| Title |
Pages / Words |
Save |
| Book Review |
2 / 473 |
 |
| Grapes of Wrath |
2 / 587 |
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| Mississippi Burning Paper |
3 / 888 |
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| movies |
3 / 619 |
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| disney |
5 / 1383 |
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| great expectations |
8 / 2126 |
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| Maya Angelou |
1 / 160 |
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| Movies Of 2001 |
4 / 914 |
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| a walk in the moon |
6 / 1564 |
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| Death of a Salesman |
5 / 1269 |
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| Fight Club |
4 / 1134 |
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| Heart of Darkness vs. Apocalypse Now |
4 / 915 |
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| Like Water For Chocolate |
3 / 791 |
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| March Of the Penguins |
2 / 520 |
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| Summary and Analysis on Practices of Looking |
3 / 819 |
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| saving PVT Ryan |
2 / 462 |
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| The Matrix |
4 / 1011 |
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| thomas crown affair |
5 / 1412 |
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| George Lucas |
6 / 1657 |
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| Reading summary |
3 / 793 |
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| Atonement Literary Elements |
5 / 1272 |
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| Black White |
6 / 1575 |
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| Chinatown: Above the Film Noir Genre |
5 / 1405 |
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| Cinematography In Macbeth |
2 / 423 |
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| ESSAY SAMPLE ON "CRITICAL ANALYSIS OF THE FILM THE SHAWSHANK REDEMPTION" The Shawshank Redemption |
4 / 1124 |
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| Glory: A Review |
7 / 1968 |
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| Good Will Hunting |
4 / 983 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Importance of Bein Earnest |
4 / 1153 |
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| Interview with the vampire |
4 / 1080 |
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| King Lear Speech |
3 / 775 |
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| Macbeth |
3 / 728 |
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| Mice And Men Comparison Film &Amp;Amp;Amp;Amp; Book |
6 / 1606 |
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| Mor than just a mere fire fighter |
3 / 782 |
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| Movie Evaluatioin of 300 |
4 / 1090 |
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| Nothing |
3 / 610 |
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| REBEL WITHOUT A CAUSE |
8 / 2103 |
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| Rabbit Proof Fence |
3 / 749 |
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| Requiem for a Dream |
2 / 328 |
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| Romeo And Juliet Film Review |
3 / 660 |
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| Star Wars And The Matrix - A Comparison |
3 / 779 |
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| The Shawshank Redemption |
2 / 386 |
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| What makes a successful romantic tragedy? |
7 / 1887 |
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| Zeitgeist in contemporaneous literature |
6 / 1564 |
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| pleasantville |
3 / 835 |
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| the dead of a salesman |
3 / 773 |
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| year 12 physical journeys |
4 / 1104 |
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| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
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| Helena (Leni) Bertha Amalie Riefenstahl |
8 / 2215 |
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| Movie Review: Enemy At The Gates. |
1 / 277 |
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| Casablanca Cinematography |
6 / 1661 |
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| Cider House Rules |
3 / 645 |
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| Cinematography In Macbeth |
2 / 423 |
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| Citizen Cane |
1 / 234 |
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| Citizen Kane - Textual Analysis Of The 'picnic Scene' |
7 / 2094 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| Elizabeth |
4 / 1190 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Institute of Extra Terrestrial Creatures |
3 / 723 |
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| Love, Sex & Eating the Bones |
4 / 1124 |
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| Natural Born Killers |
5 / 1296 |
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| Patriot vs. Braveheart |
7 / 1820 |
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| Phenomenon |
4 / 934 |
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| Requiem for a Dream |
6 / 1568 |
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| Slingblade |
6 / 1504 |
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| Struggle for the soul of Japan |
3 / 651 |
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| The Dawn Of Understanding: Three Years Later |
4 / 903 |
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| The Dead |
4 / 1149 |
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| The Grudge |
2 / 490 |
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| West Side Story |
2 / 591 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| A history of Violence |
3 / 631 |
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| Alfred Hitchcock: 50 Years Of Movie Magic |
9 / 2497 |
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| An Analysis Of Moulin Rouge |
9 / 2450 |
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| Analysis of The Graduate |
4 / 936 |
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| Annie Hall and Jesus |
3 / 750 |
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| Art and Business of Film Making |
6 / 1577 |
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| Ballad Of A Soldier |
4 / 1124 |
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| Ballet Mecanique |
5 / 1481 |
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| Blackrobe Movie Review |
4 / 1051 |
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| Buster Keaton's The Cameraman |
4 / 1174 |
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| belly vs. traning day |
3 / 747 |
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| CInema Paradiso |
2 / 549 |
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| Casablanca |
4 / 916 |
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| Chinatown: Movie Analysis |
2 / 432 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Cider House Rules |
3 / 645 |
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| Cinematography |
4 / 1048 |
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| Cinematography |
2 / 415 |
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| Cinematography: Everything You Need To Know |
3 / 859 |
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| Citizen Kane |
3 / 655 |
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| Classical and Post-Classical Hollywood Cinema |
9 / 2512 |
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| Comparison of High Noon and Open Range |
5 / 1242 |
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| Contact |
2 / 562 |
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| Critique on Titanic |
1 / 137 |
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| citizen kane |
3 / 606 |
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| citizen kane |
5 / 1339 |
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| Depth Analysis of a Movie ? "CHICAGO" |
12 / 3339 |
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| Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface |
4 / 1108 |
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| departed |
2 / 352 |
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| Eat Drink Man Woman Summary |
3 / 621 |
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| Eternal Sunshine |
5 / 1483 |
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| FIght Club |
3 / 753 |
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| Fahrenheit 9/11 |
