| Title | Pages / Words | Save | 
                  
           | My Papas Waltz | 1 / 267 |  | 
                  
           | My Life is like A Red Rose | 2 / 522 |  | 
                  
           | And Then There Were None | 3 / 652 |  | 
                  
           | Essay On America | 3 / 704 |  | 
                  
           | great american poets | 3 / 627 |  | 
                  
           | Avalon High Report | 1 / 180 |  | 
                  
           | Beowulf | 1 / 275 |  | 
                  
           | blah | 2 / 336 |  | 
                  
           | Coleridge's "the Rime Of The Ancient Mariner | 3 / 856 |  | 
                  
           | Conrad | 3 / 630 |  | 
                  
           | conflict in the congo | 3 / 654 |  | 
                  
           | Ethics explication | 2 / 423 |  | 
                  
           | essay on beowulf | 2 / 483 |  | 
                  
           | jane kenyon | 2 / 365 |  | 
                  
           | Notes On "Road Not Taken" | 4 / 983 |  | 
                  
           | September 1913 and Easter 1916 Poem | 2 / 312 |  | 
                  
           | The Chrysalids | 2 / 338 |  | 
                  
           | The Road less Traveled | 2 / 527 |  | 
                  
           | To His Coy Mistress | 3 / 630 |  | 
                  
           | A Growing Anger | 2 / 367 |  | 
                  
           | A Route of Evanescence | 3 / 698 |  | 
                  
           | A Valediction: Forbidding Mourning and The Sun Rising | 2 / 586 |  | 
                  
           | A World of True Imagination | 3 / 657 |  | 
                  
           | About \ | 4 / 938 |  | 
                  
           | An Analysis Of The Use Of Form | 3 / 762 |  | 
                  
           | An Analysis of "Annabel Lee" | 2 / 509 |  | 
                  
           | An unfolding of the symbolism in William Wordsworth’s | 2 / 430 |  | 
                  
           | Analysis Of Thomas Hardy's The Darkling Thrush | 2 / 320 |  | 
                  
           | Analysis of Birches by Robert Frost | 3 / 697 |  | 
                  
           | Analysis of Langston Hughes' Harlem (Dream Deferred): | 2 / 395 |  | 
                  
           | Analysis of Petrach's Poetry | 3 / 682 |  | 
                  
           | Analysis of Randall Jarrell's "The Death of the Ball Turret Gunner" | 4 / 949 |  | 
                  
           | Anne Bradstreet | 4 / 1129 |  | 
                  
           | Anthem For Doomed Youth | 2 / 548 |  | 
                  
           | Birches | 4 / 1004 |  | 
                  
           | Brother to Brother | 2 / 438 |  | 
                  
           | Cargoes | 2 / 535 |  | 
                  
           | Carpe Diem | 3 / 706 |  | 
                  
           | Compare and Contrast (The discovery and pied beauty) | 3 / 604 |  | 
                  
           | Compare the Victorian era and jazz eras | 1 / 266 |  | 
                  
           | Compare ‘Hitcher’ With One Duffy Poem And Two Pre-1914 Poems That Consider Death Or The Threat Of Death. | 2 / 454 |  | 
                  
           | Comparison B/w The Wanderer And The Seafarer | 2 / 566 |  | 
                  
           | Credo | 3 / 780 |  | 
                  
           | Critical Appreciation For Pied Beauty | 3 / 609 |  | 
                  
           | Criticism of On His Blindnessby John Milton | 1 / 219 |  | 
                  
           | Daddy, Vampires, Black Hearts | 3 / 667 |  | 
                  
           | Daddy | 3 / 673 |  | 
                  
           | Dead Poets Society ? O Captain! My Captain! | 1 / 287 |  | 
                  
           | Doorway Poem | 1 / 257 |  | 
                  
           | Dr. | 2 / 565 |  | 
                  
           | Ducle Et Decorum Est | 2 / 509 |  | 
                  
           | Dulce Et Deorum Est | 3 / 617 |  | 
                  
           | Dulce et Decorum est by Wilfred Owen | 2 / 526 |  | 
                  
           | EARTH DAY'S ANTHEM | 1 / 280 |  | 
                  
           | Eagles | 1 / 193 |  | 
                  
           | Edgar allan poe | 2 / 431 |  | 
                  
           | Enternal Love | 3 / 777 |  | 
                  
           | Essay On Love | 4 / 942 |  | 
                  
           | Essay | 3 / 737 |  | 
                  
           | Explication | 2 / 346 |  | 
                  
           | Explore the ways in which language is shown to be important in ?Unrelated Incidents' and one other poem | 4 / 971 |  | 
                  
           | Fern Hill | 2 / 339 |  | 
                  
           | Identifying the tone of Shakespeare's "Shall I Compare Thee to a Summer's Day?" | 3 / 689 |  | 
                  
