| Title |
Pages / Words |
Save |
| Walt Disney and Disneyland |
6 / 1584 |
 |
| Heathers and Shame |
8 / 2323 |
|
| Baz Luhrman?s Version of Romeo and Juliet |
3 / 721 |
|
| 1920's |
1 / 157 |
|
| 2001 A space odyssey |
2 / 566 |
|
| Andy Warhol |
3 / 809 |
|
| Films Today |
5 / 1333 |
|
| Nancy Reagan |
2 / 367 |
|
| Nature |
2 / 410 |
|
| David Fincher |
2 / 468 |
|
| Harvey Keitel: The Art Of Darkness |
2 / 587 |
|
| Kirk Cameron |
2 / 449 |
|
| Sylvester Stallone |
1 / 285 |
|
| Woody Allen |
3 / 658 |
|
| A Clockwork Orange by Antony Burgees |
3 / 696 |
|
| Gibson v. Branagh |
1 / 72 |
|
| Harry Potter |
1 / 140 |
|
| jkhkjgh |
9 / 2453 |
|
| Romeo and Juliet Movie comparison |
3 / 654 |
|
| Stigma In The Media |
4 / 1168 |
|
| summer reading |
2 / 519 |
|
| THE STING |
2 / 553 |
|
| The Matrix |
4 / 1011 |
|
| The Shawshank Redemption |
2 / 528 |
|
| Affirmative Action |
1 / 274 |
|
| Airborne Express |
2 / 356 |
|
| Arundel Partners |
6 / 1779 |
|
| Arundel case study |
3 / 685 |
|
| Bmw Films: Case Study |
7 / 1972 |
|
| Disney Pixar |
4 / 1087 |
|
| Good |
2 / 373 |
|
| Has Affirmative Action Outlived Its Usefulness In The Workplace? |
1 / 300 |
|
| IMAX theatre - Overview |
5 / 1412 |
|
| Mainline Vs. Kim Basinger |
3 / 781 |
|
| Will Inflation Be The Major Problem Of Hong Kong Economy |
3 / 852 |
|
| A Bronx Tale |
1 / 159 |
|
| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
|
| Christine de Pizan |
2 / 572 |
|
| Comparing And Contrasting Hitchcock And Spielberg |
4 / 1183 |
|
| English |
5 / 1226 |
|
| Fight Club |
4 / 956 |
|
| Film Realism |
4 / 958 |
|
| Film as Lit |
5 / 1265 |
|
| Hamlet and his thoughfulness |
2 / 512 |
|
| How do narrative and genre features create meaning and generate response in a film clip from ?Saw'? |
7 / 1890 |
|
| How has James Cameron presented and adapted the true story of the Titanic? |
5 / 1413 |
|
| Revolt against laziness |
1 / 241 |
|
| Shakespeare on film-Observations |
2 / 366 |
|
| Tao-te Ching Thoughts |
1 / 242 |
|
| The Answer is NO |
1 / 235 |
|
| The Decline of the american horror film |
4 / 1092 |
|
| The French New Wave |
5 / 1491 |
|
| What Is Beauty? |
2 / 419 |
|
| What Speaks Louder |
2 / 558 |
|
| pleasantville |
3 / 835 |
|
| rhetorical |
4 / 932 |
|
| why we crave horror movies |
4 / 959 |
|
| Andy Warhol Pop Artist and Icon |
3 / 893 |
|
| Ca Twiste a Popenguine |
1 / 123 |
|
| film history |
4 / 1047 |
|
| Magazines |
2 / 463 |
|
| 1920's Culture |
3 / 636 |
|
| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
|
| AFFIRMATIVE ACTION |
2 / 408 |
|
| Affirmative Action and its Downfalls |
2 / 315 |
|
| Blacks In Film |
4 / 1150 |
|
| Briar rose symbols |
2 / 358 |
|
| Bruce Lee |
2 / 486 |
|
| blah |
2 / 567 |
|
| Cinema of Attraction |
5 / 1334 |
|
| Citizen Kane By Orson Wells |
3 / 788 |
|
| Citizen Kane By Orson Wells |
3 / 788 |
|
| Digital Art in Film |
5 / 1340 |
|
| Directing: More than Fame and Fortune |
4 / 1040 |
|
| Discerning Content In Paragraphs |
2 / 389 |
|
| Elvis Presley |
2 / 348 |
|
| Evil Dead Vs. Evil Dead 2 |
3 / 611 |
|
| Existentialism |
1 / 295 |
|
| Film Sound |
4 / 951 |
|
| GENTLEMEN, IT'S TIME FOR YOUR ANNUAL "AM I GAY?" SELF-EXAMINATION |
2 / 516 |
|
| George Lucas: One of the greatest filmmakers |
5 / 1454 |
|
| History |
2 / 447 |
|
| Hollywood Vs. The World |
4 / 1134 |
|
| Jan Svankmajer |
5 / 1271 |
|
| John Woo |
3 / 832 |
|
| Kubrick Lives |
4 / 1140 |
|
| Matrix paper |
2 / 550 |
|
| Media |
3 / 700 |
|
| Memento as a War Movie |
5 / 1285 |
|
| OZONE LAYER |
2 / 374 |
|
| Penny Marshall |
5 / 1283 |
|
| platoon |
1 / 185 |
|
| Review of "The Tell-Tale Heart" (by Edgar Allen Poe) |
1 / 288 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
|
| Romeo And Juliet 4 -2 |
3 / 722 |
|
| rambo |
4 / 1111 |
|
| Special Topics In Communications |
2 / 470 |
|
| The Birth Of A Nation And Greed |
4 / 1185 |
|
| The Sting |
2 / 553 |
|
| Violence In The Media |
3 / 853 |
|
| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
|
| 32 Short Films About Glenn Gould |