6 / 1590 |
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| Fight Club Movie Review |
5 / 1249 |
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| Film Analysis |
6 / 1625 |
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| Film Auteurs |
5 / 1306 |
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| Film Noir |
3 / 634 |
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| Film Review: Close Encounters Of The Third Kind |
2 / 593 |
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| Film Reviews on The African Queen, Pride and Prejudice and The Grand Illusion |
11 / 3027 |
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| Film Study - different types of editing and cut shots |
3 / 623 |
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| Film Terms |
2 / 412 |
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| Film and TV Narative: Manhunter |
3 / 702 |
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| Film and video production |
6 / 1613 |
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| film auterism |
5 / 1361 |
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| Gallipoli |
2 / 574 |
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| Gandhi |
4 / 960 |
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| Garden State |
6 / 1573 |
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| Gladiator (Movie) |
5 / 1373 |
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| Hollywood recovery |
9 / 2535 |
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| How does the film's (Citizen Kane) cinematography and soundtrack affect emotional reactions to characters and the situations they face, using specific scenes from the film. |
2 / 386 |
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| hitchcock |
5 / 1327 |
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| hush |
4 / 1112 |
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| I am Sam's Review |
3 / 649 |
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| into the wild two viewpoints |
4 / 1045 |
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| Jane Campion's Piano |
3 / 773 |
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| Jane Campion's, 'The Piano' |
8 / 2193 |
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| Kill Bill: A Technical and Aesthetic Analysis of the Film |
6 / 1516 |
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| Kustom Kar Kommandos |
2 / 579 |
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| L'Avventura |
3 / 851 |
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| LA STORY AND SHAKESPEARE |
5 / 1450 |
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| Living in the Moment |
3 / 791 |
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| lockstock |
5 / 1370 |
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| Matrix Reloaded Movie Review |
5 / 1432 |
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| Media Arts |
3 / 814 |
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| Menace II Society and Colonization |
11 / 3097 |
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| Metropolis Film Review |
3 / 612 |
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| Micro Analysis Of |
5 / 1399 |
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| Mississippi Burning |
2 / 342 |
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| Monsoon Wedding Analysis |
5 / 1306 |
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| Movie Review |
3 / 713 |
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| Movie: The Fan |
1 / 197 |
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| movie analyze of "Heat" |
1 / 282 |
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| OSCARS |
3 / 775 |
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| Opinion on a negative and positive critique of Amistad |
2 / 592 |
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| pleasantville |
2 / 383 |
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| Rabbit Proof Fence analysis |
2 / 358 |
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| Requiem For A Dream |
2 / 436 |
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| Requiem For Dream Analysis |
2 / 467 |
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| Reservoir Dogs |
4 / 911 |
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| Review Of Three Movies: Trainspotting, Ferris Bueller's Day Off And Ju |
3 / 886 |
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| Review of "Fight Club" |
6 / 1530 |
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| Review on Water |
2 / 394 |
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| red violin |
4 / 997 |
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| Saving Private Ryan Critique |
3 / 828 |
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| Shaun of the Dead- Movie Critic |
3 / 705 |
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| Singing in the Rain |
7 / 1877 |
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| Sleepy Hollow |
4 / 1073 |
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| Spartacus |
3 / 700 |
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| Structuring Brilliance |
7 / 2012 |
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| Style in pulp fiction |
3 / 709 |
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| THE LAST SAMUARI |
3 / 684 |
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| Taxi Driver |
6 / 1671 |
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| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
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| The Black Dalhia Worst Film Essay |
3 / 758 |
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| The General |
3 / 741 |
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| The Graduate |
8 / 2259 |
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| The Greatest Game Ever Played |
4 / 1160 |
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| The Lacanian Mirror: Reflections On Oldboy |
11 / 3181 |
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| The Matrix |
7 / 2043 |
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| The Mission |
2 / 376 |
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| The Pianst, Scene 15 (Technical, Thematic, and Personal) |
4 / 1181 |
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| The Shawshank Redemption |
4 / 1122 |
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| The Shining |
3 / 726 |
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| The Truth About White Supremacy: American History X |
7 / 2021 |
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| The matrix |
4 / 1036 |
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| Time is Luck: An Analysis of Miami Vice |
5 / 1382 |
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| Transpotting Mise-En-Scene, Cinematography And Sound |
1 / 217 |
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| truman review |
3 / 861 |
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| Vertov and Eisenstein |
3 / 750 |
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| Visual Images in JFK |
4 / 942 |
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| Walk the Line |
4 / 1063 |
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| War In Cinema |
3 / 885 |
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| West Side Story |
2 / 591 |
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| Woman in the Dunes - movie Review |
2 / 512 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| washington square 1997 review |
4 / 1183 |
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| what makes an excellent film |
2 / 491 |
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| Y tu mama tambien |
4 / 1034 |
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| Biomechanics of Running |
5 / 1346 |
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| A Brief Definition Of Pornography |
4 / 957 |
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| Aneroxia Nervosa |
4 / 951 |
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| Campion's 'The Piano' and Oppression |
3 / 768 |
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| A Review On The Pirates Of Silicon Valley |
2 / 328 |
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| Digital Cinematography |
4 / 985 |
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| Emotional Triggers |
10 / 2937 |
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| Has Technologies’ Birth To Film And Photography Played A Vital Role In The Destruction Of Art In Its Traditional Sense, Or Has Art Naturally Adapted Into Other Criteria As A Liberal Movement? |
10 / 2751 |
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| Special Effects |
5 / 1230 |
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