           | Imagery In Sally Croft'S "Home Baked Bread" | 2 / 536 |  | 
                  
           | Interpretation of ``Ozymandias`` | 3 / 619 |  | 
                  
           | Lady Of Shallot | 2 / 409 |  | 
                  
           | Langston Hughes, Dream Deferred | 2 / 586 |  | 
                  
           | "Death of a Hired Man" by Robert Frost Textual Analysis | 3 / 789 |  | 
                  
           | "One Art" essay | 2 / 373 |  | 
                  
           | "Order for Masks" by Virginia R. Moreno | 3 / 630 |  | 
                  
           | analysis of \ | 2 / 455 |  | 
                  
           | close ready on Anne Bradstreet ? To My Dear and Loving Husband | 2 / 420 |  | 
                  
           | emily dickinson | 3 / 654 |  | 
                  
           | hard rock | 2 / 480 |  | 
                  
           | hmm | 2 / 532 |  | 
                  
           | “Ballad of Birmingham | 2 / 558 |  | 
                  
           | “Theme for English B” Explication | 2 / 461 |  | 
                  
           | Lord Alfred Tennyson + Break Break Break | 2 / 435 |  | 
                  
           | Love song and preludes comparative | 2 / 319 |  | 
                  
           | Maya Angelou | 2 / 445 |  | 
                  
           | Metaphor | 1 / 164 |  | 
                  
           | Miss | 3 / 850 |  | 
                  
           | No coward soul is mine-emily bronte | 2 / 483 |  | 
                  
           | Norman Nicholson uses childhood as a means of exploring other ideas in Rising Five. Identify the ideas of the poem and comment on the ways in which they are presented. | 2 / 383 |  | 
                  
           | Ogichidag | 2 / 527 |  | 
                  
           | On the Other Hand | 2 / 546 |  | 
                  
           | Paper on "Oranges" by Gary Soto | 3 / 650 |  | 
                  
           | Perfect Storm vs. the wreck of the hesperus | 3 / 688 |  | 
                  
           | Philip Larkin | 2 / 443 |  | 
                  
           | Pilgrims progress | 3 / 856 |  | 
                  
           | Poem Inspiration For Commercial | 3 / 796 |  | 
                  
           | Poetical Analysis of "The Kite" by Wyatt Prunty (1982) | 5 / 1204 |  | 
                  
           | Poetry Analysis for "When My Love Swears she is made of truth" | 3 / 672 |  | 
                  
           | Poetry | 2 / 536 |  | 
                  
           | Prufrock'S Love Song | 2 / 516 |  | 
                  
           | Prufrock | 3 / 693 |  | 
                  
           | Rape by Adrienne Rich | 2 / 305 |  | 
                  
           | Reflection | 2 / 352 |  | 
                  
           | Road Not Taken | 4 / 1160 |  | 
                  
           | Road Not Taken | 2 / 585 |  | 
                  
           | Robert Frost Imagery | 2 / 311 |  | 
                  
           | Robert Frost \ | 3 / 671 |  | 
                  
           | Sacrifices of Love | 3 / 622 |  | 
                  
           | Shakespeare-The English Renaissance | 2 / 530 |  | 
                  
           | Stopping by the Woods | 2 / 548 |  | 
                  
           | Thanatopsis | 3 / 766 |  | 
                  
           | The Comparaison Of 2 Poems | 2 / 331 |  | 
                  
           | The Dashing Young Woman | 2 / 488 |  | 
                  
           | The Domesticity of Giraffes | 2 / 591 |  | 
                  
           | The Flea | 1 / 291 |  | 
                  
           | The Iliad | 2 / 318 |  | 
                  
           | The Inevitable | 3 / 777 |  | 
                  
           | The James Wright Festival | 3 / 836 |  | 
                  
           | The Lamb And The Tiger | 4 / 972 |  | 
                  
           | The Love Song of J Alfred Proofrock | 2 / 363 |  | 
                  
           | The Poetry Of William Cullen Bryant And Emily Dickinson: The Theme Of | 2 / 446 |  | 
                  
           | The Road Not Taken -- An Interpretaion Of Robert Frost's Poem | 3 / 751 |  | 
                  
           | The Road Not Taken | 2 / 549 |  | 
                  
           | The Road Not Taken | 3 / 736 |  | 
                  
           | The Tyger | 3 / 685 |  | 
                  
           | The Waste Land Analysis | 2 / 374 |  | 
                  
           | The road not taken | 3 / 818 |  | 
                  
           | Theme Of The Poem “Stopping By The Woods On A Snowy Evening” | 2 / 333 |  | 
                  
           | Thomas Hardy's "A Trampwoman's Tragedy" and Lord Byron's "When we two parted" | 4 / 940 |  | 
                  
           | Time and an "Ode to a Grecian Urn" | 2 / 403 |  | 
                  
           | Trace the development of feeling in the poem "One Art" | 2 / 566 |  | 
                  
           | Two Poem Comparisons: The Wild Swans at Coole vs. Sailing to Byzantium | 2 / 435 |  | 
                  
