Title: Stanislavski's Techniques
|Date:||August 13, 2014|
|Length:||2 / 433|
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This ties into all of Stanislavski's techniques.
This technique is divided into two sections, both of which must be considered in a role: inner and outer. The inner tempo rhythm represents how the character is feeling and thinking, while the outer tempo rhythm represents how the character is acting...
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Both of those must be considered as the character the actor is portraying encounters different situations, as the inner and outer tempo rhythm can conflict with each other with different situations. For example, if the character was relaxing on a beach, both tempo rhythms would be slow and calm, whereas if the character was in a romantic situation, the outer tempo rhythm might be calm and collected, but the inner tempo rhythm would be crazy and fast, as if panicking...
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