| Title |
Pages / Words |
Save |
| Quote the Parrot, “Nevermore” |
2 / 558 |
 |
| The Life of William Carlos Williams |
4 / 957 |
|
| Admiration |
1 / 289 |
|
| American |
4 / 975 |
|
| Meh |
3 / 640 |
|
| Claude McKay |
1 / 213 |
|
| E. E. Cummings |
5 / 1449 |
|
| e.e. cummings |
5 / 1435 |
|
| Robert Frost |
3 / 621 |
|
| robert frost |
4 / 941 |
|
| Shel Silverstein |
3 / 675 |
|
| Exposing the hypocrisy in Emily Dickinson's "Some Keep the Sabbath Going to Church" |
4 / 903 |
|
| Homer's Iliad |
3 / 727 |
|
| In The Park Analysis |
3 / 894 |
|
| Mr. Flood's Party |
3 / 724 |
|
| My Last Duchess |
4 / 1117 |
|
| not waving but drowning |
2 / 434 |
|
| Rite of Passage |
4 / 1087 |
|
| Songs of Innocence and Experience |
3 / 694 |
|
| The Raven |
3 / 644 |
|
| A Close Reading: Break of the Day |
3 / 726 |
|
| A Contrast Of "A Valediction: Forbidding Mourning", And "To His Coy |
4 / 1012 |
|
| A Critical Appreciation of Toads Revisited by Philip Larkin |
4 / 953 |
|
| Analysis Of Frost's "desert Places" And "stopping By Woods On A Snowy |
4 / 1046 |
|
| Analysis of Robert Frost's "Nothing Gold Can Stay" |
2 / 576 |
|
| Anne Bradstreet |
5 / 1242 |
|
| Anthem for Doomed Youth Commentary Wilfred Owen |
4 / 1133 |
|
| Beowulf (Christianity vs. Paganism) |
3 / 669 |
|
| Beowulf |
3 / 670 |
|
| Blake |
3 / 705 |
|
| Characteristics Of The Beowulf Poem |
4 / 1060 |
|
| Compare and Contrast the way Rupert Brooke and Wilfred Owen approach the subject of war |
3 / 770 |
|
| Comparison of Emily Dickinson Poems |
3 / 699 |
|
| Death of a Toad |
1 / 278 |
|
| Do not go gentle into that Good night by Dylan Thomas Textual Anaylisi |
6 / 1793 |
|
| Do0oda |
2 / 570 |
|
| Dulce et Decorum est |
4 / 1058 |
|
| Dulce et Decorum |
4 / 1057 |
|
| E.E. Cummings |
5 / 1444 |
|
| E.e. Cummings |
5 / 1449 |
|
| EE Cummings |
5 / 1435 |
|
| Earth'S The Right Place For Love |
2 / 318 |
|
| Emily Dickinson - The Feet Of People Walking Home |
3 / 731 |
|
| Emily Dickinson’s “Because I Could Not Stop for Death” and Robert Frost’s “Stopping By Woods on a Snowy Night" |
2 / 534 |
|
| Examination of The Lovesong of J. Alfred Prufrock |
3 / 809 |
|
| Glasgow 5Th March |
5 / 1241 |
|
| Hedekthescotch |
2 / 363 |
|
| Hollow Men ANalysis |
4 / 954 |
|
| Hollow Men |
2 / 560 |
|
| Homecoming By Bruce Dawe |
2 / 456 |
|
| Immortality |
3 / 608 |
|
| Interpretation of The Love Song of J. Alfred |
2 / 434 |
|
| Interpreting Robert's Frost Poem, The Road Not Taken |
4 / 1165 |
|
| John Donne Holy Sonnet 14 |
1 / 252 |
|
| Judith Wright |
4 / 1200 |
|
| Langston Hughes- A Deferred Dream |
2 / 375 |
|
| "How does ?The Target' compare with ?Bohemians', both by Ivor Gurnery. |
3 / 630 |
|
| analysis of the poem "the story" |
2 / 496 |
|
