| Title |
Pages / Words |
Save |
| Dr Faustus |
7 / 1849 |
 |
| George of the Jungle |
2 / 521 |
|
| Movies |
2 / 463 |
|
| Mid-Summer Nights Dream |
1 / 245 |
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| Twelfth Night - Analysis of Fools |
4 / 1080 |
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| bill cosby |
2 / 345 |
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| Harlem |
2 / 419 |
|
| martin |
4 / 987 |
|
| Bob Saget |
2 / 405 |
|
| bill cosby5 |
4 / 1196 |
|
| Dante Alighieri |
1 / 280 |
|
| Dante's Life Story |
2 / 576 |
|
| Eddie Murphy |
1 / 255 |
|
| ediie murphy |
2 / 342 |
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| Jamie Foxx |
3 / 666 |
|
| Jerry Seinfield |
2 / 423 |
|
| Steve Harvey LIFE STORY |
1 / 158 |
|
| William Shakespeare: Most Famous Of All English Writers |
3 / 878 |
|
| A Midsummer Night's Dream |
4 / 1006 |
|
| A Midsummer Night's Dream: Humor |
2 / 586 |
|
| Another Much Ado About Nothing |
3 / 714 |
|
| Barogue through the post modern era |
1 / 179 |
|
| Cat'S Cradle And Dr. Strangelove Comparison |
2 / 444 |
|
| Comedy Found In All The Wrong Places |
1 / 208 |
|
| Dante's Inferno |
3 / 692 |
|
| Finding Humor in Grendel |
2 / 589 |
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| Foolishness Twelth Night |
5 / 1275 |
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| Fraudelence Personified |
3 / 797 |
|
| Lysistrata and Comedy |
2 / 444 |
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| Midsummer Nights Dream |
2 / 515 |
|
| My Fair Lady |
1 / 123 |
|
| Oedipus the King |
2 / 461 |
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| Shakespeare's The Comedy Of Errors |
2 / 378 |
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| Shaw - Arms And The Man |
2 / 446 |
|
| The Characteristics Of Shakespeare's Comedies |
4 / 1125 |
|
| The Devine Comedy |
3 / 671 |
|
| The Divine Comedy |
4 / 1120 |
|
| The Divine Comedy: Dante |
2 / 597 |
|
| The Mechenemi |
4 / 1078 |
|
| the block |
2 / 588 |
|
| Regency Enterprise case study |
1 / 286 |
|
| 12th Knight |
2 / 478 |
|
| A Midsummersnight Dream: Bottoms Comedy |
5 / 1298 |
|
| Allegory |
2 / 315 |
|
| Analysis On Mostellaria |
4 / 916 |
|
| Bob Dole |
3 / 753 |
|
| Characteristics Of A Comedy |
5 / 1201 |
|
| Comedy or Mockery |
2 / 572 |
|
| Dante Algiheri |
4 / 1178 |
|
| Dantes Inferno |
2 / 432 |
|
| Dantes Inferno |
3 / 687 |
|
| Definaing A Racist |
3 / 792 |
|
| Defining Nick Bottom In A Midsummer Night’s Dream |
3 / 715 |
|
| Definition of Science Fiction |
4 / 1061 |
|
| Divine Comedy |
2 / 474 |
|
| Drama |
2 / 459 |
|
| Every transformed text is responding to the older known text in what it uses and in what it modifies. What has been achieved in 10 Things I Hate About You by such a response? |
4 / 1078 |
|
| Farce |
2 / 429 |
|
| Favorite Genre |
1 / 293 |
|
| Feste, The Decisive Fool of Shakespeare's Twelfth Night |
