| Title |
Pages / Words |
Save |
| Why was Socrates found guilty? Was he fairly tried and condemned? |
9 / 2675 |
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| My Childhood Memory |
2 / 563 |
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| Journey's End by R.C Sherriff |
3 / 705 |
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| The Tempest: Allegorical to the Bible |
4 / 1120 |
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| 2pac |
5 / 1357 |
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| All Quiet on the Western Front |
3 / 680 |
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| Analysis of Civil Rights Movement |
3 / 661 |
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| boston teaparty |
2 / 503 |
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| cary |
2 / 456 |
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| Film Review Mona Lisa Smile |
4 / 1024 |
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| Harlem Renasiansse |
2 / 448 |
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| Fate in Oedipus |
2 / 367 |
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| Legend |
2 / 517 |
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| marlon Brando |
2 / 466 |
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| me |
3 / 734 |
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| oprah |
6 / 1653 |
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| Plays |
2 / 550 |
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| Short Biography of Percy Bysshe Shelley |
2 / 442 |
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| Tennessee Williams And His Influences |
2 / 477 |
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| Wole Soyinka Biography |
2 / 427 |
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| Wole Soyinka |
2 / 409 |
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| A Midsummer Night's Dream |
4 / 1006 |
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| A View From The Bridge By Arthur Miller |
3 / 656 |
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| Agamemnon |
4 / 1002 |
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| An Occurrence at Owl Creek Bridge |
2 / 567 |
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| be more chill |
3 / 772 |
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| blood brothers |
3 / 637 |
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| Cold Sassy Tree |
3 / 666 |
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| Edgar Allen Poe's Obscure Style |
3 / 651 |
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| Elizabethan Theatre |
8 / 2292 |
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| Foreshadowing- |
3 / 806 |
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| How does the "Common Man" enable the audience to understand the complexities of More's character? |
5 / 1312 |
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| how not to spend you senior year |
3 / 766 |
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| monster |
2 / 581 |
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| The Secret Life of Walter Mitty |
3 / 692 |
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| The Theme of Money is not Everything in the Lorraine Hansberry, A Raisin in the Sun. |
3 / 633 |
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| The life of Richard |
5 / 1293 |
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| To Kill A Mockingbird Essay |
3 / 654 |
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| Artventure Children's Creative Art and Party Centre |
3 / 675 |
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| Body Shop International - SWOT Analysis |
2 / 548 |
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| Closing Sales, Sales Management |
3 / 675 |
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| Coke |
2 / 475 |
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| Netflix Challenges Blockbuster over Online Rentals |
2 / 597 |
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| servey questionnaire |
3 / 622 |
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| truth |
5 / 1262 |
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| Vince McMahon |
2 / 558 |
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| A Closer Look at Shylock vs. Antonio |
3 / 746 |
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| A Comparison of two Ibsen Works |
5 / 1289 |
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| A Good Man Is Hard To Find |
3 / 749 |
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| A Midsummer Night's Dream Research Paper (with cited) |
4 / 1052 |
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| An Inspector Calls |
6 / 1547 |
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| Audience And Critics Have Said The Crucible Is Deeply Moving And Exciting. Discuss How Millers Stagecraft In Particular At The Begining And Ends Of The Acts Contributes To The Overall Drama Of The Texts |
4 / 1093 |
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| Ballroom dancing versus everyday conflict |
3 / 601 |
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| Catcher in the Rye |
3 / 775 |
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| Comparative Essay: Penicillin: The Magic Bullet, And Bowling For Columbine. |
2 / 587 |
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| Do Good Fenses Really Make Good Neighbours |
3 / 750 |
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| Dulce et Decorum Est |
3 / 690 |
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| EVELINE |
6 / 1512 |
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| Eat Shoots & Leaves |
2 / 568 |
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| Elizabethan poetry |
4 / 922 |
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| Gatsby |
3 / 708 |
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| Ghosts |
3 / 652 |
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| Gothic Horror Brainstorming |
3 / 616 |
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| Hamlet |
3 / 607 |
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| John Proctor |
3 / 623 |
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| Keates vs. Blake |
2 / 594 |
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| King Leer |
5 / 1457 |
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| Langston Hughes, Dream Deferred |
2 / 586 |
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| "From the perspective of an outsider, the only |
3 / 723 |
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| drama as a means of improving the advocacy skills of non-english-speaking-background students |
11 / 3256 |
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| english vocab |
2 / 477 |
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| Love theme in A Midsummer Night's Dream |
4 / 1000 |
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| M. Butterfly |
8 / 2124 |
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| Man In A Shell |
3 / 688 |
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| Mr |
2 / 467 |
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| Narrator |
2 / 522 |
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| Nora's Transformation |
2 / 529 |
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| Oedipus as a Tragic Figure |
2 / 527 |
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| Othello - Honest Iago |
2 / 577 |
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| Othello |
3 / 717 |
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| Othello: Shakespeare vs. Parker |
2 / 596 |
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| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
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| Roethke's Use Of Tone |
5 / 1297 |
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| Romantic Illusion and Vulgar Realism |
4 / 1180 |
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| Romeo And Juliet |
3 / 609 |
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| Romeo's Tragic Flaw |
2 / 562 |
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| Shakespeare And Anti-Semitism In The Merchant Of Venice |
5 / 1201 |
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| Shakespeare's Life |
2 / 461 |
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| Shawshank Essay For Ncea Lvl 2 |
3 / 646 |
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| Shoe Horn Sonata |
6 / 1615 |
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| Six and Seven in "Masque of the Red Death" |
2 / 590 |
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| Smbolize scarlet and miniver |
3 / 614 |
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| Story Of An Hour |
3 / 655 |
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| Story of an Hour essay |
3 / 686 |
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| Taming of the Shrew |
2 / 572 |
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| The Chocolate War |
9 / 2532 |
