Title |
Pages / Words |
Save |
Devil's Backbone |
3 / 799 |
|
The castle review |
3 / 647 |
|
Outlaw heroes |
3 / 783 |
|
Shakespeare on film-Observations |
2 / 366 |
|
The Longest Day - Book Vs. Movie |
5 / 1391 |
|
Dalai L |
2 / 495 |
|
Batman begins and sleepy hollow |
2 / 502 |
|
art and photography |
1 / 246 |
|
The Rainmake - Film Review |
6 / 1541 |
|
City of God |
4 / 1066 |
|
Do The Right Thing |
2 / 519 |
|
I like it like that |
3 / 792 |
|
star wars |
2 / 553 |
|
Mica and men review |
2 / 366 |
|
Good Morning, Vietnam |
3 / 832 |
|
lockstock |
5 / 1370 |
|
The Mirror Of Time And Memory |
6 / 1561 |
|
The Mirror Of Time And Memory |
6 / 1561 |
|
Malcolm X |
2 / 549 |
|
Twelve angry men |
1 / 254 |
|
Movie |
2 / 564 |
|
crash review |
3 / 687 |
|
Grand Theft Auto: Vice City |
5 / 1237 |
|
Does Othello have a used by date? |
3 / 608 |
|
Johnny Depp &Amp;Amp;Amp; Gene Wilder In Charlie &Amp;Amp;Amp; The Chocolate Factory |
1 / 162 |
|
Review: Pulp Fiction |
3 / 776 |
|
Catcher In The Rye- Movie Proposal |
6 / 1532 |
|
media |
4 / 978 |
|
Media Reaction Paper - Crash SOC 315 |
2 / 552 |
|
Curious Incident of the dog in the nighttime |
2 / 515 |
|
Film Analysis |
8 / 2111 |
|
The Beach |
3 / 655 |
|
The Beach |
3 / 655 |
|
Alfred Hitchcock |
7 / 2050 |
|
Analysis of "Vantage Point" trailer |
4 / 1076 |
|
Spider-Man Essay |
6 / 1550 |
|
Why do you think the Italian authorities might not have been too pleased for Ladri di biciclette to be distributed abroad? |
5 / 1220 |
|
Macbeth |
2 / 511 |
|
There Will Be Blood |
3 / 830 |
|
good will hunting |
2 / 322 |
|
Slaying the Dragon |
2 / 375 |
|
Blade runner |
5 / 1460 |
|
The Deep End Of The Ocean |
3 / 836 |
|
The Deep End Of The Ocean |
3 / 836 |
|
snatch |
4 / 920 |
|
Pyschoanalysis of The Sweet Hereafter |
4 / 1124 |
|
Schindler's List 2 |
5 / 1413 |
|
Matrix Reloaded Movie Review |
5 / 1432 |
|
Snow Falling on Cedars |
3 / 633 |
|
Flim Review Saving Pivate Ryan Draft |
3 / 682 |
|
David Cronenberg |
3 / 791 |
|
Seeing Storms And Madness |
5 / 1209 |
|
crash |
2 / 564 |
|
Sense and Sensibility: Compare and contrast Elinor and Marianne Dashwood |
4 / 1130 |
|
Joy Luck Club |
3 / 629 |
|
American Beauty |
6 / 1637 |
|
Sin City |
3 / 826 |
|
Great Depression Themes in 42nd Street |
3 / 711 |
|
What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
|
Deceiving Images of Bowling for Columbine |
6 / 1638 |
|
HEY |
6 / 1641 |
|
Gump |
2 / 325 |
|
with honors |
2 / 539 |
|
The Swahili Coast |
1 / 294 |
|
weight of water |
2 / 350 |
|
Women in Spike Lee's Bamboozled |
3 / 790 |
|
Celebrity Infatuation |
2 / 460 |
|
The Castle |
3 / 680 |
|
Tommy: the album vs. the movie |
5 / 1455 |
|
sfsf |
2 / 474 |
|
Film Analysis |
6 / 1625 |
|
A Comparison of the Fight Scene in Act 3 of Shakespeare's Play ?Romeo and Juliet' in the Film Version |
10 / 2762 |
|
Apocalypse Now vs. Heart of Darkness |
2 / 303 |
|
Gladiator of Heaven |
5 / 1213 |
|
The World Is Not Enough |
4 / 1082 |
|
The Prestige Analysis |
9 / 2417 |
|
Mississippi Burning Paper |
3 / 888 |
|
high tension |
3 / 826 |
|
Hitchcock's Psycho - Q & A |
2 / 308 |
|
The Kite Runner |
1 / 238 |
|
Annie Hall and Jesus |
3 / 750 |
|
Briar rose symbols |
2 / 358 |
|
“The Review Of Marcel LOZINSki’S Documentary Film: |
3 / 711 |
|
Singing in the Rain |
7 / 1877 |
|
Writers are like photographers |
2 / 345 |
|
Bamboozled |
3 / 829 |
|
Last of the mohicans |
2 / 409 |
|
Sybil |
5 / 1296 |
|
Disney |
1 / 211 |
|
Comparison Of Psycho And Vertigo |
4 / 1096 |
|
Geography |
3 / 666 |
|
Forrest Gump |
4 / 1058 |
|
Inner Power |
3 / 827 |
|
Sleepy Hollow Reveiw |
3 / 629 |
|
thomas crown affair |
5 / 1412 |
|
The Crucible |
2 / 440 |
|
Follow Your Dreams |
5 / 1368 |
|
Impressive Nobodies |
3 / 649 |
|
Romeo and Juliet Speech |
2 / 349 |
|
The Matrix |
8 / 2270 |
|
The Things They Carried & A Soldier's Sweetheart |
4 / 1194 |
|
Reviews |
2 / 561 |
|
Report on We Were Soldiers |
4 / 1093 |
|
Dodge City And Unforgiven |
4 / 1017 |
|
Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
