Title |
Pages / Words |
Save |
Tennessee William's The Glass Menagerie |
3 / 638 |
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Across the Universe - Pop Culture/American History |
1 / 128 |
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a midwife's tale |
2 / 376 |
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Iron Jawed Angels Paper |
3 / 669 |
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John and Abigail Adams |
3 / 640 |
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Kiss Me Deadly and Film Noir |
2 / 530 |
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Biography of Siegfried Kracauer |
2 / 383 |
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camera |
3 / 602 |
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David Fincher |
2 / 468 |
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Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
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matrix |
2 / 543 |
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A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
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Drop it like its Hot |
2 / 452 |
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Glass Menagerie Screen Symbols |
2 / 351 |
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High Fidelity |
5 / 1367 |
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Interpreting The Handmaid'S Tale |
3 / 619 |
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iauwd |
2 / 575 |
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Like Water For Chocolate |
3 / 791 |
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Lolita |
2 / 523 |
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Mise En Scene |
1 / 297 |
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Motorcycle Diaries Movie Summary |
3 / 651 |
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Nightmare on Elm Street |
1 / 248 |
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The Glass Menagerie |
3 / 733 |
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The Man Myth And Legend |
2 / 453 |
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the glass menagerie |
6 / 1622 |
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Positioning Of 3 Cinemas In Karachi |
2 / 535 |
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A Review of “The Garden Party” by Katherine Mansfield |
2 / 456 |
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Adrift |
2 / 346 |
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American Gothic |
2 / 373 |
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Antigone |
3 / 766 |
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Beowulf |
2 / 577 |
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Blind Assassin |
3 / 621 |
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Character Analysis |
2 / 468 |
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Christine de Pizan |
2 / 572 |
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Classic Fairy Tale Stereotype vs. Disney Version |
2 / 361 |
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Dames, Coppers, and Crooks: A L:ook At Film Noir |
10 / 2877 |
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Death |
3 / 857 |
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Discuss Tennessee Williams' use of symbolism in \ |
3 / 869 |
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Documentary Style: 4 Little Girls vs. Bowling for Columbine |
4 / 1133 |
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Film Realism |
4 / 958 |
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Gain Analysis |
2 / 512 |
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General |
3 / 613 |
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Hypocrisy Revealed In Canterbury Tales |
2 / 507 |
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Importance of Bein Earnest |
4 / 1153 |
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Johnathat Kozol |
2 / 410 |
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Lantana |
2 / 481 |
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"The faithful wife" by Barbara L. Greenberg |
1 / 131 |
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a clockwork orange |
1 / 152 |
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candide |
3 / 635 |
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dramatic lit |
2 / 559 |
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fight club |
1 / 298 |
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gender discourses |
2 / 592 |
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hello |
1 / 220 |
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help me |
2 / 477 |
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hurrr |
1 / 290 |
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Mr |
3 / 813 |
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On the sidewalk bleeding~news article |
2 / 357 |
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Our Barbies, Ourselves summary |
2 / 469 |
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Queen Of Spades |
1 / 133 |
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Rabbit Proof Fence |
4 / 1073 |
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Reflecting on the Dead |
5 / 1430 |
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Speech To Introduce |
2 / 342 |
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Style Wars |
1 / 265 |
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Term Paper |
1 / 141 |
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The Crow Review |
4 / 965 |
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The Destruction Of Laura In The Glass Menagerie |
4 / 1101 |
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The French New Wave |
5 / 1491 |
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The Glass Menagerie |
3 / 750 |
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The Great Gatsby |
5 / 1203 |
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The Theme of Escape in The Glass Menagerie |
3 / 864 |
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The failure of Amanda |
3 / 885 |
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Traits of Marlow in the Big Sleep |
4 / 1154 |
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Visual Culture |
3 / 686 |
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What Will Calixta do? Oh, What Will She Do? |
2 / 336 |
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Women in the odysee |
3 / 620 |
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A Brief History of Film |
4 / 1006 |
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Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
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Helping To Sell A Book By Its Cover |
1 / 293 |
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Laura Secord |
3 / 744 |
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Movie Review: Enemy At The Gates. |
1 / 277 |
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Old Movies And America |
2 / 462 |
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Post Noir Examples |
4 / 983 |
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rabbit poof fence |
2 / 547 |
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Sophia Loren And Italian Cinema |
6 / 1591 |
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The U.S. vs. John Lennon |
2 / 305 |
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Theatre &Amp;Amp;Amp;Amp; Realism |
2 / 529 |
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Different Forms Of Art |
3 / 620 |
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‘The News does not just happen-it involves planning and construction’. Using media theories covered in this unit, current news examples and the text Wag the Dog, explain whether you agree or disagree with this statement and why. |
5 / 1310 |
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A Fair Chance For The Girls |
2 / 434 |
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Advertising |
3 / 653 |
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Anaylsis Of The Film: Fight Club |
4 / 1092 |
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China Town |
5 / 1277 |
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Cinema/film |
6 / 1722 |
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Comparing A Streetcar Named De |
3 / 749 |
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cheater |
2 / 445 |
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Film Sound |
4 / 951 |
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Filmmaking |
4 / 1027 |
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Frederick Douglass: Portraying Slaveholders |
2 / 580 |
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Glass Menagerie 3 |
3 / 709 |
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Glass Menagerie |
2 / 517 |
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Illusions In The Glass Menager |
4 / 983 |
