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As life goes on for the couple in Venice, both are exposed to clues about their past and future. With the help of two sisters Wendy (Clelia Matania) and the blind psychic Heather (Hilary Mason), Laura is exposed to the very same supernatural sight that her husband seems to have.
Dueling identities within characters is a rather large theme within the film. While the murderous dwarf turns out to be a completely different character from Christine, her red cloak coupled with John’s inability to differentiate the two make them two opposite yet related identities. The inclusion of two different types of sight is example in which a conflict of identity is made apparent, to different degrees, in many of the film’s characters...
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Common topics in this essay:
- Whispering Wooods
- Negotiating Hall's Caribbean Identity in Kincaid's Annie John
- The Crucible: John Proctor's Search for Identity
- A Couple Of Yahoos
- John Locke on Personal Identity
- When i was older
- A shot by shot analysis of a major scene in Hitchcock's Notorious
- Critique of "The Art of National Identity" by John Orr
- Separation of Identity in "Don't Look Now"
- Shot by Shot Analysis
- the conversation
- Counseling the Infertile Couple
- Detection of Staring ? Fact or Fiction
- how a Christian couple would apply these beliefs in their married life
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