| Title |
Pages / Words |
Save |
| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| art history |
4 / 1155 |
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| European Integration |
3 / 841 |
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| Faith of the Puritans |
1 / 271 |
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| history |
2 / 576 |
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| Alex Baptise |
4 / 1091 |
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| Alex Grey |
2 / 325 |
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| An Artist's review |
4 / 1026 |
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| Andy Warhol |
4 / 966 |
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| Artists |
2 / 412 |
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| David Hockney |
2 / 383 |
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| Frida Kahlo |
3 / 658 |
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| Frida Kahlo |
5 / 1278 |
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| george washington carver |
1 / 180 |
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| Henry Moore |
4 / 1062 |
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| John Tenniel |
2 / 550 |
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| Klee |
1 / 245 |
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| Leonardo DaVinci |
2 / 525 |
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| leonardo davinci |
2 / 392 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| Phenomenal |
1 / 259 |
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| Thomas Moran |
3 / 639 |
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| "Griffin & Sabine” |
3 / 821 |
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| An American in Paris |
4 / 1070 |
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| Art Censorship |
2 / 445 |
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| Beowulf |
2 / 401 |
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| Book Review - Hip Hop Speaks To Children: A Celebration Of Poetry With A Beat Edited By Nikki Giovanni |
2 / 453 |
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| DaVinci Code |
2 / 314 |
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| Jack As An Animal |
2 / 367 |
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| James McCormick |
3 / 802 |
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| Leonardo DaVinci |
2 / 479 |
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| NGA Report |
2 / 581 |
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| Narrative techniques in Dan Brown’s The Da Vinci Code |
2 / 535 |
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| So This Was Adolescence, By Annie Dillard: Author Writing Style |
1 / 286 |
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| Summary Of New-making And Charles Shultz's Peanuts |
2 / 367 |
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| The DA Vinci Code |
2 / 594 |
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| v for vendetta |
5 / 1376 |
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| Words and the way we see art |
3 / 815 |
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| Analysis Case Miya's |
1 / 253 |
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| International and Domestic Marketing Comparison Paper |
1 / 291 |
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| Psychology of Marketing |
4 / 953 |
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| Renting Software |
3 / 879 |
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| Social Comparison |
2 / 334 |
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| A Sirens comparison of Homer's "Odyessy" and Margaret Atwood's "Siren Song" |
1 / 280 |
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| A Way of Escape |
1 / 264 |
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| Buddha |
2 / 354 |
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| City Lights |
3 / 815 |
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| Compare contrast |
3 / 750 |
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| Comparison: Murder in the Rue Morgue & The Purloined Letter |
2 / 437 |
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| Critque of "patches: Quilt and Community in Alice Walker's 'Everyday Use' |
3 / 671 |
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| Dont Harm a Mockingbird |
3 / 850 |
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| Edgar Allan Poe's Element of Symbolism |
2 / 544 |
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| Exploitation of Indian Culture |
4 / 1039 |
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| Fear and Edvard Munch painting |
2 / 501 |
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| Grapes Of Wrath Project |
2 / 399 |
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| analysis |
3 / 821 |
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| characteristics of the renaissance era |
1 / 295 |
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| dennis diderot |
2 / 499 |
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| Michelangelo |
5 / 1412 |
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| Mrs |
3 / 781 |
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| Odysses |
1 / 198 |
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| Silence |
3 / 616 |
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| Speak |
3 / 868 |
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| TKAM - Don't Harm a Mockingbird |
3 / 842 |
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| The Joy of Reading |
3 / 677 |
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| Typee Identity |
6 / 1731 |
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| my last duchess |
3 / 669 |
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| speech |
1 / 259 |
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| tatoo |
2 / 384 |
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| Ancient Egypt |
2 / 397 |
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| Andrew Leicester |
2 / 515 |
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| Art Comparison |
5 / 1267 |
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| Art History |
9 / 2644 |
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| Art History: Giotto vs Duccio |
4 / 967 |
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| Art Museum Collection |
5 / 1282 |
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| Art and Architecture of Ancient Egypt |
2 / 363 |
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| Art history |
2 / 370 |
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| Art of Egypt |
3 / 866 |
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| Artwork Comparison Of Davinci And Michaleangelo |
2 / 424 |
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| augustus |
2 / 418 |
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| Baroque and Romanesque Eras |
2 / 333 |
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| Comparison between Jan van Eyck and Fra Angelico |
3 / 836 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| Dreams are what they are |
3 / 685 |
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| Dreamweavers |
2 / 570 |
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| Edvard Munch: A Biography |
3 / 716 |
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| Egyptian and Minoan Painting |
4 / 977 |
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| Florence and the Renaissance Art Era |
2 / 437 |
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| Helping To Sell A Book By Its Cover |
1 / 293 |
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| Humanism and the Renaissance |
1 / 275 |
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| Humanism |
2 / 456 |
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| Indus River Vally and Chinese Dynasty |
3 / 692 |
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| Influence of WW1 on the artwork of early 20th century |
2 / 585 |
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| leonardo da vinci |
3 / 622 |
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| Michelangelo, sculptor |
2 / 355 |
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| origins of human art |
3 / 826 |
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| Picasso "Girl Before Mirror" |
2 / 335 |
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| Quality Of Life |
2 / 500 |
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| Renaissance and Modern Art |
5 / 1330 |
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| Rococo Vs neoclassic |
2 / 594 |
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| renaissance women |
1 / 170 |
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| School of Athens |
4 / 1087 |
