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Each of these writers has varying feelings to cinema-going over the past century and this essay will aim to address these different aspects.
Roland Barthes' in his article ?Leaving the Movie Theatre' provides us with an interesting way of looking at cinema-going. He paints a picture at the start of his article about moviegoers always leaving the cinema in a hypnotic state, describing the moviegoer is "a little dazed, wrapped up in himself?sleepy?and he feels a little disjointed." (Barthes, R. 1986) These traits are common to moviegoers as they leave the cinema. My previous opinion on these traits was that since you have been sitting down for the past two to three hours, you must be tired...
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Common topics in this essay:
- Nightmare On Elm Street: Film And Reality
- To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir?
- Appearance Vs. Reality Of Modern Music Affect On Teenagers
- Film genre, narration, reality tv
- How has the experience of cinema-going changed over the past century
- Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso
- Third Cinema Theories and the Nollywood Experience
- Third Cinema
- Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film"
- War In Cinema
- “We are told about the world before we see it. We imagine most things before we experience them” (Walter Lipman) How might expectation and previous knowledge affect perception and therefore knowledge?
- Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself?
- THE TWENTIETH-CENTURY EXPERIENCE
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