| Title | Pages / Words | Save | 
                  
           | Creon: Accused and Accuser | 3 / 754 |  | 
                  
           | Othello | 7 / 1853 |  | 
                  
           | 1824 presidents | 2 / 560 |  | 
                  
           | Brokeback | 4 / 1014 |  | 
                  
           | black panthers | 1 / 187 |  | 
                  
           | How Two Midwestern Towns Respond to Immigration | 4 / 1056 |  | 
                  
           | native american | 4 / 927 |  | 
                  
           | DAN RATHER | 1 / 224 |  | 
                  
           | Ddd | 1 / 165 |  | 
                  
           | Giotto | 1 / 171 |  | 
                  
           | Trash | 3 / 748 |  | 
                  
           | Wolfgang Amadeus Mozart | 3 / 693 |  | 
                  
           | A Futuristic Interview With Romeo | 5 / 1257 |  | 
                  
           | Antonio And The Duchess | 5 / 1282 |  | 
                  
           | Computers | 3 / 740 |  | 
                  
           | Drama coursework: response portfolio Scaramouche Jones | 3 / 613 |  | 
                  
           | Hamlet's Crazy! | 3 / 666 |  | 
                  
           | Hamlet's Madness | 3 / 742 |  | 
                  
           | Henry Iv: Appearance Vs. Reality | 5 / 1272 |  | 
                  
           | How is dramatic tension created in the trial scene of 'The Merchant of Venice'? | 7 / 2004 |  | 
                  
           | hamlet's hamartia | 1 / 235 |  | 
                  
           | In Cold Blood | 4 / 1012 |  | 
                  
           | Joy Luck Club | 3 / 689 |  | 
                  
           | Macbeth: Macbeth A Tragic Hero - His Strengths, His Weaknesses, His Tr | 3 / 681 |  | 
                  
           | Much Ado About Nothing: An Overview | 4 / 1126 |  | 
                  
           | Othello: Iago - "o, Beware, My Lord, Of Jealousy" | 4 / 988 |  | 
                  
           | Persevering Literature | 3 / 841 |  | 
                  
           | Prejudice in To Kill a Mockingbird | 3 / 780 |  | 
                  
           | Revenge in Hamlet | 4 / 1074 |  | 
                  
           | Romeo & Juliet | 3 / 658 |  | 
                  
           | Scarlet Letter-Symbols | 6 / 1735 |  | 
                  
           | Streetcar Named Desire Essay | 2 / 591 |  | 
                  
           | scarlet letter summary | 4 / 947 |  | 
                  
           | The Bone collector | 5 / 1262 |  | 
                  
           | The Fall of Usher Themes | 4 / 981 |  | 
                  
           | The Grapes of Wrath | 3 / 837 |  | 
                  
           | The Inheritance of Loss Book Review | 4 / 978 |  | 
                  
           | The Labours Of Mendevolin | 1 / 210 |  | 
                  
           | The conflicts of all Hearts | 5 / 1243 |  | 
                  
           | The great gatsby "Party scene" | 2 / 578 |  | 
                  
           | There is no clean getaway | 2 / 556 |  | 
                  
           | To Kill A Mocking Bird Book And Movie [Resource] | 5 / 1482 |  | 
                  
           | v for vendetta | 5 / 1376 |  | 
                  
           | Ducati | 2 / 597 |  | 
                  
           | Fantasy Theme Analysis of Commercial | 5 / 1460 |  | 
                  
           | Finding Leadership in the Movie Seabiscuit | 5 / 1381 |  | 
                  
           | Helloo | 5 / 1293 |  | 
                  
           | Immigration And The Economy | 3 / 792 |  | 
                  
           | Mgmt Planning and Ethics | 4 / 1124 |  | 
                  
           | Ms. | 3 / 697 |  | 
                  
           | Sub-Prime Financial Crisis | 3 / 630 |  | 
                  
           | Underground Metal Scene in Morocco | 3 / 693 |  | 
                  
           | A Doll's Hous and Nora | 4 / 915 |  | 
                  
           | A Midsummer Nights Dream | 3 / 643 |  | 
                  
           | Act 2 Scenes 8-10 | 4 / 948 |  | 
                  
           | Analysis of a scene from great expectations | 6 / 1780 |  | 
                  
           | Character Connection | 3 / 808 |  | 
                  
           | Comparative study- Death and the Maiden and Lysistrata | 4 / 998 |  | 
                  
           | Describe Shaksepaers Theme Of Love In Twelth Night | 4 / 931 |  | 
                  
           | English | 3 / 627 |  | 
                  
           | Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts | 6 / 1665 |  | 
                  
           | Fair Is Foul And Foul Is Fair | 3 / 722 |  | 
                  
           | Fear and Loathing in Las Vegas | 3 / 659 |  | 
                  
           | Feminist Criticism of Portia and Calpurnia. | 1 / 205 |  | 
                  
           | Flawed but successful | 4 / 1018 |  | 
                  
           | Frankenstein | 1 / 208 |  | 
                  
           | Fried Green Tomatoes | 5 / 1467 |  | 
                  
           | Hamlen Brook | 1 / 234 |  | 
                  
           | Hamlet, Laertes & Fortinbras: Avenging Their Fathers | 5 / 1220 |  | 
                  
           | Hamlet | 7 / 2010 |  | 
                  
           | Hamlet | 4 / 1011 |  | 
                  
           | Hamlet | 3 / 610 |  | 
                  
           | Hamlet | 2 / 453 |  | 
                  
           | How does Steven Spielberg make the opening scene of Jaws so dramatic? | 5 / 1370 |  | 
                  