           | Ulysses | 2 / 478 |  | 
                  
           | We Wear the Mask | 2 / 575 |  | 
                  
           | When I Heard the Learnd Astronomer | 4 / 1038 |  | 
                  
           | Whitman and the Civil War | 3 / 865 |  | 
                  
           | Who Knows | 2 / 563 |  | 
                  
           | William Blake's Chimney Sweeper Essay | 3 / 738 |  | 
                  
           | Wind and Window Flower | 1 / 281 |  | 
                  
           | Yeats | 5 / 1419 |  | 
                  
           | love song | 3 / 784 |  | 
                  
           | ozymandias | 3 / 609 |  | 
                  
           | poetry coursework | 5 / 1262 |  | 
                  
           | rawr | 2 / 306 |  | 
                  
           | sex without love | 3 / 701 |  | 
                  
           | she walks in beauty | 2 / 420 |  | 
                  
           | sonnet 116 | 3 / 643 |  | 
                  
           | spring all all | 2 / 367 |  | 
                  
           | task 3 | 1 / 275 |  | 
                  
           | to a mouse by robert burns | 2 / 327 |  | 
                  
           | what poetry means to me | 2 / 395 |  | 
                  
           | A Poem | 1 / 84 |  | 
                  
           | Baroque Period | 2 / 553 |  | 
                  
           | Poetry Analysis; "To the Virgins to Make Much of Time" | 2 / 307 |  | 
                  
           | A Birthday | 2 / 426 |  | 
                  
           | A Critical Examination Of 'My Lover In White' | 3 / 662 |  | 
                  
           | A Working Party | 2 / 462 |  | 
                  
           | Analysis Of Do Not Go Gentle I | 3 / 601 |  | 
                  
           | Analysis Of Emily Dickensons C | 2 / 470 |  | 
                  
           | Analysis of In Just | 2 / 530 |  | 
                  
           | Analysis of The Raven by Edgar Allan Poe | 2 / 455 |  | 
                  
           | Bushed | 2 / 548 |  | 
                  
           | Choices And Consequences In Fr | 2 / 577 |  | 
                  
           | Comparison: Ginsberg, Frost, Eastwood | 2 / 431 |  | 
                  
           | Crumbling Is Not An Instants Act | 2 / 470 |  | 
                  
           | Cry The Beloved Country | 2 / 470 |  | 
                  
           | comparison of "death be not proud" and "on my first son" | 3 / 677 |  | 
                  
           | Daddy, Vampires, Black Hearts | 3 / 621 |  | 
                  
           | Do Not Go Gentle Into That Good Night | 3 / 601 |  | 
                  
           | Dover Beach | 2 / 480 |  | 
                  
           | During A Son S Dangerous Illne | 3 / 694 |  | 
                  
           | Dust Over The City | 3 / 694 |  | 
                  
           | Ethics | 3 / 687 |  | 
                  
           | Eulogies | 2 / 598 |  | 
                  
           | Explication Of Ezra Pound S In | 2 / 328 |  | 
                  
           | Funeral Blues | 3 / 682 |  | 
                  
           | Good Vs. Evil As Found In "Beowulf" | 2 / 320 |  | 
                  
           | Great | 2 / 407 |  | 
                  
           | Interpretation Of ``ozymandias`` | 3 / 619 |  | 
                  
           | Judith Wright's Poetry | 2 / 527 |  | 
                  
           | Jungle Night | 2 / 537 |  | 
                  
           | journals | 2 / 435 |  | 
                  
           | La Belle Dame Sans Merci | 3 / 614 |  | 
                  
           | Langston Huges | 2 / 558 |  | 
                  
           | Life After Death | 3 / 823 |  | 
                  
           | Me | 3 / 630 |  | 
                  
           | Meditation | 1 / 260 |  | 
                  
           | Metlife | 2 / 352 |  | 
                  
           | My Contemplation on Death and Innocence | 2 / 522 |  | 
                  
           | Old New England | 1 / 293 |  | 
                  
           | Overhead In County Slogi And Woman Work - Comparison | 3 / 741 |  | 
                  
           | Poem Analysis The Chimmney Swe | 2 / 422 |  | 
                  
           | Poetry Analysis | 2 / 423 |  | 
                  
           | Poetry Explication Stopping By | 2 / 511 |  | 
                  
           | Response to Schoolsville | 2 / 431 |  | 
                  
           | Stopping By Woods On A Snowy Evening | 2 / 488 |  | 
                  
           | The Hollow Men | 2 / 487 |  | 
                  
           | The Tyger | 3 / 685 |  | 
                  
           | Two Different Attitudes, Two D | 3 / 659 |  | 
                  
           | the road not taken | 3 / 661 |  | 
                  
           | War Poems | 3 / 882 |  | 
                  
           | Sound of Silence | 2 / 520 |  | 
                  
           | Discuss ideas, values and assumptions within the three pieces of texts (Darkling Thrush, The Road Not Taken' and 'O What Is That Sound?') | 3 / 784 |  | 
                  
           | My My | 3 / 651 |  | 
                  
           | Social Issued of America | 2 / 583 |  |