |
7 / 2094 |
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| Modern Shakespeare |
3 / 859 |
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| Ira Aldridge |
6 / 1565 |
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| The Globe Theater |
3 / 873 |
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| Political Authority |
4 / 932 |
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| Hollywood recovery |
9 / 2535 |
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| Visual Images in JFK |
4 / 942 |
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| A midsummer Night dream |
3 / 667 |
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| thomas crown affair |
5 / 1412 |
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| hitchcock |
5 / 1327 |
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| Coursework on King Lear |
15 / 4340 |
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| Death In Venice: A Tragic Vision Of A Flawed Artist? |
4 / 1013 |
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| Death In Venice: A Tragic Vision Of A Flawed Artist? |
4 / 1013 |
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| Poem |
3 / 707 |
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| Film Auteurs |
5 / 1306 |
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| Tragedy |
3 / 700 |
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| Alfred Hitchcock: 50 Years Of Movie Magic |
9 / 2497 |
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| Death of a Salesman |
5 / 1269 |
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| Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated |
3 / 842 |
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| Time is Luck: An Analysis of Miami Vice |
5 / 1382 |
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| washington square 1997 review |
4 / 1183 |
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| lockstock |
5 / 1370 |
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| Atonement Literary Elements |
5 / 1272 |
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| Drama |
7 / 2024 |
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| William Shakespeare |
3 / 799 |
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| Reasons For The Anticipation Of Claudius's Suicide |
11 / 3259 |
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| Regnault's Automedon with the Horses of Achilles |
3 / 775 |
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| Othello as a Tragic Hero |
8 / 2349 |
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| Taxi Driver |
6 / 1671 |
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| disney |
5 / 1383 |
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| Macbeth |
2 / 446 |
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| Television and its influences |
4 / 1165 |
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| Renaissance Literature - Romeo and Juliet |
6 / 1791 |
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| Willaim Shakespeare |
3 / 837 |
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| froget my face |
4 / 1094 |
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| Dimitri Shostakovich |
6 / 1525 |
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| The Dead |
4 / 1149 |
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| The matrix |
4 / 1036 |
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| film auterism |
5 / 1361 |
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| Hamlet and his problems |
7 / 2053 |
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| Orson Welles |
4 / 932 |
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| Sistine Chapels The Creation of Adam and the Two Opposing Responses |
4 / 1094 |
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| Eternal Sunshine |
5 / 1483 |
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| The Lacanian Mirror: Reflections On Oldboy |
11 / 3181 |
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| Othello |
4 / 1029 |
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| Cesar |
4 / 1030 |
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| Humanities |
4 / 1152 |
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| Shakespear Macbeth |
15 / 4468 |
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| Review of "Fight Club" |
6 / 1530 |
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| Natural Born Killers |
5 / 1296 |
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| Fate In Macbeth |
4 / 1061 |
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| Has Technologies’ Birth To Film And Photography Played A Vital Role In The Destruction Of Art In Its Traditional Sense, Or Has Art Naturally Adapted Into Other Criteria As A Liberal Movement? |
10 / 2751 |
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| Classical and Post-Classical Hollywood Cinema |
9 / 2512 |
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| Full Stop, Why Apes Look Like People And The Escape |
5 / 1225 |
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| Depth Analysis of a Movie ? "CHICAGO" |
12 / 3339 |
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| King Lear Act 1 Scene |
5 / 1255 |
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| Flattery |
5 / 1235 |
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| citizen kane |
5 / 1339 |
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| Chinatown: Above the Film Noir Genre |
5 / 1405 |
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| Censorship |
4 / 1072 |
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| Biomechanics of Running |
5 / 1346 |
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| Zeitgeist in contemporaneous literature |
6 / 1564 |
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| HuckleBerry Finn |
4 / 1135 |
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| The Adventures of Huckleberry Finn |
4 / 1136 |
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| Ballet Mecanique |
5 / 1481 |
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| The Sound and the Fury |
9 / 2593 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| literature and Human condition |
10 / 2974 |
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| ms |
11 / 3020 |
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| A Poets History |
4 / 1114 |
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| History of Ballet |
4 / 1087 |
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| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
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| Garden State |
6 / 1573 |
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| Gladiator (Movie) |
5 / 1373 |
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| Menace II Society and Colonization |
11 / 3097 |
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| Black White |
6 / 1575 |
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| perfectly Imperfect: The Shakespeare Story |
9 / 2418 |
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| Slingblade |
6 / 1504 |
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| Scarface Review |
4 / 1020 |
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| Film genre, narration, reality tv |
6 / 1677 |
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| Play called Absent Friends |
5 / 1205 |
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| William Shakespeare And His Women |
4 / 989 |