           | Is He Good Or Is He Bad? | 6 / 1719 |  | 
                  
           | KIng lear | 5 / 1243 |  | 
                  
           | Lex Luther And Human Nature | 3 / 884 |  | 
                  
           | about macbeth | 2 / 464 |  | 
                  
           | gould - the median isn't the message | 3 / 670 |  | 
                  
           | Love/Hate in Much Ado About Nothing | 3 / 629 |  | 
                  
           | Macbeth is a villain in whom there is little to admire". Do you think this is a satisfactory comment on Macbeth? "using textual evidence" | 5 / 1494 |  | 
                  
           | Macbeth | 6 / 1663 |  | 
                  
           | Macbeth | 3 / 612 |  | 
                  
           | Macbeth | 3 / 614 |  | 
                  
           | Macbeth | 3 / 755 |  | 
                  
           | Macbeth | 2 / 519 |  | 
                  
           | Macbeth | 4 / 1003 |  | 
                  
           | Macbeth | 2 / 488 |  | 
                  
           | Macbeth: Symbolism | 2 / 496 |  | 
                  
           | Machbeth | 3 / 614 |  | 
                  
           | Mackbeth | 6 / 1774 |  | 
                  
           | Merchant of venice | 3 / 852 |  | 
                  
           | Mr. | 3 / 694 |  | 
                  
           | Muthos | 6 / 1613 |  | 
                  
           | My life changing trip | 3 / 690 |  | 
                  
           | One who Flew over cuckoos nest COMPARED to movie | 5 / 1313 |  | 
                  
           | Othello | 2 / 521 |  | 
                  
           | Othello | 2 / 594 |  | 
                  
           | Parkers representation of Othello | 3 / 766 |  | 
                  
           | Process Paper: Fire Helmet | 3 / 675 |  | 
                  
           | Psycho Motifs | 3 / 644 |  | 
                  
           | Raskolnikov's Vivid Dream | 4 / 1151 |  | 
                  
           | Relationship between Macbeth and Lady Macbeth | 3 / 777 |  | 
                  
           | Revenge In Hamlet | 6 / 1530 |  | 
                  
           | Robert Frost - Home Burial | 1 / 273 |  | 
                  
           | Robert Frost: Man and Nature | 3 / 680 |  | 
                  
           | Romeo Juliet Film Comparison to text | 5 / 1459 |  | 
                  
           | Romeo and Juliet..was it destined by fate? | 3 / 896 |  | 
                  
           | Sexism In "Othello" | 2 / 474 |  | 
                  
           | Shine | 4 / 984 |  | 
                  
           | Stopping by the Woods | 2 / 548 |  | 
                  
           | The Love and the Nightgale | 2 / 566 |  | 
                  
           | The Unprincipled Family | 4 / 936 |  | 
                  
           | The point of citizen Kane | 5 / 1244 |  | 
                  
           | To Eat Or Not To Eat: A Comparison Of Anorexia And Obesity | 4 / 1160 |  | 
                  
           | To Kill or not to kill a mockingbird | 5 / 1349 |  | 
                  
           | Toy Story Annalysis | 6 / 1701 |  | 
                  
           | Violence in Othello | 5 / 1264 |  | 
                  
           | War and Memory in Irene Zabytko's "Home Soil", Bruce Weigl's "Song of Napalm", and Wilfred Owen's "Dulce et Decorum Est" | 3 / 693 |  | 
                  
