| Title |
Pages / Words |
Save |
| Bruce Springstein's I Aint Got No Home (In This World Anymore)' and the Great Depression |
3 / 739 |
 |
| ballad of birmingham |
4 / 1096 |
 |
| great gatsby |
4 / 1145 |
 |
| hemmingway |
2 / 352 |
 |
| Literary Devices |
6 / 1558 |
 |
| Edgar Allen Poe |
7 / 1866 |
 |
| love |
2 / 317 |
 |
| philip lorca di corsia |
2 / 332 |
 |
| Robert Frost |
5 / 1414 |
 |
| A Rose For Emily |
2 / 333 |
 |
| A Separate Peace- A Struggle for Innocence |
2 / 378 |
 |
| Alcoholism and Angela's Ashes |
4 / 1021 |
 |
| All Quiet On The Western Front |
2 / 346 |
 |
| Animal Farm |
3 / 857 |
 |
| Banner in the Sky |
2 / 493 |
 |
| Brave New World (Style) |
2 / 385 |
 |
| Choose a novel in which the ending is skilfully prepared throughout the text |
5 / 1266 |
 |
| Commentary of “The Curious Incident of the Dog at Nighttime” |
2 / 350 |
 |
| Courageouse Fear and what it takes to be courageous |
2 / 360 |
 |
| Deadly Unna? |
3 / 804 |
 |
| Elisa Allen and the Handyman different people with a small similarity in "The Chrysanthemums" |
2 / 432 |
 |
| Gatsby |
4 / 1106 |
 |
| Great Expectations: God's Law Vs. Human Law |
4 / 1145 |
 |
| Gwendolyn Brooks |
3 / 895 |
 |
| great gatsby bill c |
2 / 338 |
 |
| guests of the nation |
3 / 714 |
 |
| Huck Finn's Use Of The Tall Tale |
2 / 340 |
 |
| Huckleberry Finn |
2 / 361 |
 |
| Janus |
4 / 1000 |
 |
| Lacan |
12 / 3307 |
 |
| Notes On John Steinbeck |
1 / 275 |
 |
| Old Man And The Sea |
7 / 2037 |
 |
| One Flew Over the Cuckoo's Nest, counterculture |
4 / 929 |
 |
| Rape fantasies |
2 / 399 |
 |
| Review Sheet for Wuthering Heights |
4 / 948 |
 |
| rape fantasies |
5 / 1349 |
 |
| Slaughterhouse Five |
5 / 1250 |
 |
| Sound of Waves |
6 / 1567 |
 |
| Symoblism in The Great Gatsby |
4 / 902 |
 |
| That was Then, This is Now |
2 / 437 |
 |
| The Cask of Amontillado |
5 / 1304 |
 |
| The Great Gatsby P.V. |
5 / 1500 |
 |
| The House On Mango Street |
2 / 314 |
 |
| The Necklace |
2 / 383 |
 |
| The Yellow Wallpaper |
4 / 937 |
 |
| The bell jar |
2 / 323 |
 |
| The great gatsby |
1 / 266 |
 |
| Their Eyes Were Watching God |
6 / 1540 |
 |
| To Kill A mockingbird |
2 / 305 |
 |
| Tone in "The Destruction of Sennacherib" |
5 / 1251 |
 |
| Traveling Inward ? Journey as Metaphor |
5 / 1419 |
 |
| tale of two cities quote analasys |
1 / 258 |
 |
| tales from the mekong delta |
3 / 892 |
 |
| Vonnegut |
2 / 458 |
 |
| White Fang |
3 / 857 |
 |
| Business |
1 / 297 |
 |
| A & P summary |
2 / 375 |
 |
| A Comparison of Nature in Romantic Poetry |
4 / 1075 |
 |
| A Room Of One's Own |
6 / 1648 |
 |
| A good man is hard to find |
3 / 851 |
 |
| Analyse michele robers 'YOUR SHOES' in detail discussing symbol, structure etc |
11 / 3296 |
 |
| Analysis of Cantebury Tales |
4 / 979 |
 |
| And The Bond Cannot Be Broken - Essay |
4 / 1172 |
 |
| Apa Shiloh |
4 / 998 |
 |
| As I Lay Dying |
3 / 802 |
 |
| Barn Burning |
3 / 765 |
 |
