| Title |
Pages / Words |
Save |
| Celebrity Infatuation |
2 / 460 |
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| Jenny Saville |
2 / 407 |
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| Russian Revolution and Orwell (Animal Farm) |
2 / 519 |
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| Say it isn't so... |
2 / 465 |
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| A boy, A man, A hero |
3 / 632 |
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| American Realism |
3 / 887 |
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| fds |
3 / 845 |
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| HUck finn |
3 / 627 |
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| Bill Watterson |
2 / 450 |
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| Mozart |
3 / 846 |
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| marlon Brando |
2 / 466 |
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| 'Misery' by Stephen King |
3 / 898 |
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| 10 things i hate about you |
2 / 447 |
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| 1984 |
2 / 360 |
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| A Stranger Is Watching |
2 / 511 |
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| Beauty |
2 / 524 |
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| Book Report on The Perfect Storm |
3 / 690 |
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| Compare and Contrast of the Love Stories |
3 / 797 |
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| Conflict and The Secret River |
2 / 570 |
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| Eldest Synopsis |
2 / 398 |
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| Emotions Seen In "of Mice And Men" |
2 / 451 |
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| Great Expectations Essay |
3 / 613 |
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| Hollywood Drama |
2 / 376 |
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| heart of darkness |
2 / 430 |
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| Johann Sebastian Bach |
4 / 1170 |
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| John Stubbs' "love And Role Playing In A Farewell To Arms" |
3 / 864 |
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| Jurassic Park |
3 / 765 |
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| Macbeth |
3 / 747 |
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| Much Ado About Nothing: Love, Hate & Marriage - An Analytical Essay O |
6 / 1514 |
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| Narrative techniques in Dan Brown’s The Da Vinci Code |
2 / 535 |
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| O' Pioneers! By: Willa Carther |
3 / 893 |
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| pudd'nhead Wilson |
3 / 762 |
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| Reservation Road |
3 / 809 |
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| Sarny A life rememberred |
2 / 347 |
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| THE HARSH REALITY OF BLIND OBEDIENCE |
2 / 404 |
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| The Cradle |
2 / 502 |
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| The Great Gatsby |
3 / 623 |
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| The Picture of Dorian Grey |
2 / 337 |
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| Themes of Othello |
3 / 896 |
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| the narrative nature of pride and prejudice |
3 / 809 |
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| Under Milk Wood Essay |
3 / 862 |
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| zsdsdd |
3 / 781 |
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| Business Law |
2 / 535 |
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| Disney & Pixar |
3 / 734 |
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| The Lion, The Witch, And The Wardrobe: An Analysis |
2 / 372 |
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| WWF as a Business |
4 / 1177 |
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| 1984 |
2 / 510 |
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| A Midsummer Night's Dream Research Paper (with cited) |
4 / 1052 |
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| A Stranger Is Watching |
2 / 553 |
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| A tribute to ILCT |
2 / 494 |
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| Ambiguity in O'Connor |
4 / 1179 |
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| Antigone Essay |
3 / 739 |
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| Are The Characters In Arthur Miller’S Play ‘A View From The Bridge’ Influenced By Social Or Personal Factors? |
3 / 650 |
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| Beowulf |
2 / 577 |
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| CHAUCER |
2 / 544 |
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| Character study on Inspecter Calls by J.B Priestly |
6 / 1515 |
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| Characterization: “The Tell-Tale Heart” |
3 / 622 |
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| Crash Overview |
2 / 380 |
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| Critical Analysis of Raymond Carver's "Neighbors" |
3 / 721 |
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| Detective Fiction |
4 / 1158 |
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| Different Styles In The Grapes Of Wrath |
2 / 476 |
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| Disgrace |
3 / 697 |
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| Dracula - Gothic Response |
2 / 464 |
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| Dumper |
1 / 282 |
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| Everyday Use |
3 / 603 |
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| Explain how Greek ideas of hubris lead to the destruction of characters in Oedipus and Agamemnon and if surrendering to fate would have altered the outcome of the plays. |
5 / 1278 |
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| Female Characters In CHOPIN'S AWAKENING |
