| Title |
Pages / Words |
Save |
| Burkina Faso |
2 / 387 |
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| Movies |
2 / 463 |
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| 2001 A space odyssey |
2 / 566 |
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| Films Today |
5 / 1333 |
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| Final |
2 / 497 |
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| Importand films of the early 1900's |
3 / 644 |
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| Nature |
2 / 410 |
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| netflix |
2 / 343 |
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| Audrey Hepburn |
2 / 351 |
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| Charles Chaplin |
1 / 287 |
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| David Fincher |
2 / 468 |
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| John Wayne |
3 / 629 |
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| Spike Lee |
3 / 664 |
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| Steven Spielberg |
2 / 579 |
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| Steven Spielburg |
3 / 814 |
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| Woody Allen |
3 / 658 |
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| walt disney |
1 / 223 |
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| a clockwork orange |
2 / 475 |
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| Gibson v. Branagh |
1 / 72 |
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| Like waster |
1 / 266 |
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| Nightmare on Elm Street |
1 / 248 |
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| Romeo and Juliet |
2 / 436 |
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| Arundel Case |
3 / 640 |
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| Arundel Partners Case |
2 / 484 |
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| Arundel Partners |
6 / 1779 |
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| BMW Films |
2 / 328 |
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| Bmw Films |
3 / 698 |
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| Geography |
3 / 666 |
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| Globalization |
1 / 229 |
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| Mainline Vs. Kim Basinger |
3 / 781 |
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| Marketing |
2 / 361 |
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| Nescafe |
2 / 475 |
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| Pixar Investment Profile |
2 / 449 |
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| Regency Enterprise case study |
1 / 286 |
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| A Bronx Tale |
1 / 159 |
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| Censorship in the Media |
3 / 780 |
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| Crash Overview |
2 / 380 |
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| Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
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| Film Realism |
4 / 958 |
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| Film Violence |
2 / 412 |
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| Frankenstein |
4 / 1104 |
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| Judy Garland |
1 / 263 |
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| Jungian) image of the "beast" in society/film/literature |
3 / 882 |
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| classification of movies |
2 / 425 |
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| Requiem for a Dream |
2 / 328 |
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| Review |
2 / 494 |
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| Romeo and Juliet: 1968 vs. 1996 films |
1 / 162 |
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| Saving Private Ryan Help Sheet |
2 / 320 |
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| Soical Class |
3 / 858 |
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| Stangers On A Train Reaction Essay |
2 / 320 |
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| The Comparison Between This And That |
3 / 655 |
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| The Decline of the american horror film |
4 / 1092 |
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| The French New Wave |
5 / 1491 |
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| The Tell-Tale Heart Analysis |
1 / 217 |
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| Why We Crave Horror Movies |
1 / 248 |
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| my goodness |
1 / 249 |
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| Box office Decline |
1 / 53 |
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| Ca Twiste a Popenguine |
1 / 123 |
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| film history |
4 / 1047 |
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| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
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| Last Of The Mohicans |
2 / 400 |
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| Old Movies And America |
2 / 462 |
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| Slaying the Dragon |
2 / 459 |
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| A film I have seen |
2 / 523 |
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| Action films. Good or Bad ?? |
2 / 501 |
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| All Quiet On The Western Front |
2 / 339 |
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| Arundel Partners Case Analysis |
5 / 1411 |
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| anime |
2 / 347 |
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| arundel |
5 / 1411 |
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| Babam Ve Oglum |
4 / 1139 |
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| Beauty And The Beast |
3 / 609 |
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| Boys In The Hood The Beginning |
3 / 653 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| cheater |
2 / 445 |
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| Discerning Content In Paragraphs |
2 / 389 |
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| Film Sound |
4 / 951 |
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| Francis Ford Coppola |
2 / 500 |
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| Horror Movies |
2 / 552 |
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| How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
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| hitchcock |
2 / 418 |
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| Johnny Depp |
2 / 398 |
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| Leading men |
1 / 287 |
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| Letters From A War Zone |
4 / 1061 |
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| Media Violence |
2 / 528 |
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| narrative structures |
3 / 616 |
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| The Breakfest Club |
3 / 694 |
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| Thoughts On Pocahontas The Mov |
1 / 216 |
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| the corporation |
2 / 347 |
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| Who Is The Hero |
4 / 1107 |
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| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
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| 32 Short Films About Glenn Gould |
2 / 573 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Advantages And Disadvantages Of Subtitles |
2 / 546 |
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| African American Cinema |
3 / 673 |
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| Alfred Hitchcock |
4 / 945 |
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| Alfred Hitchcock |
4 / 965 |
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| Amelie |
2 / 330 |
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| BMW Films |
6 / 1711 |
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| Beauty and the beast |
1 / 288 |
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| Blaire Witch review |
2 / 475 |
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| Blaxpoitation |
2 / 325 |
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| Blood, Violence And Gore As Entertainment |
2 / 363 |