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Lightning Dean Koontz |
2 / 372 |
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Listening Skills (Dr. Laura) |
4 / 938 |
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Music In The Movies: Experiencing Something New |
6 / 1738 |
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Ridley Scott's Blade Runner - AnAnalysis |
9 / 2629 |
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Sleeping With The Enemy |
5 / 1348 |
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Spellbound By Alfred Hitchcock |
2 / 302 |
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Suicide |
3 / 612 |
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The Contemporary Male ? The New masculinity in Film |
2 / 504 |
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The Effects Of Pornography |
4 / 1065 |
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The Glass Menagerie |
4 / 1195 |
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The Great Gatsby Movie Review |
3 / 601 |
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The Great Gatsby |
5 / 1203 |
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The Yellow Wallpaper |
2 / 509 |
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Visual Communication and Autism |
4 / 1018 |
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Women In The House Of Commons |
1 / 143 |
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Writing Analysis |
2 / 513 |
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Youth In Today |
2 / 588 |
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32 Short Films About Glenn Gould |
2 / 573 |
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A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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African American Cinema |
3 / 673 |
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Alfred Hitchcock (Rough) |
5 / 1214 |
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Anaylsis Of The Film: Fight Club |
4 / 1092 |
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Blood, Violence And Gore As Entertainment |
2 / 363 |
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CInema Paradiso |
2 / 549 |
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Casablanca - a feminist perspective |
2 / 587 |
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China Town |
5 / 1277 |
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Cinderella |
1 / 241 |
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Critique of a film script |
3 / 828 |
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cruel inentions |
3 / 750 |
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FIght Club |
3 / 753 |
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Fight Club |
1 / 229 |
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Film and video production |
6 / 1613 |
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Film genre, narration, reality tv |
6 / 1677 |
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Flim Review on Jaguar by Jean Rouch |
2 / 566 |
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French New Wave |
4 / 1149 |
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fight club |
4 / 1092 |
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Grand Theft Auto: Vice City |
5 / 1237 |
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Jean Luc Godard's Weekend as Didactic Self-Reflexive Cinema |
7 / 1884 |
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L'Avventura |
3 / 851 |
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Lantana |
2 / 545 |
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Leone's Spaghetti |
3 / 768 |
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Master Filmaker Akira Kurosawa |
4 / 1198 |
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Meet me in St, Louis and the Aspect of Sound |
4 / 1002 |
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Mise En Scene |
3 / 696 |
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Moulin Rouge |
1 / 266 |
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Movie Magic: Audio And Visual Special Effects 1960-1990 |
3 / 893 |
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Movie: Delta Force - Suicide In Chinatown |
2 / 580 |
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media content reflects changing dominant discourses about femininity and masculinity. |
8 / 2112 |
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media |
4 / 978 |
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memento |
4 / 998 |
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Narrative vs. Montage |
3 / 877 |
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Never Been Kissed Movie Review |
1 / 279 |
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Of Mice And Men: A Comprehensive Comparison Of Novel And Movie |
5 / 1298 |
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On The Waterfront: The American Dream |
2 / 565 |
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of mice and men movie review |
1 / 267 |
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Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
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Raisin in the Sun |
2 / 353 |
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Red Sorghum |
6 / 1631 |
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Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
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Scorsese |
6 / 1677 |
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Semiotic Analysis of Austin Powers |
12 / 3488 |
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Sin City |
3 / 826 |
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Sleeping With The Enemy |
5 / 1348 |
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Sleepy Hollow |
4 / 1073 |
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Spellbound By Alfred Hitchcock |
2 / 302 |
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Study of Cinema Verite |
3 / 834 |
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snatch |
4 / 920 |
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The Fox And The Hound |
2 / 558 |
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The Lacanian Mirror: Reflections On Oldboy |
11 / 3181 |
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The Wild Bunch |
2 / 375 |
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Third Cinema Theories and the Nollywood Experience |
9 / 2476 |
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This Baby Is A Keeper! |
3 / 696 |
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Walter Benjamin and Siegfrizd Kracauer |
5 / 1400 |
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Woman in the Dunes - movie Review |
2 / 512 |
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A Clockwork Orange Film Analysis |
2 / 536 |
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Aristotle and Epicurus |
3 / 692 |
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DEontology |
1 / 195 |
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existence of god |
1 / 281 |
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Inner Power |
3 / 827 |
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lily |
3 / 771 |
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Bad Childhood Good Life |
3 / 745 |
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Heart'S And Eyes |
1 / 152 |
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rock |
1 / 202 |
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The Glass Menagerie |
5 / 1316 |
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visual perception |
2 / 546 |
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I Love and I Hate. Who Can Tell me Why? |
3 / 846 |
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Dalton Trumbo |
1 / 197 |
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elite college girls choose to stay home |
1 / 216 |
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fall of the house of usher |
5 / 1220 |
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ghost world |
3 / 754 |
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globalization |
4 / 1116 |
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Hispanics In The Film Industry |
2 / 578 |
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Rabbit Proof Fence |
2 / 479 |
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Still A Man's World |
1 / 218 |
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The Hood |
1 / 215 |
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The Influence Of The Interdependent Relationship Between Gender And ‘The Gaze’ On Contemporary Beauty Ideals |
4 / 1006 |
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Women's Education |
3 / 822 |
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Cinema/Film |
6 / 1722 |
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Digital Cinematography |
4 / 985 |
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