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| Taj Mahal |
2 / 447 |
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| The Davinci Code |
2 / 382 |
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| The Dirty Renaissance |
6 / 1567 |
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| The Nude |
3 / 861 |
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| 1776 |
3 / 793 |
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| A Comparison Of The Medieval And Renaissance Eras |
4 / 1094 |
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| Abstraction |
3 / 664 |
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| African Headdress |
2 / 465 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| An Artist's Life |
4 / 1105 |
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| Analysis Of Writers Paulo Frei |
4 / 1095 |
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| Andy Warhol, 'Five Deaths On Orange' |
3 / 835 |
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| Art Censorship |
2 / 494 |
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| Art Essay |
3 / 614 |
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| Art of GIOTTO DI BONDONE |
3 / 615 |
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| art history |
2 / 563 |
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| Balthazar |
1 / 260 |
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| Career Choices |
2 / 408 |
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| Cindy Sherman "untitled #188" |
1 / 209 |
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| Creativity from Individuals |
3 / 752 |
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| cfgh |
1 / 247 |
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| Destiny Deacon |
2 / 442 |
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| Discuss How Art Can Be Used To Promote, Reflect Or Challenge |
4 / 1097 |
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| Disney |
3 / 843 |
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| Elements Of Art |
1 / 243 |
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| Elisabet Ney |
2 / 449 |
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| Ferrera |
1 / 275 |
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| Freedom Of Expression - Our First Amendment Rights Are Threatened |
4 / 963 |
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| George Berkley |
2 / 547 |
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| Good Design |
1 / 279 |
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| John Biggers: The Impact and Significance of Symbolization in African American Art |
6 / 1763 |
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| khan |
1 / 256 |
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| ko's book |
1 / 243 |
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| Lillian Bassman photography |
1 / 248 |
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| Look closely at Joseph Wright of Derby's 'An Academy by Lamplight'. Write a close analysis of this painting. Pay particular attention to the compostition and comment on any features you consider important. |
1 / 290 |
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| MAC aids fund |
2 / 436 |
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| Madam Matisse- (the green line) |
4 / 967 |
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| Museum Assignment |
4 / 1170 |
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| Oh the Places you'll go |
1 / 224 |
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| Perception In The Arts |
3 / 701 |
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| Perfect, but not too Perfect |
2 / 328 |
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| Philadelphia Art Museum |
2 / 532 |
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| Piper's Art in Object |
4 / 1112 |
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| Poem |
3 / 797 |
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| Post |
2 / 520 |
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| Postmodern Art |
2 / 323 |
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| Process vs Product |
2 / 358 |
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| piano lesson |
1 / 258 |
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| Rain Of Auvers (art Analysis) |
2 / 476 |
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| Renaisance Art 2 |
3 / 665 |
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| Self-portraits - Van Gogh And Rembrandt |
3 / 844 |
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| Shen Zhou's, Poet on a Mountaintop |
3 / 631 |
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| Texture in Modernity |
4 / 1024 |
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| The Artistic Expression Known As Graffitti |
3 / 639 |
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| The DaVinci Code and the Church |
2 / 594 |
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| The Lamentation over the Dead Christ |
2 / 548 |
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| The Two Last Suppers |
2 / 580 |
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| Tim Storrier |
4 / 1024 |
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| Two Uncommon Men |
3 / 693 |
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| Vacation |
2 / 549 |
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| Vincent Van Gogh: Sunflowers |
1 / 297 |
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| Wang Hui Art |
3 / 651 |
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| Waterlillies |
2 / 382 |
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| What Is The Expression Theory Of Art |
5 / 1347 |
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| What Is The Expression Theory Of Art |
5 / 1347 |
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| White Clouds over Xiao and Xiang |
1 / 262 |
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| William Kurelek |
1 / 24 |
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| World of Art |
2 / 356 |
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| Richard Wagner |
2 / 321 |
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| Vincent Van Gogh Critique |
1 / 262 |
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| Bll Clinton the Rhodes Scholar |
1 / 205 |
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| Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself? |
7 / 1936 |
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| Natural Science: Methods Of Gaining Knowledge |
2 / 542 |
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| Paley's Argument From Design, And Hume's Counter-analogy |
3 / 637 |
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| Richard Wagner |
2 / 321 |
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| Salvador Dali: Influences |
2 / 595 |
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| Struggle of Artists Throughout Time |
2 / 520 |
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| Class Obser |
2 / 309 |
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| english |
1 / 212 |
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| Virginia Kwan and Self Enhancement Theory |
3 / 673 |
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| An Artist's Life |
4 / 1105 |
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| Comparing The Last Supper |
5 / 1235 |
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| creed human clay |
3 / 804 |
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| davinci code |
1 / 298 |
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| Fake243 |
1 / 275 |
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| Manifestations of the Divine |
3 / 833 |
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| Mason Outline |
3 / 628 |
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| Carbon |
1 / 56 |
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| copper |
1 / 265 |
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| history of scuba |
2 / 479 |
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| Swedish insects |
3 / 658 |
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| Critic On Malaysian Modern Artist |
7 / 1959 |
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| Discrimination Against Body Art |
6 / 1568 |
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| Malaysia Contemporary Art Issues: Art as Idea-A view from Jalaini Abu Hassan |
6 / 1551 |
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| Role Of Viewers |
4 / 974 |
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| Compare And Contrast Essay |
2 / 523 |
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| Faith |
1 / 232 |
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| How Technology Affect Our Normal Lives |
2 / 335 |
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