3 / 608 |
|
| Film Review of Just Married |
3 / 693 |
|
| Foolish In Twelfth Night |
4 / 1095 |
|
| Genre |
4 / 964 |
|
| Godot And Repitition |
4 / 1097 |
|
| How does Television utilize the components of Drama, Prose, and Poetry? |
2 / 589 |
|
| Linking Texts |
3 / 647 |
|
| ?A Midsummer Night's Dream' is one of Shakespeare's best-known comedies. With close reference to two scenes, show and discuss the variety of different kinds of comedy possible to be found in the play |
7 / 1857 |
|
| classification of movies |
2 / 425 |
|
| dante's inderno |
2 / 313 |
|
| life, a short comedy |
1 / 272 |
|
| Measure For Measure |
3 / 772 |
|
| Mid Summer Night's Dream |
1 / 210 |
|
| Midsummer Night's Dream |
1 / 210 |
|
| Muchadoaboutsomting |
2 / 536 |
|
| My hero |
2 / 490 |
|
| Nick at Nite (Division Essay) |
3 / 802 |
|
| On the divine comedy |
2 / 577 |
|
| Origin of Greek Play |
1 / 282 |
|
| Point/Counterpoint in Twelfth Night |
3 / 815 |
|
| Puddn'Head Wilson |
5 / 1356 |
|
| Reflective essays |
5 / 1279 |
|
| Romeo And Juliet Act 3 Scene 1 |
3 / 604 |
|
| Sahara Review |
2 / 458 |
|
| Satire and Parody in Huck Finn |
1 / 178 |
|
| Shakespeare’S Writings |
2 / 573 |
|
| Social Security by Andrew Bergman |
3 / 866 |
|
| South Park Vs. Family Guy |
3 / 890 |
|
| Taming of the Shrew |
3 / 644 |
|
| Tartuffe |
3 / 870 |
|
| Television |
2 / 555 |
|
| The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
|
| The Bear |
3 / 799 |
|
| The Importance of Being Earnest Play/Film Comparitive Essay |
5 / 1376 |
|
| The Importance of Being Ernest |
2 / 517 |
|
| The Secret of Seinfelds Humour |
3 / 637 |
|
| The Winter's Tale |
2 / 418 |
|
| Twelfth Night |
7 / 2005 |
|
| Twelfth Night |
4 / 954 |
|
| Why Comedy Movies Are So Great |
3 / 831 |
|
| romeo and juliet |
4 / 1144 |
|
| sfofnovnocv |
2 / 395 |
|
| Annie Hall |
2 / 325 |
|
| Athenian Drama |
5 / 1256 |
|
| alexander |
1 / 279 |
|
| Blood Brothers Response |
4 / 1039 |
|
| comedy |
1 / 188 |
|
| GREEK THEATRE |
4 / 1009 |
|
| Greeks Influence on Western Civilization |
2 / 351 |
|
| Han Dynasty |
2 / 490 |
|
| History of Clowns |
2 / 439 |
|
| The structure of Greek Drama |
2 / 370 |
|
| Theatre Of Absurd |
2 / 428 |
|
| Dante Alighieri 2 |
3 / 884 |
|
| A Holiday Deconstruction |
2 / 382 |
|
| A Midsummer Night's Dream |
3 / 744 |
|
| A Show About Nothing |
3 / 621 |
|
| A film I have seen |
2 / 523 |
|
| Adam Sandler |
2 / 543 |
|
| Alcestis |
6 / 1772 |
|
| All Types Of Entertainment |
3 / 717 |
|
| Bill Cosby |
4 / 1176 |
|
| Bill Cosby |
4 / 1176 |
|
| COMEDY |
3 / 719 |
|
| Comedies and Tragedies a contrast in protagonists |
3 / 710 |
|
| Comedy In A Midsummer Night's Dream |
3 / 875 |
|
| Communication Basics |
1 / 249 |
|
| Dark Humour - A look at South African comedy |
3 / 652 |
|
| Disguise In Shakespearean Come |
3 / 642 |
|
| dave chappelle |
3 / 727 |
|