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| Didacticism in Frank Norris' McTeague |
4 / 1151 |
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| The Mirror Of Time And Memory |
6 / 1561 |
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| The Mirror Of Time And Memory |
6 / 1561 |
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| Richard Linklater: An Overview |
6 / 1625 |
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| ernest hemmingway |
4 / 1093 |
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| Atwood |
4 / 1082 |
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| Antonio And The Duchess |
5 / 1282 |
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| a doll's house |
5 / 1404 |
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| Literary Devices |
10 / 2830 |
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| Comparing Productions Of Hamlet |
5 / 1350 |
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| Hahalemon |
6 / 1628 |
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| the Analysis of 66. Sonnet |
9 / 2700 |
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| King James I |
5 / 1237 |
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| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
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| ocean's eleven |
6 / 1682 |
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| Term Papers on Aristocrcy |
5 / 1439 |
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| shakespear |
7 / 2029 |
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| guns and monsters |
5 / 1484 |
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| wide sargasso sea |
5 / 1385 |
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| Feminism In Jane Eyre |
5 / 1397 |
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| Mr. Johnny cash |
5 / 1470 |
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| A Midsummer night's Dream |
5 / 1469 |
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| Bladerunner - Humanity And Nature |
6 / 1787 |
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| hamlet |
6 / 1689 |
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| Cold war |
5 / 1397 |
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| Death Of A Salesman Essay |
5 / 1419 |
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| Magic |
5 / 1465 |
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| King Lear Act V |
5 / 1392 |
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| OEDIPUS |
5 / 1300 |
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| Harry Potter Differences |
4 / 1154 |
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| Becoming An Entrepreneur |
19 / 5517 |
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| hollywood and product placement |
6 / 1519 |
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| John Wayne |
6 / 1681 |
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| Educating Rita |
18 / 5164 |
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| g greenlay |
7 / 1996 |
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| 17th centry teater |
5 / 1424 |
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| thomas edison |
7 / 1945 |
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| The Rainmake - Film Review |
6 / 1541 |
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| Citizen Kane |
8 / 2202 |
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| 1965 |
7 / 1906 |
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| Glory |
7 / 1879 |
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| Critique of "The Art of National Identity" by John Orr |
7 / 1877 |
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| judah's Triumph |
9 / 2656 |
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| Mark Bethinski (The Russian tragedy) |
4 / 981 |
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| Man Vs. Himself |
7 / 1882 |
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| american beauty and virgin suicides comparison |
9 / 2545 |
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| A Changing Industry: Motion Picture Special Effects |
6 / 1785 |
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| Hamlet |
6 / 1735 |
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| Master Filmaker Akira Kurosawa |
4 / 1198 |
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| How the west was won |
6 / 1613 |
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| Man Down |
7 / 1838 |
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| Shakespeare Uses His Play 'The Tempest' To Depict A Microcosm Of His Society. |
5 / 1468 |
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| developement of the Kinetoscope |
7 / 1879 |
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| Periods Of English Literature |
5 / 1464 |
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| king lear |
6 / 1507 |
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| Wilfred Owen |
5 / 1464 |
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| Alfred Hitchcock |
8 / 2267 |
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| Romeo and Juliet |
8 / 2271 |
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| chinatown |
4 / 1192 |
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| King Lear |
6 / 1532 |
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| Shakespeare - Authorship |
6 / 1670 |
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| Critical Study Of Text – Speeches |
12 / 3364 |
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| death of a salesman |
7 / 1916 |
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| Film Adaptation of Shakespearean Comedy: Twelfth Night and Much Ado About Nothin |
8 / 2216 |
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| Animation |
8 / 2274 |
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| Soth Park: Pushing the Limits of Cartoon Decency |
8 / 2347 |
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| television addiction |
6 / 1596 |
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| Conspiracy is a docudrama but a special kind of docudrama |
8 / 2159 |
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| Close Encounters of the Third Kind |
9 / 2509 |
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| Musicals |
7 / 1885 |
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| Shakespeare |
9 / 2658 |
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| William Shakespeare |
15 / 4368 |
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| One Flew Over the Cuckoo's Nest |
9 / 2514 |
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| Tragic |
7 / 2048 |
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| Alfred Hitchcock and The Director |
9 / 2423 |
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| romeo and juliet and king and I |
6 / 1776 |
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| Oedipus And The Gods |
8 / 2144 |
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| Literature Of Knowledge |
7 / 1802 |
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| To Be Or Not To Be |
7 / 1822 |
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| Censorship |
6 / 1684 |
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| The Magnificent Ambersons |
8 / 2302 |
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| The Language of New Media |
9 / 2670 |
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