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Labeled as experimental art, video art, guerilla television, and computer art, the goals of the movement were to "film truth" as actually expressed through its' formal title. The artists were interested in presenting the truth but through a skewed, experimental and spontaneous point of view. In the 1960's, a Korean composer and artist by the name of Nam June Paik began the video revolution. He aimed to remove all preconceived notions of television and art. After moving to the United States, Paik became the forerunner for this movement. One of his early works, Magnet TV challenged viewers to reexamine media...
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