| Title | Pages / Words | Save | 
                  
           | Pacific Disease | 2 / 464 |  | 
                  
           | How successful is Dickens in his presentation of female characters? | 4 / 924 |  | 
                  
           | Baz Luhrman?s Version of Romeo and Juliet | 3 / 721 |  | 
                  
           | Honesty: Characters of Othello | 3 / 739 |  | 
                  
           | Merchant & A Midsummer Nights | 5 / 1302 |  | 
                  
           | Merchant of Venice | 4 / 946 |  | 
                  
           | Was It Me, Or Not Me, That Is The Question | 4 / 1195 |  | 
                  
           | Artist of History | 2 / 474 |  | 
                  
           | Frederick Douglass and patriarchal depictions | 2 / 307 |  | 
                  
           | A Poets History | 4 / 1114 |  | 
                  
           | Groucho | 2 / 363 |  | 
                  
           | Mr. | 8 / 2210 |  | 
                  
           | William Shakespeare | 3 / 844 |  | 
                  
           | william shakespear | 3 / 724 |  | 
                  
           | Compare and Contrast of the Love Stories | 3 / 797 |  | 
                  
           | Fate vs. Free will Julius Caesar | 3 / 726 |  | 
                  
           | Hamlet and Macbeth as Tragedies | 3 / 774 |  | 
                  
           | Hamlet: Act 2 Scene 2 - Compare Hamlet's Reaction To Arrival Of Rosenc | 2 / 585 |  | 
                  
           | Hamlet: Inner Turmoil | 6 / 1554 |  | 
                  
           | hamlet | 2 / 460 |  | 
                  
           | Iago Character Analysis | 4 / 977 |  | 
                  
           | Julius Caesar: The Use Of Suspense | 3 / 665 |  | 
                  
           | King Lear: The Use Of Letters | 2 / 446 |  | 
                  
           | Macbeth | 3 / 843 |  | 
                  
           | Macbeth: Protagonist Becoming Evil | 5 / 1356 |  | 
                  
           | Measure For Measure | 3 / 621 |  | 
                  
           | Measure for measure | 1 / 257 |  | 
                  
           | Othello | 3 / 612 |  | 
                  
           | Othello: Shakespeare's Most Tragic Play | 2 / 519 |  | 
                  
           | Shakespeare' As You Like It: Effective Use Of Sound In Jacques' Speech | 3 / 778 |  | 
                  
           | Taming of the Shrew Critical Lens | 2 / 367 |  | 
                  
           | The Taming Of The Shrew: Kate's Soliloquy | 3 / 609 |  | 
                  
           | Too Bare Hamlet | 3 / 806 |  | 
                  
           | use of "blood" in Macbeth | 2 / 594 |  | 
                  
           | white noise | 1 / 257 |  | 
                  
           | Yet Another Romeo and Juliet | 2 / 542 |  | 
                  
           | Advertising Analysis | 2 / 595 |  | 
                  
           | Othello as a tragic play | 4 / 962 |  | 
                  
           | Shakespere on Management | 7 / 1817 |  | 
                  
           | Act 1 scene 5 romeo and juliet | 2 / 389 |  | 
                  
           | An explanation of Sonnet CXXX | 3 / 735 |  | 
                  
           | Anagnorisis and Existence (Rosencrantz and Guildenstern) | 4 / 935 |  | 
                  
           | Analysis On Hamlet | 2 / 514 |  | 
                  
           | Analysis of major characters in 1984 | 4 / 1112 |  | 
                  
           | Boys And Girl | 2 / 334 |  | 
                  
           | Comparing Productions Of Hamlet | 5 / 1350 |  | 
                  
           | Comparison of the Novel Pride and Predjudice and the Movie Sense and Sensibility | 2 / 582 |  | 
                  
           | Deceit within Much Ado About Nothing and The Taming of the Shrew | 3 / 688 |  | 
                  
           | English | 4 / 1078 |  | 
                  
           | Essay on Sonnet 75 | 4 / 909 |  | 
                  
           | Exploring Sexuality with William Shakespeare | 4 / 1153 |  | 
                  
           | False Comparisons | 4 / 1029 |  | 
                  
           | Fate in Romeo and Juliet | 4 / 1006 |  | 
                  
           | Feste, The Decisive Fool of Shakespeare's Twelfth Night | 3 / 608 |  | 
                  
           | Fuzzy Pathetic Loving "Ass" | 4 / 1084 |  | 
                  
           | Gender Representations in No Sugar | 4 / 1133 |  | 
                  
           | Gender Roles in Shakespeare | 6 / 1775 |  | 
                  
           | Gender Roles in Shakespeare | 6 / 1761 |  | 
                  
           | Gender Roles in Twelfth Night | 6 / 1610 |  | 
                  
           | Hamlet Essay | 4 / 1022 |  | 
                  
           | Hamlet vs. Laertes | 4 / 902 |  | 
                  
           | Hamlet: Method of Maddness | 4 / 1057 |  | 
                  
           | Hamlets Insanity | 1 / 200 |  | 
                  
           | Hillary Clinton for President | 1 / 287 |  | 
                  
           | How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene? | 6 / 1584 |  | 
                  
           | Imagery in Macbeth | 4 / 1111 |  | 
                  
           | In What Ways Does Shakespeare Create Sympathy For Romeo And Juliet And Their Relationship? | 4 / 932 |  | 
                  