2 / 573 |
|
| A Cinderella Man |
3 / 649 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| Alfred Hitchcock (Rough) |
5 / 1214 |
|
| Alfred Hitchcock |
4 / 965 |
|
| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
|
| Art and Business of Film Making |
6 / 1577 |
|
| Assault on Precinct 13 |
2 / 442 |
|
| Batman |
3 / 896 |
|
| Blaire Witch review |
2 / 475 |
|
| Bowling for Columbine |
1 / 81 |
|
| Bringing Up Baby |
3 / 693 |
|
| Chinatown: Movie Analysis |
2 / 432 |
|
| Cinderella |
1 / 241 |
|
| Cinema of Japan |
6 / 1713 |
|
| Cliches of teen movies |
2 / 440 |
|
| Clockwork Orange |
2 / 560 |
|
| Comparison Of Fellini's Nights Of Cabiria And La Dolce Vita |
7 / 1939 |
|
| Comparison of High Noon and Open Range |
5 / 1242 |
|
| Critique Of Romeo And Juliet The Movie |
2 / 474 |
|
| Desensitization To Violence |
4 / 1158 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Discuss whether Alfred Hitchcock can be considered an auteur |
5 / 1210 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| digetic and nondigetic sound |
4 / 919 |
|
| Erin Brockovich |
2 / 533 |
|
| Evolution Of Media Violence |
2 / 367 |
|
| Film Study - different types of editing and cut shots |
3 / 623 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Film journal on Norma Rae |
3 / 809 |
|
| French New Wave |
4 / 1149 |
|
| film crime |
5 / 1431 |
|
| film institute research |
2 / 553 |
|
| films |
3 / 793 |
|
| Gangs Steal Oscar Nominations |
3 / 777 |
|
| Gillian Armstrong |
6 / 1556 |
|
| Grand Theft Auto: Vice City |
5 / 1237 |
|
| hollywood and product placement |
6 / 1519 |
|
| honorable mexicans |
2 / 438 |
|
| Importance of Family Life |
4 / 908 |
|
| i Robot |
2 / 514 |
|
| indian cinema |
3 / 713 |
|
| John Rambo and Jack Ryan: Men America Can Count On? |
4 / 984 |
|
| King Kong |
2 / 350 |
|
| Media Task |
3 / 726 |
|
| Movie Review |
3 / 713 |
|
| Narrative vs. Montage |
3 / 877 |
|
| Nestorian Order Essay on Little Shop of Horrors |
2 / 320 |
|
| Pretty Woman Vs. Pillow Talk |
4 / 1061 |
|
| Read culture by movies |
2 / 568 |
|
| Realism and Idealism for the Godfather |
4 / 1152 |
|
| response to boyz n the hood |
3 / 770 |
|
| Setting The Standard'S For Today'S Animated Movies |
2 / 366 |
|
| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| sterphen spielberg |
3 / 605 |
|
| synopsis: blood diamond |
3 / 745 |
|
| Tarantino |
5 / 1293 |
|
| Texas Chainsaw Massacre |
2 / 556 |
|
| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
|
| The Blair Witch Project |
3 / 602 |
|
| The Indo- Afghan Connection |
4 / 963 |
|
| The Player |
4 / 1139 |
|
| The Two-Tiered System of Allusions |
5 / 1497 |
|
| The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
|
| triumph of the will and why we fight |
2 / 548 |
|
| Vertov and Eisenstein |
3 / 750 |
|
| War In Cinema |
3 / 885 |
|
| War of the Worlds Analysis |
4 / 1132 |
|
| Women in contemporary horror films |
6 / 1715 |
|
| Wong Kar Wai and french new wave |
3 / 652 |
|
| what makes an excellent film |
2 / 491 |
|
| Kants categorical Imperitave applied |
2 / 484 |
|
| kant presentation |
2 / 417 |
|
| kant |
2 / 418 |
|
| Morally Responsible |
2 / 471 |
|
| marix |
3 / 854 |
|
| Philoaophy Of Law |
7 / 2018 |
|
| Niksa |
3 / 759 |
|
| Psychology/clockwork Orange |
2 / 549 |
|
| Bezetendheid |
3 / 871 |
|
| Morpheus's view on reality |
2 / 504 |
|
| Affirmative Action |
1 / 166 |
|
| Affirmative Action |
1 / 295 |
|
| Affirmative Action |
2 / 503 |
|
| African American Stereotypes |
2 / 380 |
|
| BMW |
7 / 1924 |
|
| battle of karkov |
4 / 1011 |
|
| Censorship in America |
4 / 1060 |
|
| censorship sucks @*$ |
2 / 467 |
|
| Dalton Trumbo |
1 / 197 |
|
| fall of the house of usher |
5 / 1220 |
|
| full metal jacket |
4 / 921 |
|
| globalization |
4 / 1116 |
|
| Hispanics In The Film Industry |
2 / 578 |
|
| Life as we know it |
1 / 293 |
|
| Positive and Negative Influences of Cinema on Popular American Culture |
4 / 1163 |
|
| violence |
5 / 1227 |
|
| WTBSHBTNB |
3 / 756 |
|
| Women and Careers |
3 / 820 |
|
