| Title |
Pages / Words |
Save |
| Rikki-Tikki-Tavi The War Story |
5 / 1220 |
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| The Red Badge of Courage |
5 / 1492 |
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| Of Mice and Men |
2 / 353 |
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| Hamlet |
4 / 1043 |
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| Macbeth: Not a Play of Fate |
3 / 755 |
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| Andrew Jackson |
2 / 395 |
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| abraham lincoln's life |
38 / 11116 |
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| assault in the senate |
1 / 196 |
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| Douglas MacArthur |
2 / 345 |
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| Memoirs |
3 / 629 |
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| malcolm x |
2 / 369 |
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| A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
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| Jinnah: A Charisma Built for Disrupture |
2 / 592 |
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| Much Ado About Nothing |
2 / 558 |
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| malcolm x |
3 / 724 |
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| Osama Bin Laden |
5 / 1403 |
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| Richard Marcinko |
2 / 418 |
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| Woodrow Wilson |
5 / 1277 |
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| Adapting Poe |
6 / 1513 |
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| An Enemy Of The People |
4 / 928 |
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| Another MacBeth |
2 / 452 |
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| a lesson before dying- heroism |
3 / 808 |
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| alive |
1 / 296 |
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| Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct |
2 / 571 |
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| Beowulf to froto baggins |
4 / 959 |
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| Beowulf: The Ultimate Hero |
6 / 1739 |
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| billy Budd By Herman Melville: Captain Vere |
2 / 462 |
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| character sketch (Nwoye) |
2 / 388 |
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| comprehension response to romeo and juliet |
5 / 1452 |
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| Dramatic Irony in Oedipus Rex |
2 / 498 |
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| Elemetns Of Dark Humor |
7 / 1921 |
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| Essay By On The Aeneid |
5 / 1251 |
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| Faust |
3 / 873 |
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| I Know What You Did Last Summer |
2 / 342 |
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| James and the Giant Peach |
3 / 744 |
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| Les Miserables: Jean Valjean |
2 / 428 |
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| Lord Of The Rings |
3 / 776 |
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| Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi |
2 / 460 |
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| Much Ado About Nothing: An Overview |
4 / 1126 |
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| mcbeth |
2 / 536 |
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| Nazi Olympics |
3 / 605 |
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| Okonkwo is a tragic Hero |
3 / 724 |
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| Othello |
7 / 2065 |
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| Questionable Heroes In The Play Julius Caesar |
3 / 703 |
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| Review of Heart of Darkness by Joseph Conrad |
3 / 784 |
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| Rumble Fish by: S.E. Hinton |
2 / 361 |
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| shooting an elephant |
4 / 938 |
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| should scarlet letter be published |
2 / 340 |
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| The Great Gatsby |
2 / 586 |
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| The Last Of The Mohicans Essay |
3 / 656 |
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| The Last Samurai |
2 / 570 |
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| Things Fall Apart- Achebe |
4 / 954 |
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| To Kill A Mocking Bird |
3 / 664 |
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| Achilles: a hero no more |
4 / 1003 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf Essay |
4 / 973 |
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| Beowulf |
2 / 431 |
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| Beowulf |
3 / 634 |
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| Casablanca |
2 / 470 |
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| Christianity & Paganism in Beowulf |
2 / 469 |
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| Constructive Criticism: The Myth |
2 / 328 |
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| Critical Lens |
3 / 632 |
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| Cyrano Poem |
2 / 322 |
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| Defending A Man's Honor |
5 / 1310 |
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| Drama: Alive And Well |
5 / 1255 |
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| Emerson |
2 / 319 |
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| Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" |
2 / 434 |
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| Freud and Star Wars |
6 / 1754 |
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| Geat Vs. Greek |
4 / 963 |
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| Gilgamesh And Oddysey |
4 / 1137 |
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| Gilgamesh and Odysseus |
4 / 909 |
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| Hamlet |
2 / 495 |
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| Hedda Gabler - A Tragic Hero? |
4 / 1071 |
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| Hercules Comparison |
3 / 730 |
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| Hero Project |
4 / 980 |
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| How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
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| Iago’s Flaw of Security |
4 / 1012 |
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| King Lear |
2 / 332 |
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| King Lear |
4 / 954 |
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| King Lear: family relationships, human nature and its failings |
4 / 908 |
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| alberta monolouge |
2 / 419 |
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| all the pretty horses versus the searchers |
4 / 925 |
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| bin laden |
2 / 541 |
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| critical essay on for whom the bell tolls |
4 / 1069 |
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| haindi |
2 / 495 |
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| hamlet |
3 / 857 |
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| Macbeth essay |
5 / 1293 |
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| Macbeth |
2 / 449 |
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| Macbeth |
2 / 461 |
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| Much Ado About Nothing: Pride and Prejudice |
5 / 1266 |
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| Muchadoaboutsomting |
2 / 536 |
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| Mutability in Tennyson's Ulysses |
4 / 932 |
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| N?A |
3 / 727 |
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| Odysseus Vs. Gilgamesh |
5 / 1319 |
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| Odysseus' Journey as an Epic Hero |
5 / 1266 |
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| Oedipus Rex |
4 / 1148 |
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| Of Mice And Men |
2 / 353 |
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| Othello' Profile |
3 / 666 |