           | mother courage | 3 / 663 |  | 
                  
           | of mice and men analyses of their literary techniques | 1 / 211 |  | 
                  
           | richard 2, importance on thomas of woodstock | 3 / 720 |  | 
                  
           | tradegedy of Julius Caesar | 3 / 772 |  | 
                  
           | truman show | 4 / 934 |  | 
                  
           | analysis of king lear | 5 / 1254 |  | 
                  
           | Byzantium: faith and power 1261 ? 1557 | 2 / 435 |  | 
                  
           | History of Athens | 2 / 547 |  | 
                  
           | Not Without My Daughter | 1 / 204 |  | 
                  
           | The Crucible | 2 / 462 |  | 
                  
           | Different Types Of Art Forms | 5 / 1431 |  | 
                  
           | Analysis Of A Streetcar Named | 3 / 649 |  | 
                  
           | Blood Imagery in MAcbeth | 5 / 1473 |  | 
                  
           | Brennaghs Hamlet | 7 / 1899 |  | 
                  
           | bobs house | 1 / 240 |  | 
                  
           | Contrasting Macbeth's Two Meetings With The Witches | 4 / 1144 |  | 
                  
           | David Belasco | 2 / 413 |  | 
                  
           | Everyman - Play Analysis | 6 / 1602 |  | 
                  
           | Fire on the Mountain | 3 / 773 |  | 
                  
           | Fried Green Tomatoes | 5 / 1467 |  | 
                  
           | Fried Green Tomatoes | 5 / 1467 |  | 
                  
           | Glory | 2 / 477 |  | 
                  
           | Greek Theater 2 | 3 / 623 |  | 
                  
           | Hamlet Act I Scene Ii 1-179 - Ambiguous Characters | 6 / 1559 |  | 
                  
           | Immigration And The Economy | 3 / 792 |  | 
                  
           | Lolita | 1 / 233 |  | 
                  
           | Midget Village | 6 / 1751 |  | 
                  
           | Minor Characters | 3 / 638 |  | 
                  
           | mamma mia | 3 / 625 |  | 
                  
           | Othello | 6 / 1612 |  | 
                  
           | Possibilities and constraints of shooting in the studio and on location. | 4 / 958 |  | 
                  
           | Raskolnikov's Vivid Dream | 4 / 1151 |  | 
                  
           | Robin Hood | 5 / 1240 |  | 
                  
           | Sample Police Report | 2 / 511 |  | 
                  
           | Scoliosis | 8 / 2134 |  | 
                  
           | strictly ballroom | 3 / 696 |  | 
                  
           | The Death Of Young Hamlet | 5 / 1248 |  | 
                  
           | The Sixth Sense | 1 / 195 |  | 
                  
           | The Story Of An Hour The Story | 2 / 568 |  | 
                  
           | The Waterfalls | 3 / 707 |  | 
                  
           | Wolfgang Amadeus Mozart | 3 / 693 |  | 
                  
           | "Orange Juice" (The Godfather) | 3 / 891 |  | 
                  
           | A Bronx Tale | 2 / 541 |  | 
                  
           | American Beauty | 10 / 2903 |  | 
                  
           | Analysis of Singin in the Rain | 4 / 953 |  | 
                  
           | Divided We Fall | 4 / 1112 |  | 
                  
           | horror genre | 13 / 3818 |  | 
                  
           | Jesus Camp | 1 / 201 |  | 
                  
           | kill bill 2 | 6 / 1552 |  | 
                  
           | Movie: All Quiet On The Western Front | 3 / 620 |  | 
                  
           | Movie: The Mission | 2 / 535 |  | 
                  
           | Music and Mood | 6 / 1504 |  | 
                  
           | Musical Theatre | 4 / 1169 |  | 
                  
           | Narrative vs. Montage | 3 / 877 |  | 
                  
           | Paralells In My Brilliant Career | 3 / 852 |  | 
                  
           | Pulp Fiction Narrative | 4 / 955 |  | 
                  
           | Report on We Were Soldiers | 4 / 1093 |  | 
                  
           | Robin Hood | 5 / 1240 |  | 
                  
           | relationships in Ordinary People | 3 / 884 |  | 
                  
           | Schindler'S List Culminating Assignment | 2 / 556 |  | 
                  
           | Similarities Of Two Famous Tales Of Love | 3 / 687 |  | 
                  
           | Summary and Overview on the movie crash | 4 / 971 |  | 
                  
           | The Jazz Age | 2 / 526 |  | 
                  
           | The Sound of Blue Velvet | 2 / 411 |  | 
                  
           | To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question | 7 / 1906 |  | 
                  
           | Tosca | 4 / 945 |  | 
                  
           | What Is Eatting Gilberts Grape | 2 / 515 |  | 
                  
           | Aristotle's Mean Applied to Acting Technique | 4 / 1135 |  | 
                  
           | Color Perception After Viewing Emotional Media | 2 / 532 |  | 
                  
           | Darley and latane | 2 / 546 |  | 
                  
           | family vacation | 4 / 1083 |  | 
                  
           | Symptoms of Schizophrenia seen in "A Beautiful Mind" | 3 / 821 |  | 
                  
           | I Love and I Hate. Who Can Tell me Why? | 3 / 846 |  | 
                  
           | Bending Bridges | 7 / 2052 |  | 
                  
           | Dna: The Thread Of Life | 3 / 696 |  | 
                  
           | Club Drugs | 3 / 841 |  | 
                  
           | Entering the Gates of Freedom | 3 / 650 |  | 
                  
           | Sex In Ragtime | 4 / 1018 |  | 
                  
           | Stereotypes in media | 4 / 999 |  | 
                  
           | Piracy | 1 / 172 |  | 
                  
           | Telecommunication Trends - Fiber Optics | 4 / 1119 |  |