6 / 1567 |
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| Flannery O'Connor's "Good Country People" and |
3 / 708 |
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| Girl with a pearl earring |
3 / 736 |
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| Greed in Macbeth |
3 / 843 |
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| Hard to Swallow |
3 / 718 |
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| Heroes |
2 / 480 |
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| Importance of Symbolism in "What We Talk About When We Talk About Love" |
3 / 871 |
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| Inheritance - characters reflecting differences |
3 / 671 |
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| Jane Eyre, the Cinderella Copy |
2 / 482 |
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| John Proctor |
1 / 123 |
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| Lavender |
3 / 631 |
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| ?°Tomorrow, When the War Began?± Review |
2 / 573 |
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| a rose for emily characterization |
2 / 338 |
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| a rose for emily |
2 / 338 |
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| cathedral |
3 / 626 |
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| heart of darkness |
2 / 577 |
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| jane eyre |
3 / 611 |
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| Local-Color Regionalism in Tennessee's Partner |
3 / 628 |
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| Matelda "a Lady Moved by Love" |
3 / 728 |
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| Minor Characters In Ragged Dick |
6 / 1579 |
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| Mistaken Identity for Twelfth Night |
3 / 776 |
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| OTHELLO |
3 / 720 |
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| Philosophies of life between two main Characters in "The Lottery" by Shirley Jackson and "The Certification of Brandon" by Crystal Arbogast |
2 / 532 |
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| Pride and Prejudice - the importance fo marriage |
5 / 1407 |
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| Pygmalion |
3 / 778 |
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| Reality TV |
2 / 594 |
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| Requiem for a Dream |
2 / 328 |
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| Shakespeare |
3 / 856 |
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| Sin In The Scarlet Letter |
2 / 516 |
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| Superstition in Huck Finn |
5 / 1224 |
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| The Canterbury Tales |
2 / 552 |
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| The Great Gatsby |
4 / 999 |
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| The Importance of Reputation in Shakespeare's Othello |
3 / 618 |
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| The Influences And Impacts Of Settings On Characters And Readers |
5 / 1311 |
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| The Last Unicorn |
4 / 1078 |
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| The Role Of Enobarbus In Acts I And II Of "Antony And Cleopatra" |
3 / 853 |
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| The village by the sea |
4 / 978 |
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| To Characterize a Character |
3 / 754 |
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| Tragedy |
3 / 847 |
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| Two tragic heroes? Compare and contrast how Sophocles presents the characters of Creon and Antigone. |
3 / 826 |
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| What Makes Me Feel the Way I Feel About the Things that I Read |
2 / 388 |
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| Where Do You Get Love |
2 / 505 |
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| Willa Cather...don't Use If U Live In Miles City, Montana PLEASE!! |
2 / 553 |
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| Women of Frankenstein |
3 / 796 |
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| lord of the rings |
2 / 341 |
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| obsession with objects in Gogol's \ |
2 / 493 |
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| scarlet letter: theme of sin |
2 / 351 |
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| the breakfast club |
4 / 913 |
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| the piano |
2 / 597 |
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| the theme of a good man is hard to find |
3 / 627 |
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| things they carried |
2 / 365 |
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| tuesday siesta |
2 / 354 |
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| Mythological "Trickster" |
2 / 585 |
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| Narration In A Telephone Call And Miss Brill |
3 / 603 |
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| pride in the iliad |
2 / 539 |
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| Racism in The Reviers: The Novel and Film Version |
4 / 1005 |
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| Gender Roles |
4 / 1008 |
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| The Scarlet Letter - Literature Response Essay |
2 / 531 |
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| A Farewell To Arms: Style |
2 / 537 |
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| A Haunted House: Treasures Of Life |
2 / 409 |
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| A Stranger Is Watching |
2 / 553 |
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| Animal Farm 2 |
4 / 1001 |
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| Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii |
3 / 770 |
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| Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii |
