| Title |
Pages / Words |
Save |
| Leonardo da Vinci's "The Last Supper" |
8 / 2195 |
 |
| Literary Critisism on Glass Manageri and Death of a Salesman |
5 / 1341 |
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| To Kill A Mocking Bird - Boo Radley |
1 / 280 |
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| George of the Jungle |
2 / 521 |
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| Comparison of 2 articles |
4 / 912 |
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| calebs choice |
2 / 532 |
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| Everyday Use |
3 / 629 |
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| Abraham Lincoln |
2 / 434 |
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| Abraham Lincoln: Biography |
2 / 433 |
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| Alexander The Great |
2 / 434 |
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| Katie Gearlds |
3 / 676 |
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| love |
2 / 317 |
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| An Analysis Of Hawthorne's Short Stories |
3 / 797 |
|
| Animal Farm's Clover: Not Just Some Horse |
2 / 416 |
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| Beowulf: Unferth, The Same Martyr |
2 / 478 |
|
| brighton rock book review |
2 / 327 |
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| Catch 22 |
3 / 835 |
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| Character Analysis Of Arthur Dimmesdale In "the Scarlet Letter" |
2 / 475 |
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| Conflict and The Secret River |
2 / 570 |
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| Dancing With Wolves |
3 / 627 |
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| Dr. Smith |
2 / 574 |
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| Fallen angels |
2 / 359 |
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| Great Expectations |
1 / 224 |
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| I'm Not Scared |
2 / 474 |
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| IVAN DENISOVICH |
2 / 392 |
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| Is Macbeth A Thoroughly Representative Character? |
2 / 410 |
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| Julius Ceasar |
4 / 974 |
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| Macbeth by Shakespeare - Lady macbeth and themes |
2 / 558 |
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| Macbeth |
3 / 747 |
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| Oedipus Rex as a tragic hero |
3 / 896 |
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| Of Mice and Men - Theme of Loneliness |
2 / 551 |
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| On the Road |
1 / 41 |
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| Othello: Shakespeare's Most Tragic Play |
2 / 519 |
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| Red Plaid Shirt |
3 / 660 |
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| The Resurrectionists |
2 / 367 |
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| The Tao of Pooh |
2 / 552 |
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| The story of an Hour |
3 / 631 |
|
| To Kill A Mockingbird Response |
1 / 266 |
|
| Treasure Island |
2 / 473 |
|
| War of the Worlds Intro |
1 / 270 |
|
| White Shark |
1 / 258 |
|
| business |
4 / 1049 |
|
| Good to Great critique |
6 / 1712 |
|
| 12th Knight |
2 / 478 |
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| A Dead Lion |
3 / 880 |
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| A Dolls House" and "The Glass Menagerie |
4 / 988 |
|
| A Good Man Is Hard To Find |
2 / 438 |
|
| A Literary Reading of Edgar Allan Poe's "The Cask of Amontillado" Using Traditional Approach |
2 / 440 |
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| A man for all seasons |
3 / 786 |
|
| AP lit Q. 3 Conflicts between society and the individual's desires |
2 / 398 |