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| Othello |
4 / 1198 |
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| Peter Weir movie analysis |
2 / 542 |
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| Pride And Prejudice |
3 / 816 |
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| Prince Hamlet, The Flawed Hero In Hamlet |
3 / 744 |
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| Shakespeares depiction of a tragic hero |
5 / 1470 |
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| Sir Gawain and the Green Knight |
3 / 648 |
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| Sonnet 116 |
3 / 643 |
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| Strategic Opacity |
3 / 759 |
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| Swift |
2 / 592 |
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| THe Odessy |
7 / 2003 |
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| The Good Earth: Wang Lung - A Man Of Determination And Loyalty |
3 / 821 |
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| The Great Gatsby |
3 / 865 |
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| The Iliad |
5 / 1428 |
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| The Lesson |
3 / 824 |
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| The Pardoner's Tale Analysis |
3 / 767 |
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| The Red Badge of Courage |
5 / 1455 |
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| The Tragic Fate of Oedipus the King |
4 / 935 |
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| The nature of theatre in Europe in the 19th Century |
2 / 522 |
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| Thou art the Thing Itself: A Journey from King to Father |
3 / 708 |
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| What they really mean |
3 / 706 |
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| Who Am I? Essay |
3 / 833 |
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| ms |
8 / 2293 |
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| the odd man out 2 |
4 / 963 |
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| the pearl |
3 / 759 |
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| Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu |
2 / 484 |
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| Children's Literature |
2 / 398 |
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| GREECE |
5 / 1333 |
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| Grendel |
2 / 372 |
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| LOTR TROY Immortality of heroes |
8 / 2194 |
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| Odysseus as a Tragic Hero |
8 / 2236 |
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| Russia's unjust occupation of Chechnya |
2 / 412 |
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| Student Athletes |
2 / 393 |
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| the swift runner-Achilles |
3 / 858 |
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| A & P Analyzation |
1 / 130 |
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| A Person Who has had influence on my Life |
2 / 444 |
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| Aristotle On Tragedy |
4 / 1046 |
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| Being A Hero |
5 / 1495 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf Vs. Gilgamesh |
4 / 1181 |
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| Beowulf: Heroism |
4 / 928 |
|
| Beowulf: Heroism |
4 / 928 |
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| beowulf/grendel |
4 / 1068 |
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| Cool Hand Luke |
3 / 837 |
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| Cyrano De Bergerac |
2 / 501 |
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| Death Be Not Proud |
1 / 155 |
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| Demonstrative Speech on baseball |
1 / 278 |
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| Different Cultures, Different |
3 / 827 |
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| dc vs marvel |
3 / 682 |
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| debate |
4 / 970 |
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| evaluation |
1 / 293 |
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| Geat Vs. Greek |
4 / 963 |
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| Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
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| greek mythology |
4 / 970 |
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| Hamlet |
2 / 495 |
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| Heroes And Villains |
2 / 558 |
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| Huck As Hero |
4 / 1150 |
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| Iliad 2 - |
2 / 580 |
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| Introduction To The Crucible - |
2 / 320 |
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| kill bill |
2 / 518 |
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| Macbeth: From Hero To Villain |
5 / 1235 |
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| My Hero |
3 / 820 |
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| Napolean |
1 / 122 |
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| Odysseus And Aeneas |
2 / 340 |
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| Oedipus The King Sophocles |
4 / 1094 |
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| Ophelia |
6 / 1619 |
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| Orestes An Innocent Hero |
4 / 1151 |
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| Oskar Schindler: A Hero Study |
4 / 1059 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Parental Blindness / Filial Ingratitude / Madness |
3 / 857 |
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| Paris: The Iliad |
2 / 580 |
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| Paris: The Iliad |
2 / 580 |
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| Polonius Is Folish |
6 / 1767 |
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| Romeo & Juliet comprehension response |
5 / 1452 |
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| studenty |
3 / 622 |
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| The Bat, The Man, and His Audiences |
5 / 1411 |
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| The Great Gatsby In Relation To Society |
3 / 777 |
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| The Iliad |
5 / 1428 |
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| The Love Song Of J. Alfred Pru |
3 / 741 |
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| The Old Man And The Sea |
1 / 234 |
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| The Significance Of The Plot Of Xenia |
5 / 1283 |
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| The Underdog Can Win! |
5 / 1478 |
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| Theseus Athens Great Hero |
2 / 556 |
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| Tragedy And The Common Man |
3 / 800 |
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| Two Kinds - Jing-mei Character Analysis |
2 / 324 |
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| Un Viaje A Itaca |
2 / 325 |
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| What a loser. |
1 / 240 |
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| Casablanca |
3 / 663 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Flawless Heroes? |
2 / 455 |
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| Shane |
4 / 937 |
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| Suffocate Lyrics by J Holiday |
2 / 482 |
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| A Hero in a Loincloth… and His Methods |
3 / 815 |
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| Descarte |
3 / 810 |
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| Virtue Theory |
4 / 1062 |
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| paul |
5 / 1230 |
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| Cons of Cloning |
1 / 299 |
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| Homer Simpson |
3 / 718 |
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| The Romantic Present |
2 / 582 |
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| that good thing |
2 / 346 |
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| Dota: Manta Style strategy on Tinker |
5 / 1437 |
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| The Kindle |
1 / 210 |
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