| Title | Pages / Words | Save |
| Adalbert Stifter's Brigitta through social and political changes | 14 / 4145 |  |
| Belgium | 7 / 1879 | |
| Accounting | 6 / 1743 | |
| Fear and Trembling | 3 / 678 | |
| Behavior | 16 / 4596 | |
| Amelie | 2 / 330 | |
| Handcarved Coffins | 4 / 946 | |
| Dinner with a famous person | 4 / 1058 | |
| Comparison of Picasso and Raoul Dufy | 4 / 1004 | |
| Charlotte Brontes Jane Eyre An | 12 / 3364 | |
| Chanel | 1 / 148 | |
| ameile reviews | 2 / 345 | |
| Henri Matisse | 9 / 2594 | |
| Subversion In Women's Fiction: Power Relations And Alienation In Jean Rhys's "Wide Sargasso Sea" And Arundhati Roy's "The God Of Small Things" | 23 / 6607 | |
| Similarities Between | 13 / 3716 | |
| femininity in Euripides’ ‘Medea’ and Jean Rhys’ ‘Wide Sargasso Sea’. | 5 / 1227 | |
| In the Castle of my Skin | 6 / 1661 | |
| Fear and Trembling Film Anaysis | 6 / 1529 | |
| Netflix | 6 / 1690 | |
| 2007s Career Dos and Don'ts | 3 / 668 | |
| fred | 2 / 343 | |
| Orlando Bloom | 3 / 794 | |
| Leni Riefenstahl | 9 / 2427 | |