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| Abigail Williams |
2 / 568 |
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| Analysis Was It A Dream |
2 / 331 |
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| Aristotle |
1 / 284 |
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| Billy Budd, Sailor, by Herman Melville |
2 / 582 |
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| Brecht's influence on the glass menagerie |
2 / 589 |
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| Brutus-Tragic Hero |
2 / 501 |
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| Caesar Speeches |
3 / 867 |
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| Character Essay |
3 / 804 |
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| Character and Plot in "Why I live in the P.O." |
3 / 690 |
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| Charcter description |
2 / 574 |
|
| Comparative Analysis |
3 / 785 |
|
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
|
| Comparison of how Shusaku Endo in Wonderful Fool and Albert Camus in The Outsider have used moral issues to develop their works |
6 / 1528 |
|
| Conflict, Racism, and corruption an in-depth analysis into the movie "Crash" |
3 / 826 |
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| Death Of A Salesman And The Playboy Of The Western World “While The Momentum Of The Play Is Carried By Major Characters, There Is Often A Significant Minor Character Who Is A Catalyst For Change Or Enlightenment.” Compar |
3 / 785 |
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| Description Of Abigail's Character |
2 / 326 |
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| Downfall of Lady Macbeth |
2 / 554 |
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| Dumper |
1 / 282 |
|
| Effectiveness of Point of View |
3 / 836 |
|
| Elements Of Evil In Beowulf |
3 / 655 |
|
| Epic Hero of the Year |
2 / 441 |
|
| Essay On Chapter One In 'Siddhartha' By Herman Hesse |
3 / 804 |
|
| Everyday Use |
2 / 559 |
|
| Fences as metaphor in Lanford Wilson's "Fences" |
1 / 231 |
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| Fences*the Play* |
2 / 466 |
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| Frankenstein |
5 / 1422 |
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| Geat Vs. Greek |
4 / 963 |
|
| Hamlet |
1 / 245 |
|
| How To Change The World |
2 / 477 |
|
| How To Read Literature Like A Professor |
5 / 1376 |
|
| Jane Eyre |
3 / 606 |
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| Judge Pynchion |
2 / 422 |
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| Kilgore Trout |
1 / 228 |
|
| Learning Shakespeare |
2 / 303 |
|
| "A Valediction: Forbidding Mourning" by John Donne |
2 / 513 |
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| analysis of the poem "the story" |
2 / 496 |
|
| aristotle's definition of tragedy |
2 / 563 |
|
| duddy kravitz ruthless |
3 / 891 |
|
| harry potter |
2 / 302 |
|
| king lear |
6 / 1507 |
|
| Macbeth's Tragic Flaw |
3 / 893 |
|
| Macbeth |
5 / 1280 |
|
| Mica and men review |
2 / 366 |
|
| Mood Essay |
1 / 298 |
|
| Ode To Psyche |
4 / 1038 |
|
| Okonkwo |
2 / 514 |
|
| Othello and Identity |
6 / 1527 |
|
| Othello: The Tragic Hero |
3 / 791 |
|
| Pit and Pendulum movie vs book |
2 / 301 |
|
| Point of View in Young Goodman Brown |
3 / 648 |
|
| Point of View |
3 / 708 |
|
| Raw |
2 / 561 |
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| Saboteur |
1 / 290 |
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| Symbolism in Beowulf |
2 / 433 |
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| Techniques to Tragedies |
3 / 652 |
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| The Great Gatsby |
2 / 444 |
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| The Jungle |
2 / 434 |
|
| The Love and the Nightgale |
2 / 566 |
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| The Necklace |
2 / 479 |
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| The pearl |
1 / 273 |
|
| Thoreau |
2 / 488 |