           | Interpertation | 4 / 945 |  | 
                  
           | Julius Caesar | 2 / 352 |  | 
                  
           | Julius Caesar | 3 / 629 |  | 
                  
           | Lady Macbeth | 2 / 549 |  | 
                  
           | Learning Shakespeare | 2 / 303 |  | 
                  
           | heroes | 1 / 287 |  | 
                  
           | linguistic analysis of hamlet | 3 / 694 |  | 
                  
           | LIVING TO DIE | 4 / 998 |  | 
                  
           | Lord of the flies | 1 / 236 |  | 
                  
           | Love theme in A Midsummer Night's Dream | 4 / 1000 |  | 
                  
           | MacBeth | 3 / 647 |  | 
                  
           | Macbeth | 4 / 992 |  | 
                  
           | Macbeth | 2 / 467 |  | 
                  
           | Macbeth | 2 / 561 |  | 
                  
           | Macbeth | 2 / 488 |  | 
                  
           | Macbeth | 2 / 352 |  | 
                  
           | Madness Behind the Corruption of Society | 3 / 734 |  | 
                  
           | Much Ado About Nothing | 4 / 1163 |  | 
                  
           | My Mistresses Eyes Are Nothing Like The Sun | 4 / 1117 |  | 
                  
           | Natural Imagery In Macbeth | 2 / 524 |  | 
                  
           | Nothing is good or bad, thinking makes it so | 1 / 262 |  | 
                  
           | Ophelia In Hamlet | 10 / 2781 |  | 
                  
           | Othello As Comedy | 3 / 853 |  | 
                  
           | Othello Fatal Flaw | 4 / 1040 |  | 
                  
           | Othello's Impact On Today's Society | 3 / 796 |  | 
                  
           | Othello | 3 / 635 |  | 
                  
           | Othello: Iago The Evil | 3 / 893 |  | 
                  
           | Poetry: The Great Demonstrator | 2 / 361 |  | 
                  
           | Romantic Love: An analysis of Andrew Sullivan's Article | 2 / 587 |  | 
                  
           | Romeo & Juliet | 4 / 1055 |  | 
                  
           | Romeo And Juliet Film Review | 3 / 660 |  | 
                  
           | Romeo And Juliet- Fate | 7 / 1917 |  | 
                  
           | Romeo and Juliet Act 3 Scene 1 Review | 3 / 792 |  | 
                  
           | Romeo and juliet | 5 / 1393 |  | 
                  
           | Ros and Guil | 4 / 948 |  | 
                  
           | Shakespear | 3 / 811 |  | 
                  
           | Shakespeare And His Theater | 2 / 560 |  | 
                  
           | Shakespeare Sonnet 138 | 7 / 1855 |  | 
                  
           | Shakespeare Sonnet 29 | 2 / 580 |  | 
                  
           | Shakespeare in Love | 7 / 1928 |  | 
                  
           | Shakespeare'S Hamlet And Madness. | 1 / 26 |  | 
                  
           | Shakespeare's Childhood | 4 / 953 |  | 
                  
           | Shakespeare's Sonnet #73 | 3 / 709 |  | 
                  
           | Shakespeare | 3 / 644 |  | 
                  
           | Shakespeare | 2 / 452 |  | 
                  
           | Shakespeare?s 10 things | 4 / 1187 |  | 
                  
           | Shakespeares View On Love | 7 / 1968 |  | 
                  
           | Short Happy Life | 2 / 478 |  | 
                  
           | Signifigance Of Disease And Plauge In Hamlet | 2 / 513 |  | 
                  
           | The Life of William Shakespeare | 3 / 784 |  | 
                  
           | The Merchant Of Venice: The Relationship Between Antonio And Bassanio | 1 / 277 |  | 
                  
           | The Poetics by Aristotle & Hamlet by Shakespeare | 4 / 1183 |  | 
                  
           | The Real Macbeth | 3 / 785 |  | 
                  
           | The Renaissance | 2 / 397 |  | 
                  
           | The Rise And Fall Of Lady Macbeth | 3 / 718 |  | 
                  
           | The Role Of Enobarbus In Acts I And II Of "Antony And Cleopatra" | 3 / 853 |  | 
                  