| ballad of birmingham |
2 / 390 |
|
| confessionla poets |
4 / 903 |
|
| emilydick |
3 / 861 |
|
| killing an already dead man |
2 / 392 |
|
| life, a short comedy |
1 / 272 |
|
| “White Heliotrope” |
1 / 281 |
|
| 'Valentine' and 'Stealing' - By Carol Ann Duffy |
4 / 955 |
|
| Lose Heart |
3 / 731 |
|
| Love and Life Shakspeare |
2 / 454 |
|
| Men and Motherhood in Sylvia Plath's "Sow" |
3 / 677 |
|
| Metaphysical Poets |
4 / 1064 |
|
| Modern Love |
3 / 774 |
|
| Morning Song Analysis |
3 / 801 |
|
| Mother poetry Interpretation |
4 / 1175 |
|
| Mr. |
4 / 929 |
|
| Mr |
3 / 724 |
|
| Ms |
4 / 916 |
|
| My Brother Allie's Baseball Mitt |
2 / 415 |
|
| My Last duchess |
1 / 62 |
|
| My November Guest |
4 / 947 |
|
| My Papa's Waltz |
3 / 607 |
|
| On "Anecdote of the Jar" |
2 / 429 |
|
| Order In Free Verse |
3 / 804 |
|
| Poem in October- Anaylsis |
4 / 931 |
|
| Poetry Annalysis On The Author To Her Book |
3 / 650 |
|
| Poetry Explication |
3 / 655 |
|
| Poetry Of Nature |
3 / 881 |
|
| Poetry c/w |
4 / 1142 |
|
| Poetry of Emily Dickinson and Robert Frost |
4 / 1077 |
|
| Revolutionary Petunias |
2 / 472 |
|
| Richard Cory |
4 / 1070 |
|
| Robert Frost Poetry Analysis |
3 / 662 |
|
| Robert Herrick’s “To Daffodils |
4 / 1140 |
|
| Rose |
4 / 1009 |
|
| Seafarer |
2 / 407 |
|
| Shakespeare 130th sonnet analysis |
5 / 1282 |
|
| Shel Silverstein \ |
3 / 868 |
|
| Short Stories |
2 / 423 |
|
| Siren Song - Short Analysis |
1 / 217 |
|
| Snake, By DH Lawrence |
3 / 679 |
|
| Song To Myself |
2 / 301 |
|
| TS Eliot paper |
4 / 997 |
|
| The Age Of Religion |
3 / 899 |
|
| The Connection Of God And Nature In Bryant's Thanatopsis |
2 / 574 |
|
| The Fish |
3 / 757 |
|
| The Follower |
3 / 627 |
|
| The Innocence of Love |
3 / 720 |
|
| The Lost Heritage - Heather Buck |
5 / 1346 |
|
| The Missing Person by Donald Justice |
4 / 1002 |
|
| The Outsiders |
3 / 745 |
|
| The Outsiders |
3 / 745 |
|
| The Outsiders |
3 / 745 |
|
| The Poetry Of E. E. Cummings |
5 / 1445 |
|
| The Prairies |
2 / 557 |
|
| The Road Not Taken Paper |
2 / 549 |
|
| The Stolen Child |
3 / 798 |
|
| The Symbolism of the "Birches" |
3 / 650 |
|
| The Unknown Citizen vs. Departmental |
3 / 776 |
|
| This Be The Verse By Philip Larkin(Poem) |
3 / 679 |
|
| Those Winter Sundays And My Papa’s Waltz |
3 / 603 |
|
| Use Of Imagery, Structure, Voice, Meaning |
3 / 776 |
|
| Weapons Training |
2 / 435 |
|
| When Lilacs Last in the Dooryard Bloom'd |
5 / 1348 |
|
| When We Two Parted |
4 / 1040 |
|
| William Carlos Williams : Craft Analysis |
4 / 1111 |
|
| With reference to three poems discuss Blake's attitude to authority |
2 / 569 |
|
| Woodchucks Poem Essay |
3 / 643 |
|
| Wordsworth vs Levertov |
2 / 453 |
|
| my lips |
4 / 975 |