| Bartleby the Scriviner |
3 / 802 |
 |
| Beowulf |
5 / 1300 |
 |
| CHARACTERIZATION OF DEATH IN DICKINSON'S POETRY |
8 / 2137 |
 |
| Catcher In The Rye |
5 / 1331 |
 |
| Chronicle of a Death Foretold |
2 / 302 |
 |
| Cinderella |
5 / 1279 |
 |
| Compare and Contrast: Frankenstein and Invisible Man |
3 / 710 |
 |
| Compare and contrast the portrayal of women in three Victorian poems. How effectively have the poets used language, structure and tone to gain the reader’s sympathy for each woman’s plight? |
5 / 1405 |
 |
| Comparing and Contrasting Characters in Our Town |
2 / 324 |
 |
| Comparing the Contrasting |
6 / 1561 |
 |
| Connected text |
6 / 1540 |
 |
| Discuss Tennessee Williams' use of symbolism in \ |
3 / 869 |
 |
| Driving Stereotypes |
5 / 1319 |
 |
| EDGAR ALLEN POE |
5 / 1377 |
 |
| Emily Dickenson |
3 / 897 |
 |
| Ernest Hemingway Novel In Our Time |
5 / 1452 |
 |
| Every Day Use |
2 / 442 |
 |
| Everyday Use |
4 / 917 |
 |
| Fear and Loathing in Las Vegas |
3 / 659 |
 |
| Flowers for Algernon -narrative form of the novel |
3 / 748 |
 |
| Ind Aff |
6 / 1522 |
 |
| Is Society to Blame? |
5 / 1315 |
 |
| Issue Of Mortality: “naiv Is Bliss And Maturity Is Egocentric” |
7 / 1949 |
 |
| James Joyce Araby |
4 / 1072 |
 |
| Krik? Krak! |
4 / 1061 |
 |
| a rose for emily characterization |
2 / 338 |
 |
| a rose for emily |
2 / 323 |
 |
| a rose for emily |
2 / 338 |
 |
| dead men's path |
6 / 1648 |
 |
| great gatsby |
2 / 387 |
 |
| i stand here ironing |
5 / 1373 |
 |
| 'Valentine' and 'Stealing' - By Carol Ann Duffy |
4 / 955 |
 |
| M Butterfly |
6 / 1547 |
 |
| Madame Bovary |
6 / 1548 |
 |
| Mark Twain |
2 / 327 |
 |
| Miss |
2 / 428 |
 |
| Ms. |
2 / 338 |
 |
| Narrative Styles In Poe, Melville, Hawthorne |
4 / 1137 |
 |
| Oppression in Kate Chopin |
2 / 318 |
 |
| Portfolio Assignment |
4 / 1095 |
 |
| Portrayal Of American Life |
1 / 298 |
 |
| Queenie in "A & P" |
2 / 495 |
 |
| Ralph Ellision's Battle Royal |
6 / 1713 |
 |
| Realization of freedom |
4 / 979 |
 |
| Smell Of Apples |
2 / 316 |
 |
| Solving the Mystery: Evidence vs. Intuition |
6 / 1703 |
 |
| Story of an Hour |
4 / 908 |
 |
| Struggle for Political Emancipation |
5 / 1211 |
 |
| Style Mirrored in the theme of As I Lay Dying |
2 / 357 |
 |
| Tale of Two |
4 / 986 |
 |
| The Cariboo Cafe |
5 / 1390 |
 |
| The Cask of Amontillado |
4 / 1010 |
 |
| The Dead by Rupert Brooke (analysis) |
2 / 339 |
 |
| The Decameron |
3 / 882 |
 |
| The Fall of the House of Usher |
5 / 1333 |
 |
| The Great Gatsby |
5 / 1203 |
 |
| The Lady With the Dog |
4 / 1021 |
 |
| The Many Dissensions of Hester Prynne |
4 / 942 |
 |
| The Parson, in Chaucer's Canterbury Tales |
1 / 267 |
 |
| The Truth of Reality |
6 / 1549 |
 |
| The Women on Mango Street |
6 / 1594 |
 |
| The Yellow Wall-Paper |
4 / 902 |
 |
| The Yellow Wallpaper |
5 / 1403 |
 |
| The Yellow Wallpaper |
4 / 1114 |
 |
| The Yellow Wallpaper |
9 / 2412 |
 |