|
Apache And Cherokee Indians |
2 / 384 |
|
a midwife's tale |
2 / 376 |
|
General Patton Part III |
1 / 168 |
|
Romeo + Juliet: An E Ticket Ride |
3 / 728 |
|
the corporation |
2 / 347 |
|
To Kill or not to kill a mockingbird |
5 / 1349 |
|
The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
|
Raise The Red Lantern |
1 / 149 |
|
Sybil |
5 / 1305 |
|
Censorship in the Media |
3 / 780 |
|
the quiet american |
1 / 266 |
|
The General |
3 / 741 |
|
real window review |
2 / 337 |
|
La Amistad |
2 / 475 |
|
Mid Summer |
4 / 1132 |
|
The Ruins |
2 / 578 |
|
Gatsby Film |
1 / 297 |
|
Language vs. Film |
4 / 905 |
|
Hamlet Response Essay |
2 / 571 |
|
How Music Effects Mood And Perception |
2 / 345 |
|
The Fox And The Hound |
2 / 558 |
|
A Mid Summer Night's Dream Film Analysis |
4 / 1192 |
|
Analyzing Moulin Rouge |
4 / 1113 |
|
Streetcar Named Desire Essay |
2 / 591 |
|
Elephant the movie |
5 / 1247 |
|
A Clockwork Orange Film Analysis |
2 / 536 |
|
River Phoenix - My Favorite Famous Person |
2 / 317 |
|
How Does The Director Stephen Spielberg Use Filmic Techniques To Build Suspense And Tension In The Opening Sequence Of The Film ‘Jaws’? |
2 / 341 |
|
Critique of a film script |
3 / 828 |
|
Strictly Ballroom |
2 / 521 |
|
Shakespere |
1 / 277 |
|
Brazil |
3 / 684 |
|
Media |
3 / 700 |
|
Crash |
2 / 349 |
|
Crazy Love |
5 / 1406 |
|
rabbit proof fence |
3 / 671 |
|
Movie History |
2 / 568 |
|
Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
The Piano: Point Taken |
3 / 816 |
|
Essay On Bladerunner |
4 / 1131 |
|
Biology Abstract- Alka Seltzer |
1 / 261 |
|
American Beauty |
5 / 1459 |
|
A Comparative Study Of The Work Of The Devil |
3 / 742 |
|
A Comparative Study Of The Work Of The Devil |
3 / 742 |
|
Mad City |
2 / 588 |
|
La Confidential And Film Noir |
11 / 3249 |
|
Gay USA |
2 / 510 |
|
Joy Luck Club and Chinese Discourse Styles |
4 / 933 |
|
Hitler, Fact or Fiction; Effects of Labels |
3 / 789 |
|
sex lie and videotape |
4 / 959 |
|
Tim Burton's Corpse Bride |
2 / 467 |
|
analysis of germinal |
2 / 552 |
|
We Were Soldiers Critque |
6 / 1631 |
|
The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
|
Lacombe Lucien is a fictive re-enactment of the banality of evil |
4 / 1161 |
|
A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
|
A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
|
Fight Club |
1 / 229 |
|
Bowling for Columbine |
1 / 81 |
|
In the Name of the Father |
1 / 254 |
|
a clockwork man |
4 / 948 |
|
Dances With Wolves |
2 / 516 |
|
Defining Identity |
1 / 222 |
|
Nestorian Order Essay on Little Shop of Horrors |
2 / 320 |
|
Hitchcock, The Artist |
5 / 1223 |
|
Hitchcock, The Artist |
5 / 1223 |
|
Like Water For Chocolate |
3 / 646 |
|
Like Water For Chocolate |
3 / 646 |
|
Bladerunner - Humanity And Nature |
6 / 1787 |
|
Human-Likeness In Braveheart Movie |
3 / 891 |
|
Educating Rita Compare and contrast |
5 / 1259 |
|
Historical Accuracy In Films |
6 / 1711 |
|
Old Movies And America |
2 / 462 |
|
Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
Beauty And The Beast |
3 / 609 |
|
An Inconvenient Truth |
1 / 270 |
|
Etre et Avoir - a documentary |
9 / 2553 |
|
Alfred Hitchcock's Rear Window: Sound |
5 / 1236 |
|
The Characters and Their Reactions to Keating's Teachings |
5 / 1333 |
|
The Black Dahlia |
3 / 704 |
|
Black Gold |
2 / 328 |
|
Compare and Contrast the movies Requiem for a Dream and Malena |
5 / 1373 |
|
Jungian) image of the "beast" in society/film/literature |
3 / 882 |
|
The Chamber: A Look Into The Novel And Film |
6 / 1599 |
|
The Last of the Mohicans |
5 / 1395 |
|
Of Mice and men |
5 / 1326 |
|
belle de jour |
6 / 1710 |
|
spider man |
3 / 888 |
|
Dr, Strangelove |
1 / 239 |
|
Miss Julie |
2 / 500 |
|
Using the comparison of these two texts as your starting point, explore the media issues and debates these texts raise. |
3 / 853 |
|
When Harry Met Sally |
4 / 1057 |
|
Sound Vs. Silence |
3 / 889 |
|
Western And The Man Who Shot Liberty Valance |
3 / 613 |
|
Editing in The Shining |
4 / 1176 |
|