           | The True Author Of Shakespeare's Works | 4 / 1183 |  | 
                  
           | The Use Of Time In Poetry: Milton, Shakespeare, Wordsworth | 3 / 787 |  | 
                  
           | The character traits of macbeth | 2 / 599 |  | 
                  
           | Thirst and Hunger Can Not Be Disregarded | 4 / 1102 |  | 
                  
           | Titus | 3 / 760 |  | 
                  
           | Tragedy | 2 / 450 |  | 
                  
           | Twelfth Night And Crossdressing | 5 / 1386 |  | 
                  
           | William Shakespeare | 3 / 898 |  | 
                  
           | Woah Dude | 3 / 700 |  | 
                  
           | Woman roles in Hamlet | 4 / 1050 |  | 
                  
           | loyalty and trust | 3 / 780 |  | 
                  
           | macbeth journel | 2 / 567 |  | 
                  
           | macbeth | 2 / 581 |  | 
                  
           | macbeth | 3 / 752 |  | 
                  
           | macbeth | 3 / 789 |  | 
                  
           | macbeth | 4 / 912 |  | 
                  
           | othello | 4 / 926 |  | 
                  
           | romeo and juliet | 2 / 513 |  | 
                  
           | shakespeare | 4 / 1093 |  | 
                  
           | taming of the shrew | 3 / 748 |  | 
                  
           | The Sympathetic Embodiment of Evil | 5 / 1261 |  | 
                  
           | the life of william shakespeare | 3 / 784 |  | 
                  
           | Dr | 2 / 421 |  | 
                  
           | Gender Roles | 4 / 1008 |  | 
                  
           | Abortion : Just Another Name For Murder | 2 / 536 |  | 
                  
           | Act 1 | 1 / 281 |  | 
                  
           | Act III of Luigi Pirandello's Six Characters in Search of an Author | 1 / 146 |  | 
                  
           | Acting | 1 / 219 |  | 
                  
           | Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii | 3 / 770 |  | 
                  
           | Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii | 3 / 770 |  | 
                  
           | Book-movie Comparison Hamlet | 1 / 238 |  | 
                  
           | Compare Rosencrantz And Guilde | 5 / 1309 |  | 
                  
           | Dilemna Of Anthony | 1 / 279 |  | 
                  
           | Does The Pattern Fit? | 4 / 991 |  | 
                  
           | fcat style essay 8th grade | 2 / 312 |  | 
                  
           | gender | 1 / 253 |  | 
                  
           | Human Actions: Romeo and Juliet | 2 / 544 |  | 
                  
           | Humorous Themes In Othello | 3 / 853 |  | 
                  
           | Iago: The Evil In Othello | 3 / 893 |  | 
                  
           | Inter Comm | 3 / 844 |  | 
                  
           | Julius Caesar | 2 / 557 |  | 
                  
           | Julius Caesar | 2 / 557 |  | 
                  
           | King James's influence on Shakespeare | 3 / 783 |  | 
                  
           | Lion in Winter Play review | 1 / 247 |  | 
                  
           | Macbeth, Analysis Of Come You | 2 / 572 |  | 
                  
           | Macbeth-tragic Hero | 3 / 698 |  | 
                  
           | Macbeth: Time And Evil | 2 / 343 |  | 
                  
           | Mercutio | 1 / 275 |  | 
                  
           | Othello - The Greatest Tragedy | 4 / 962 |  | 
                  
           | Richard and Iago: Rational, Sensitive, or Vegetative? | 2 / 595 |  | 
                  
           | Romeo & Juliet | 4 / 1154 |  | 
                  
           | Romeo And Juliet 10 | 2 / 395 |  | 
                  
           | Romeo And Juliet | 2 / 439 |  | 
                  
           | Shakespeare - Tragic Heroes | 2 / 507 |  | 
                  
           | Shakespeare and Brutus: Gay? | 2 / 351 |  | 
                  
           | Shakespeare | 2 / 327 |  | 
                  
           | Someone Special | 5 / 1412 |  | 
                  
           | Taming Of The Shrew | 2 / 561 |  | 
                  
           | The Merchant Of Venice As A Romantic Comedy - Critical Analysis | 6 / 1588 |  | 
                  
           | The Robber Bride | 3 / 875 |  | 
                  
           | The Role Of Enobarbus In Acts | 3 / 776 |  | 
                  
           | The Taming Of The Shrew | 3 / 754 |  | 
                  
           | The Taming Of The Shrew | 3 / 754 |  | 
                  
           | The Use Of Irony In The Stone | 2 / 451 |  | 
                  
           | What Sort Of A King Was Duncan? | 2 / 393 |  | 
                  
           | Your life according to shakespeare | 4 / 985 |  | 
                  
           | Baz Luhrmann's production of Romeo & Juliet | 2 / 364 |  | 
                  
           | Romeo and Juliet Film Review | 2 / 477 |  | 
                  
           | The movie O | 3 / 609 |  | 
                  
           | Unconventional Women | 3 / 882 |  | 
                  
           | SPSS output and Analysis | 2 / 385 |  | 
                  
           | Jellyfish | 1 / 151 |  | 
                  
           | Crash | 1 / 275 |  | 
                  
           | feminism | 1 / 238 |  | 
                  
           | Metaphorical And Symbloic Ambiguities | 1 / 253 |  | 
                  
           | male female relationships | 2 / 317 |  | 
                  
           | Super Women | 2 / 591 |  |