3 / 770 |
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| Beloved 3 |
2 / 483 |
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| Beloved |
2 / 483 |
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| Cantebary Tales |
4 / 1093 |
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| Character Differences Of Sadda |
3 / 724 |
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| Chaucer |
2 / 544 |
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| Clapham Junction By Paul Theroux |
2 / 458 |
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| Clapham Junction By Paul Theroux |
2 / 458 |
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| dolls house |
2 / 595 |
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| Economic Growth In The United States |
2 / 525 |
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| Ethan Frome-comparison Of Matt |
2 / 433 |
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| Euripides |
2 / 336 |
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| Fiction |
2 / 504 |
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| Genetics And Criminal Behavior |
3 / 836 |
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| Grapes Of Wrath In Times Of De |
2 / 586 |
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| Hamlet 5 |
3 / 635 |
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| Heroes |
2 / 480 |
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| How The Characters In The Merc |
3 / 692 |
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| Huck Finn-racism |
2 / 582 |
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| John Dillinger |
2 / 561 |
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| John Dillinger |
2 / 561 |
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| Jurassic Park |
3 / 765 |
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| Lies And Deceit |
2 / 395 |
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| Macbeth Vs Hamlet |
2 / 345 |
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| Macbeth |
2 / 463 |
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| Most Memorable Scene In Of Mice And Men |
3 / 702 |
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| My Brother Sam Is Dead |
1 / 138 |
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| mozart |
6 / 1596 |
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| Of Mice And Men 4 |
4 / 1004 |
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| Othello 2 |
2 / 356 |
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| Our Town By Thornton Wilder |
4 / 964 |
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| Our Town |
4 / 964 |
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| PSYCHOANALYTIC ANALYSIS OF LOOKING FOR ALASKA |
3 / 813 |
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| Plot Flaws In The Great Gatsby |
3 / 843 |
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| Scarlet Letter |
2 / 351 |
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| Sin In The Scarlet Letter |
2 / 516 |
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| Soike Heels |
5 / 1422 |
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| The Canterbury Tales |
2 / 552 |
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| The Great Gatsby 4 |
3 / 733 |
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| The Great Gatsby |
3 / 677 |
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| The Pearl |
3 / 733 |
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| The Role Of Enobarbus In Acts |
3 / 776 |
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| The Scarlet Letter (forest) |
4 / 997 |
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| The Scarlet Letter 8 |
3 / 789 |
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| The Technique Of Role Playing |
2 / 509 |
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| video eval guess whos coming to dinner |
2 / 393 |
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| Waiting For Godot Scene Analysis (Pg 19) |
2 / 345 |
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| Winter Moon |
2 / 579 |
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| 12 angry men |
2 / 406 |
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| A Mid Summer Night's Dream Film Analysis |
4 / 1192 |
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| Archetypes in High School Movies |
2 / 511 |
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| a walk to remember |
5 / 1215 |
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| directors notebook on a scene |
2 / 403 |
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| Hip Hop-Jay Z And Nas |
2 / 551 |
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| Leaving Las Vegas |
4 / 1081 |
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| Mozart |
2 / 501 |
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| Napoleon Dynamite Critique |
3 / 679 |
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| Rebel Without a Cause |
3 / 749 |
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| Space Jam |
2 / 467 |
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| Sweeney Todd |
2 / 318 |
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| Symbolism in Run Lola Run |
2 / 559 |
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| My Iliad |
2 / 552 |
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| Of Mice And Men |
4 / 995 |
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| A Beautiful Mind |
2 / 383 |
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| Gender |
2 / 489 |
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| I smell like cheeze |
2 / 365 |
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| Resenha |
3 / 640 |
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| The Canterbury Tales: A Character Sketch Of Chaucer's Knight |
2 / 544 |
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| Capital Punishment |
2 / 571 |
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| Cultural Media Watch |
3 / 774 |
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| Economic Growth In The United States |
2 / 525 |
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