Title: Montage in films of Sergei Eisenstein
|Subject:||Music and Movies|
|Date:||September 25, 2014|
|Length:||5 / 1433|
|No of views:||0|
|Essay rating:||good 0, average 0, bad 0 (total score: 0)|
It is through Eisenstein's intellectual theories that he is able to link every aspect of a film together into a realized whole, from the initial concept to how it is shot and how it is edited, the end product is a conscious understanding of how the audience is going to respond to the work. It is this intellectual approach to filmmaking that enabled Eisenstein to keep the true intent of a film intact, "?if the art-work does not represent an embodiment of the original idea, we shall never have as result an art-work realized to its utmost fullness...
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It is this intellectual approach to filmmaking that enabled Eisenstein to keep the true intent of a film intact, "?if the art-work does not represent an embodiment of the original idea, we shall never have as result an art-work realized to its utmost fullness."1
In Eisenstein's essays he outlines five different concepts of Film montage; Metric Montage, Rhythmic Montage, Tonal Montage, Overtonal Montage and his most acclaimed/criticised, Intellectual Montage...
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