| dodgeball |
3 / 883 |
|
| Editorial-why Conan O Brian Is |
2 / 365 |
|
| Euripides |
2 / 336 |
|
| Film Review (the Money Pit) |
1 / 269 |
|
| Friday |
3 / 663 |
|
| Genre Of Clowning (Theatre, Drama, Arts) |
2 / 498 |
|
| Hot Fuzz - Movie Review |
2 / 599 |
|
| Human Comedy Pain |
2 / 552 |
|
| Its A Good Thing Harry Met Sally |
2 / 576 |
|
| Lies And Deceit |
2 / 395 |
|
| Lucille Ball |
4 / 1161 |
|
| Macbeth's Porter |
4 / 1088 |
|
| Review of Just Legal on the WB |
2 / 546 |
|
| Rodriguez and Mexico |
2 / 329 |
|
| Romeo And Juliet - Vs Much Ado About Nothing |
2 / 554 |
|
| Romeo And Juliet Vs Much Ado A |
2 / 554 |
|
| Satire in Two Comedies |
2 / 475 |
|
| Shakesphere |
2 / 330 |
|
| She Stoops To Conquer - What Accounts For Its Enduring Popularity? |
6 / 1610 |
|
| Slapstick Comedy Paper |
2 / 567 |
|
| speech |
3 / 617 |
|
| strictly ballroom |
3 / 696 |
|
| Taming Of The Shrew - Play Review |
2 / 550 |
|
| The Brady Bunch |
3 / 709 |
|
| The Cherry Orchard |
3 / 840 |
|
| The Cherry Orchard |
3 / 840 |
|
| The Divine Comedy |
2 / 588 |
|
| The Hero Of Con Air |
2 / 513 |
|
| The Human Comedy |
2 / 390 |
|
| The Life Aquatic |
1 / 226 |
|
| Why Comedy Movies Are So Great |
3 / 831 |
|
| Wilde as Parodist: A Second Look at The Importance of Being Earnest : A Review |
3 / 714 |
|
| Beatles |
3 / 769 |
|
| Bonnie and Clyde |
2 / 353 |
|
| Bringing Up Baby |
3 / 693 |
|
| Categorizing Television |
2 / 492 |
|
| Comedy Critique of Pope and the Witch |
4 / 1145 |
|
| Comparing "buddy" pairs of the old cinema |
3 / 861 |
|
| Film Review of Just Married |
3 / 702 |
|
| Film analysis Guess Who and Guess who's coming to dinner |
4 / 1067 |
|
| Freedom is the Only Way Now! |
5 / 1440 |
|
| fiddler on the roof, Broadway |
4 / 1089 |
|
| george gershwin |
1 / 249 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Impressive Nobodies |
3 / 649 |
|
| In your chosen two television programmes, discuss the extent to which situation comedy is dependent on stereotypical representations of gender. |
4 / 1011 |
|
| Media Essay - Wilfred |
5 / 1499 |
|
| Movie: Arsenic And Old Lace |
1 / 258 |
|
| Review on "Black Comedy" |
2 / 525 |
|
| Romeoo and Juliet |
3 / 676 |
|
| richard pryor v. sinbad |
3 / 740 |
|
| Seinfeld |
2 / 550 |
|
| Shrek |
3 / 789 |
|
| snowboards, beer, and casablanca |
3 / 750 |
|
| The Lost Boys Horror Genre |
3 / 619 |
|
| Tommy Boy |
1 / 180 |
|
| Tracking Tv Programs |
2 / 347 |
|
| vaudeville |
2 / 435 |
|
| Walking Shadow |
2 / 452 |
|
| Wedding Crashers |
3 / 739 |
|
| Young Frankenstein Film |
2 / 344 |
|
| yes |
2 / 519 |
|
| Seinfeld Episodes Create Comedy through Paralogy |
2 / 557 |
|
| tv violence |
2 / 402 |
|
| Gelotology |
2 / 546 |
|
| Movie |
1 / 283 |
|
| The Messiah |
2 / 527 |
|
| Helena Carter |
1 / 281 |
|
| TV gender preferences |
1 / 189 |
|
| The Risk of Comedy |
4 / 1184 |
|
| Telivision |
1 / 291 |
|