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| The Fool And Cordelia: Opposing Influences On King Lear |
3 / 632 |
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| The History Of Romanticism |
8 / 2300 |
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| Theme of Opposites Within King Lear |
2 / 591 |
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| To Kill A Mocking Bird |
23 / 6608 |
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| o captain my captain |
2 / 571 |
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| shoe horn sonata |
6 / 1732 |
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| the pigman/short plot |
2 / 580 |
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| traditional gender roles |
3 / 603 |
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| Constitutional Interpretation |
3 / 853 |
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| English Reformation |
2 / 482 |
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| GREECE |
2 / 518 |
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| Greeks and romans |
4 / 925 |
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| Han Dynasty |
2 / 490 |
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| Importance of Ancient Artwork |
8 / 2191 |
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| Planning In Primary Education |
11 / 3145 |
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| Theatre &Amp;Amp;Amp;Amp; Realism |
2 / 529 |
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| To what extent does Aristophanes attempt to give his audience a serious political message in ‘The Frogs’? |
7 / 2050 |
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| Women In Greek Society |
4 / 1128 |
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| Western Humanities |
4 / 1073 |
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| "Final Love Note" Explication |
3 / 622 |
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| A Couple Of Yahoos |
2 / 552 |
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| A View From The Bridge By Arthur Miller |
3 / 656 |
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| ANd People all Around |
3 / 621 |
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| Adolescent Depression |
2 / 432 |
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| Alexander's Empire |
7 / 1859 |
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| Antigone |
2 / 545 |
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| Antigone: Gender Conflict |
4 / 982 |
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| Antigone: Gender Conflict |
4 / 982 |
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| Augustus |
6 / 1650 |
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| Bram Stoker |
2 / 514 |
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| Braveheart |
2 / 553 |
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| David Belasco |
2 / 413 |
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| Different Ideas Of What Is Tru |
2 / 578 |
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| Disneys Hercules |
2 / 505 |
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| Epic Theatres |
4 / 1062 |
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| Escaping Extinction - The Amer |
5 / 1396 |
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| Frankenstein |
2 / 519 |
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| Greek Architecture |
3 / 639 |
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| Ireland |
3 / 625 |
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| Kabuki Theatre |
4 / 1147 |
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| Kabuki: A Japanese Form |
8 / 2400 |
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| Lysistrata - |
4 / 1039 |
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| Maya Angelou 5 |
4 / 1122 |
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| Merchant Of Venice - Antonio And Shylock |
3 / 658 |
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| mamma mia |
3 / 625 |
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| Nuggets |
4 / 1068 |
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| Oedipus-concepts Of Sight |
5 / 1229 |
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| Oedipus-concepts Of Sight |
5 / 1229 |
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| PLato |
4 / 1103 |
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| Plato's Republic |
4 / 1117 |
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| Programmer |
2 / 434 |
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| Romeo's Tragic Flaw |
2 / 562 |
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| Spartan Warfare |
4 / 941 |
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| Speeches |
2 / 565 |
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| Still Life with Fruit |
2 / 588 |
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| T.s. Eliot |
4 / 1062 |
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| The Crucibles Verbal Irony |
3 / 633 |
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| Virginia Woolf |
4 / 1163 |
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| Virginia Woolf |
4 / 1163 |
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| Art and Business of Film Making |
6 / 1577 |
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| a beautiful mind |
2 / 471 |
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| amistad |
2 / 515 |
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| Braveheart |
2 / 553 |
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| Contact |
2 / 562 |
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| cast away |
2 / 576 |
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| Handel's Messiah |
6 / 1540 |
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| John Tucker Must Die |
3 / 650 |
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| Leah Dizon |
2 / 534 |
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| Leone: The Movies of Fantasy |
2 / 582 |
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| Little Brother Music |
2 / 590 |
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| Machiavelli vs. Shakespeare |
3 / 612 |
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| Master Filmaker Akira Kurosawa |
4 / 1198 |
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| Review on 24 Season 6 |
2 / 501 |
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| report on the movie the patriot |
3 / 650 |
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| Samurai in Film |
2 / 421 |
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| Theatre’s Troublesome History |
4 / 1042 |
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| Tv Drama Analysis |
2 / 498 |
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| What? |
3 / 722 |
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| Aneximander |
4 / 1055 |
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| Justice And Injustice |
4 / 1175 |
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| Lover vs. non-lover |
4 / 1128 |
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| Optimism as a Theme for Candide |
4 / 1097 |
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| Plato's Republic |
4 / 1117 |
|
| Plato's epic Apology |
4 / 1169 |
|
| Plato |
4 / 1058 |
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| Socrates, Philosophy and the Good Life |
9 / 2578 |
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| Stoicism |
5 / 1231 |
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| The Anti-Democratic Faces of Socrates |
4 / 991 |
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| The Peloponnesian War |
4 / 1062 |
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| Adolescent Depression |
2 / 432 |
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| teen suicide |
2 / 461 |
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| Wild Sex |
3 / 610 |
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| The Kite Runner |
2 / 527 |
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| The processional "Here Comes the Bride" and the recessional "The Wedding March." |
9 / 2516 |
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| cloning |
2 / 503 |
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| How Media Affects Elections |
2 / 554 |
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| Ms |
2 / 421 |
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| Operant Conditioning By B. F Skinner |
6 / 1560 |
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| Persuasion |
3 / 648 |
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| role of women in ancient greece and egypt |
8 / 2391 |
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| Semiotic Reading Into Effeminacy Of Donatell’S |
6 / 1535 |
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| Social Networking |
3 / 682 |
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| Television Violence |
3 / 663 |
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| Use Cell Phone |
2 / 541 |
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