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Strauss was also attracted to the extremism of Wagner's work and also wanted to explore the boundaries of the newly emerging avant-garde artists. As a continuation of his interest in ?storytelling', Strauss began to turn his attention to opera. His first two attempts, Guntram (1894) and Feuersnot (1901), were not very well received. Strauss, affected by his failures, intended to take a break from opera and concentrate on more traditional orchestral works.
However, he was presented with a copy of Oscar Wilde's play Salome in 1902 and was encouraged to compose an opera of the same name. First published in French (due to it being banned in England) in 1894, the play depicts the biblical tale of Salome, the stepdaughter of King Herod of Judea, who after dancing for her stepfather at his birthday feast...
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