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Altman, who is known for turning around traditional genre conventions, revises and reinvents the film-noir style made popular by Dick Powell in Murder, My Sweet (1944), Humphrey Bogart in The Big Sleep (1946), and Robert Montgomery in Lady in the Lake (1947). The actors and the films in the 1940's film-noir period conformed to genre conventions, and it wasn't until Robert Altman directed Elliot Gould's Philip Marlowe in The Long Goodbye that the detective genre had changed.
It is very interesting to note how the conventions of 1940's hardboiled private eye fiction translate into the 1970's. The low-rent drabness of the genre loses much of its allure...
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