|
| To Kill A Mocking Bird |
3 / 613 |
|
| Twelfth Night Comedy in Other Writings |
7 / 1972 |
|
| Violence in "Greasy Lake" and "The things They carried" |
3 / 873 |
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| not waving but drowning |
3 / 834 |
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| roses |
3 / 678 |
|
| school hazing |
3 / 899 |
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| success |
3 / 828 |
|
| the 7 habits |
1 / 256 |
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| the necklace: luxury a want or need |
2 / 317 |
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| the yellow wallpaper |
3 / 664 |
|
| whitman |
2 / 362 |
|
| Romanticism Arts |
3 / 864 |
|
| Ronnie Coleman, Mr. Olympia |
2 / 491 |
|
| the last supper |
8 / 2194 |
|
| Was Germany responsible for the outbreak of WWI |
2 / 459 |
|
| The Pardoner And The 'brothers' |
2 / 505 |
|
| 1984 summary, and discussion q's |
1 / 253 |
|
| A Comparison Of The Characters |
2 / 484 |
|
| archimedes |
2 / 507 |
|
| Beowulf |
2 / 455 |
|
| Beowulf: Grendel |
2 / 406 |
|
| Body and Character in Luke & Acts |
2 / 412 |
|
| Brave New Worlds Social Outcas |
3 / 616 |
|
| Character Essay |
3 / 804 |
|
| Character Sketch Of Nora |
2 / 334 |
|
| Death Of A Salesman 4 |
3 / 794 |
|
| Dr. Jekyle And Mr. Hyde - Book Report |
3 / 616 |
|
| Earth 2 Puzzle |
3 / 735 |
|
| Elements Of Evil In Beowulf |
3 / 655 |
|
| Emerson's Philosofy |
2 / 475 |
|
| Ethical Filter Worksheet |
1 / 260 |
|
| Everyday Use 3 |
3 / 724 |
|
| Everyday Use |
3 / 724 |
|
| Fences*the Play* |
2 / 466 |
|
| Fenses |
2 / 466 |
|
| Geat Vs. Greek |
4 / 963 |
|
| Herman Melville 2 |
2 / 425 |
|
| Herman Melville |
2 / 425 |
|
| How does the relationship between Macbeth and Lady Macbeth change throughout the play? |
11 / 3017 |
|
| Immortal Technique is a Great Rapper |
2 / 495 |
|
| Insight On Necrophilia,whats T |
3 / 638 |
|
| Invest in the Divinity |
3 / 648 |
|
| i go along |
2 / 317 |
|
| judging tv |
2 / 335 |
|
| King Lear - Fool's Character |
4 / 1099 |
|
| Metamorphasis of Michael Jennings |
3 / 763 |
|
| Movoda Rules |
2 / 400 |
|
| Nazi Propaganda |
5 / 1248 |
|
| Once More To The Lake |
1 / 257 |
|
| Othello - The Tragic Hero |
3 / 791 |
|
| Othello 7 |
3 / 843 |
|
| Othello |
3 / 843 |
|
| Paradise Lost vs Genesis - the differing Adams |
3 / 778 |
|
| Ralph Waldo Emmerson's "Oversoul" |
2 / 468 |
|
| Review of Arsenic and Old Lace |
1 / 176 |
|
| Self-reliance By Emerson |
4 / 1181 |
|
| Self-reliance |
4 / 1181 |
|
| Sound Vs. Silence |
3 / 889 |
|
| The Da Vinci Code, Silas's Strengths and Weaknesses |
2 / 577 |
|
| The Goal |
2 / 562 |
|
| The Great Gatsby - Nick Carroway's Role |
3 / 805 |
|
| The Jungle |
2 / 434 |
|
| The Picture Of Dorian Gray: Evil |
3 / 897 |
|
| The Roles Of I-330 And O-90 |
4 / 1111 |
|
| To Kill A Mockingbird |
1 / 287 |
|
| Trouble With Bill Clinton's Character |
3 / 647 |
|
| Unmistakble Things |
2 / 350 |
|
| What I Remember About September 11 |
2 / 469 |
|
| Wuthering Heights |
3 / 607 |
|
| Wuthering Heights |
3 / 607 |
|
| Yellow Wallpaper 5 |
5 / 1315 |
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| 12 angry men |
2 / 406 |
|
| Archetypes in Horror Films |
3 / 638 |
|
| Critique of One Flew Over the Cuckoo's Nest |
2 / 487 |
|
| HOOSIERS A film review |
5 / 1260 |
|
| Swordfish |
2 / 441 |
|
| Aristotle's Mean Applied to Acting Technique |
4 / 1135 |
|
| Emerson's Philosofy |
2 / 475 |
|
| Feeble |
1 / 242 |
|
| Mike Rose |
5 / 1242 |
|
| Nicomachean Ethics on Moral Virtue |
5 / 1372 |
|
| Nicomachean Ethics |
2 / 524 |
|
| socrates |
4 / 1175 |
|
| A Reaction: Mga Munting Tinig |
3 / 640 |
|
| 10 Commandment |
2 / 569 |
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| Forgiveness |
4 / 1087 |
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| Feminism |
3 / 740 |
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| History Of Sexuality |
2 / 501 |
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| Philadelphia |
1 / 236 |
|