|
| ode on a grecian urn |
2 / 417 |
|
| ode to the west wind |
3 / 635 |
|
| pawn shop |
2 / 550 |
|
| robert browning speakers |
3 / 649 |
|
| robert frost poems |
4 / 902 |
|
| robert frost speech and anylisation |
3 / 725 |
|
| the bare sylvia plath |
4 / 1010 |
|
| the eagle |
2 / 313 |
|
| the flea essay |
5 / 1410 |
|
| those winter sundays |
6 / 1550 |
|
| true love |
3 / 639 |
|
| valediction |
5 / 1257 |
|
| william blake |
3 / 769 |
|
| Beowulf as an epic |
3 / 682 |
|
| Mr |
3 / 881 |
|
| Ozymandias |
2 / 468 |
|
| Random Notes |
3 / 756 |
|
| Romanticism Arts |
3 / 864 |
|
| Similaries Between Aeneid and Iliad |
2 / 409 |
|
| White Man's Burden World History |
2 / 448 |
|
| Analysis Of A Poem |
2 / 430 |
|
| Analyzing Poems |
1 / 276 |
|
| As Night And Day And The Heir |
2 / 562 |
|
| As Night And Day And The Heir |
2 / 562 |
|
| Barbie Doll |
2 / 600 |
|
| Blake |
3 / 705 |
|
| Blakes The Chimney Sweeper |
2 / 575 |
|
| Critique - Charles Baudelaire |
2 / 600 |
|
| discrimination |
2 / 355 |
|
| Eagle: Fragment |
3 / 666 |
|
| Easter Wings |
6 / 1727 |
|
| Ee Cumings |
5 / 1449 |
|
| Elizabeth Bishop And Her Poem "filling Station" |
4 / 962 |
|
| Emily Dickenson And The Theme Of Death |
3 / 610 |
|
| Emily Dickinson - The Feet Of People Walking Home |
3 / 731 |
|
| Emily Dickinson 5 |
3 / 629 |
|
| Emily Dickinson's Poetry In Relation To Society |
4 / 1165 |
|
| Emily Dickinson |
3 / 870 |
|
| English Comparative Essay |
3 / 620 |
|
| Feared Drowned |
2 / 382 |
|
| Flea |
3 / 828 |
|
| Hollow Men |
2 / 560 |
|
| Imagery In John Donnes The Bro |
2 / 559 |
|
| In-just Topographical |
5 / 1319 |
|
| Kubla Khan |
4 / 1080 |
|
| Marvell's "to His Coy Mistress |
3 / 828 |
|
| Marvells To His Coy Mistress A |
3 / 828 |
|
| My Last Duchess |
2 / 498 |
|
| My Papa's Waltz: Theodore Roethke |
3 / 857 |
|
| Paradise Lost The Devil Compar |
2 / 431 |
|
| Poem~dream Deferred |
2 / 459 |
|
| Poem~dream Deferred |
2 / 459 |
|
| Poetry Explication |
3 / 655 |
|
| Poetry Of Nature |
3 / 881 |
|
| Rose |
4 / 1009 |
|
| Snake, By Dh Lawrence |
3 / 679 |
|
| Songs Of Innocence And Experience |
3 / 694 |
|
| Sonnet 130 Vs. The Passionate |
3 / 794 |
|
| Sonnet 130 |
3 / 794 |
|
| Sonnet 18 Metaphore |
2 / 465 |
|
| The Broken Heart |
2 / 559 |
|
| The Poetry Of E. E. Cummings |
5 / 1445 |
|
| The Power And The Glory |
3 / 799 |
|
| The Second Coming Vs. Things Fall Apart |
3 / 829 |
|
| The Second Coming Vs. Things Fall Apart |
3 / 873 |
|
| The Ups And Downs Of Love |
4 / 940 |
|
| aunt jennifer tigers |
5 / 1249 |
|
| Interpretating Art |
2 / 487 |
|
| Powerlessness Corrupts |
1 / 231 |
|
| Dante's Inferno |
1 / 265 |
|
| paradise lost |
2 / 316 |
|
| Breakup |
3 / 764 |
|
| Work |
2 / 593 |
|