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| C-grade answer for the impact of Hollywood's focus on the blockbuster film and how it's affected the up-turn in box office figures in the last 10 years. |
1 / 271 |
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| Chinatown |
2 / 377 |
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| Cliches of teen movies |
2 / 440 |
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| Clockwork Orange |
2 / 560 |
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| Critique Of Romeo And Juliet The Movie |
2 / 474 |
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| Critique Of The Cabinet Of Dr. Caligari |
2 / 481 |
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| DARKER CITIES |
2 / 595 |
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| Discuss whether Alfred Hitchcock can be considered an auteur |
5 / 1210 |
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| DreamWorks Animation |
2 / 314 |
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| Fight Club |
1 / 229 |
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| Film Auteurs |
5 / 1306 |
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| Film Noir At It'S Finest |
2 / 525 |
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| Film genres |
2 / 479 |
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| Film: From Silent to Sound |
2 / 551 |
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| Films that were enjoyed and disliked |
3 / 730 |
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| French New Wave |
4 / 1149 |
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| faherenheit 9/11 |
4 / 1171 |
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| film auterism |
5 / 1361 |
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| film institute research |
2 / 553 |
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| film noir |
3 / 693 |
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| Gangs Steal Oscar Nominations |
3 / 777 |
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| godfrey reggio |
4 / 979 |
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| Hindi cinema |
4 / 932 |
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| Hong Kong Cinema |
3 / 709 |
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| Horror Movies |
2 / 552 |
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| Horror Movies |
3 / 613 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| JAWS |
2 / 508 |
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| Jack Nicholson, Star? |
2 / 369 |
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| John Rambo and Jack Ryan: Men America Can Count On? |
4 / 984 |
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| John Woo: from Hong Kong to Hollywood, The Killer and Face/Off |
3 / 859 |
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| King Kong |
2 / 350 |
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| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
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| Mise-En-Scene in Calagari |
2 / 352 |
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| Movie History |
2 / 568 |
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| Movie Magic: Audio And Visual Special Effects 1960-1990 |
3 / 893 |
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| Movie Marketing In India |
2 / 329 |
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| Movie |
2 / 564 |
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| Music's role in film |
4 / 943 |
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| martin scorsese |
3 / 870 |
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| media |
4 / 978 |
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| movie |
1 / 214 |
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| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
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| On the waterfront |
1 / 126 |
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| Post-Renaissance Films |
1 / 253 |
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| Power to the Little People |
2 / 432 |
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| Read culture by movies |
2 / 568 |
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| Realism and Idealism for the Godfather |
4 / 1152 |
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| Reservoir Dogs |
4 / 911 |
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| response to boyz n the hood |
3 / 770 |
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| Samurai in Film |
2 / 421 |
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| Setting The Standard'S For Today'S Animated Movies |
2 / 366 |
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| Some Like It Hot |
2 / 316 |
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| Starship Troopers |
3 / 708 |
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| Stephen Speilberg |
4 / 1036 |
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| sfsf |
2 / 474 |
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| sofia coppola |
2 / 386 |
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| sterphen spielberg |
3 / 605 |
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| THoughts On Pocahontas |
1 / 216 |
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| Taxi Driver: A modern version of the Western Film |
3 / 721 |
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| Teenage Film Essay |
3 / 820 |
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| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
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| The Blair Witch Project |
3 / 602 |
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| The Indo- Afghan Connection |
4 / 963 |
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| Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film" |
1 / 263 |
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| Two Great Rebellion Films |
4 / 990 |
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| triumph of the will and why we fight |
2 / 548 |
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| Walt Disney |
3 / 689 |
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| War In Cinema |
3 / 885 |
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| Western Movie Critiquing |
3 / 855 |
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| What makes a great movie |
1 / 257 |
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| Will Smith |
2 / 357 |
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| Wings of Desire |
2 / 415 |
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| Woody Allen's "Annie Hall" |
2 / 496 |
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| yes |
2 / 519 |
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| girl interrupted review |
2 / 473 |
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| Observational Learning of Violent Behavior |
3 / 780 |
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| Psychology/clockwork Orange |
2 / 549 |
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| rock |
1 / 202 |
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| Truths |
2 / 408 |
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| dsadsadsa |
2 / 326 |
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| battle of karkov |
4 / 1011 |
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| Canadian Identity Or “Invisible Culture”. |
2 / 333 |
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| Censorship in America |
4 / 1060 |
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| Culture Of Film |
6 / 1579 |
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| disney is not taking over childrens lives - persuasive speech |
3 / 772 |
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| full metal jacket |
4 / 921 |
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| Media Violence |
2 / 528 |
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| opionative essay on smoking |
1 / 276 |
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| Sorority Girl |
3 / 617 |
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| Split Image |
3 / 627 |
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| The Media Plays a Crucial Role in Forming Public Opinion |
2 / 349 |
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| True Event in Colorful Film |
2 / 513 |
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| Use Cell Phone |
2 / 541 |
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| Animation |
2 / 476 |
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| grouping |
2 / 308 |
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| Himalayan Mineral Water VFX Case Study |
2 / 306 |
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