| The structure of the A & P |
2 / 323 |
 |
| Things Fall Apart |
5 / 1204 |
 |
| To Kill a Mocking Bird Essay |
6 / 1708 |
 |
| Tyuioooooo |
1 / 271 |
 |
| Unreliable Narration of Wuthering Heights |
5 / 1286 |
 |
| Woman's Roles: Adrienne Rich, "Aunt Jennifer's Tigers," & the poem of Maya Angelou, "Still I Rise". |
8 / 2231 |
 |
| Wood Grouse On A High Promontory Overlooking Canada |
4 / 957 |
 |
| obtaining freedom |
4 / 1101 |
 |
| sexism in hod |
3 / 751 |
 |
| stroies influence/balzac |
2 / 348 |
 |
| the Power of choice |
5 / 1318 |
 |
| the themes and motifs of Conrad |
3 / 643 |
 |
| the time machine |
3 / 702 |
 |
| the wars |
5 / 1376 |
 |
| victimization in Margaret Atwood's ?§Rape Fantasies?? |
3 / 862 |
 |
| Cultural Studies |
2 / 307 |
 |
| A Bronx Tale |
2 / 318 |
 |
| Alice Munro Open Secrets The A |
5 / 1465 |
 |
| An Obscured Message |
5 / 1267 |
 |
| Artificial Intelligence |
12 / 3307 |
 |
| Bluest eye |
4 / 980 |
 |
| British Control Of The Caribbean And Its Allusion In Caribbean Literat |
5 / 1465 |
 |
| beloved essay |
7 / 2085 |
 |
| Canterbury Tales |
4 / 925 |
 |
| Common Human Experiences In To Kill A Mockingbird |
2 / 421 |
 |
| Don Juan As Byron Introspective |
4 / 1053 |
 |
| Don Juan As Byron Introspective |
4 / 1053 |
 |
| Every Day Use |
2 / 442 |
 |
| Frosts Tuft Of Flowers And Men |
3 / 739 |
 |
| How effectively does Arthur Miller build the play up dramatically to enhance the power of it's tragic ending? |
3 / 835 |
 |
| I love you |
2 / 408 |
 |
| Jane Eyre 5 |
4 / 1030 |
 |
| Jane Eyre |
4 / 1030 |
 |
| Lacan |
12 / 3307 |
 |
| Making Decisons In The Road No |
2 / 457 |
 |
| Mark Twain |
2 / 327 |
 |
| One Flew Over the Cuckoos Nest |
3 / 821 |
 |
| Poem #640: Interpretation |
4 / 1111 |
 |
| Real And Unreal |
3 / 872 |
 |
| Reflections On The Things They |
3 / 842 |
 |
| The Albanian Virgin |
5 / 1465 |
 |
| The Araby |
3 / 714 |
 |
| The Book Of Sand |
4 / 1098 |
 |
| The File |
3 / 890 |
 |
| The Great Gatsby P.v. |
5 / 1500 |
 |
| The Great Gatsby |
5 / 1203 |
 |
| The House On Mango Street |
2 / 314 |
 |
| The Life Of Mahatma Gandhi |
12 / 3307 |
 |
| The Lottery and The Lesson |
3 / 815 |
 |
| The Mirror Of Time And Memory |
6 / 1561 |
 |
| The Price Of Objectivity (crit |
3 / 775 |
 |
| Vonnegut's Galapagos |
2 / 325 |
 |
| Washington Irving 2 |
2 / 312 |
 |
| White Fang |
3 / 857 |
 |
| Cinderella |
1 / 241 |
 |
| Fight Club |
1 / 253 |
 |
| Jazz Showcase |
4 / 1021 |
 |
| Symbolism in the movie fight club |
11 / 3249 |
 |
| The Mirror Of Time And Memory |
6 / 1561 |
 |
| Abuse Of Power Within A Clockwork Orange |
5 / 1323 |
 |
| Upside to Anger Psych Review |
2 / 351 |
 |
| Beowulf |
4 / 902 |
 |
| venus |
4 / 964 |
 |
| American Childhood |
2 / 419 |
 |
| Ballad Of Birmingham |
4 / 1096 |
 |
| Hayduke Lives! |
4 / 937 |
 |
| Sex in Advertising |
4 / 914 |
 |
| Sonnet 30 Analysis |
4 / 916 |
 |
| Sweat By Zora Neale Hurston |
2 / 326 |
 |