Title |
Pages / Words |
Save |
The Battle of Algiers |
1 / 126 |
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Beowulf |
3 / 876 |
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gods and generals |
3 / 718 |
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A Streetcar themes |
1 / 236 |
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Abc |
2 / 347 |
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King Kong |
2 / 350 |
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Use Cell Phone |
2 / 541 |
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The Grifters |
2 / 565 |
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King |
2 / 301 |
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Outlaw heroes |
3 / 783 |
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history of hollywood |
3 / 854 |
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romeo and juliet |
3 / 652 |
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A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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the kingdom of heaven |
6 / 1622 |
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Marilyn Monroe |
1 / 242 |
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Gangs of New York |
2 / 547 |
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Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
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Fight Club: The Destruction of Society |
3 / 621 |
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Invasion of the body Snatchers |
3 / 852 |
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oh what |
4 / 1126 |
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"Chinatown" as film noir |
3 / 849 |
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Netflix |
3 / 871 |
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Ethics In Grade Inflation For Students |
1 / 192 |
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History of MGM studio |
5 / 1444 |
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The Conversation |
1 / 278 |
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Nightmare on Elm Street |
1 / 248 |
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Realism and Idealism for the Godfather |
4 / 1152 |
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Reviewing The Matrix Revisited (documentary) |
2 / 497 |
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The Great Bollywood |
5 / 1292 |
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kodak |
2 / 478 |
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Gladiator |
5 / 1483 |
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literacy |
2 / 559 |
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gregory peck |
6 / 1572 |
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Movie Magic: Audio And Visual Special Effects 1960-1990 |
3 / 893 |
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Blacklisting |
2 / 390 |
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Miss |
1 / 251 |
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Birthday. |
1 / 227 |
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Making Movies: A Challenge To Superior Students |
3 / 656 |
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Cheating |
1 / 179 |
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We Were Soldiers Critque |
6 / 1631 |
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Freedom is the Only Way Now! |
5 / 1440 |
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'Walking in Someone elses shoes' Connecting Mockingbird to Rabbit Proof Fence |
2 / 397 |
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Analytical Critique of The Godfather |
4 / 923 |
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Sylvester Stallone |
1 / 285 |
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What does the film suggest about the journalists', and the newspapers' values ? the sorts of principles and ethics by which they work? What are the actual goals of the journalists as presented in the film i.e. what drives them to continue working... |
3 / 794 |
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Apocalypto Is An Allegory |
1 / 237 |
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Donnie Brasco |
3 / 630 |
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Film Review: Mindwalk |
5 / 1216 |
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LA STORY AND SHAKESPEARE |
5 / 1450 |
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Netflix Vs. Blockbuster |
4 / 986 |
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McCarthyism, Miller, and The Crucible |
4 / 1002 |
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rock |
1 / 202 |
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schindlers list |
2 / 307 |
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Marjoe Gortner |
2 / 320 |
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The Secret Life of Walter Mitty |
3 / 692 |
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ek khiladi |
2 / 550 |
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Telecommunications Test |
3 / 885 |
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Television Broadcast |
3 / 625 |
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hollywood globalized |
4 / 902 |
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Europa Europa and Olivier Olivier Analysis |
5 / 1400 |
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Psycho |
1 / 223 |
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The Lost Truth |
2 / 375 |
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the main changes that the paramount decree effected on the structure of the american film industry and the measures the ex-studios took to remain in control of the film market |
8 / 2256 |
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What It Takes To Produce A Film |
3 / 844 |
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Hollywood Is Overrated |
2 / 476 |
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Process Of Processing |
2 / 430 |
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Process Of Processing |
2 / 430 |
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grade inflation |
1 / 268 |
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Crash Critic |
2 / 511 |
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Exploratory Research |
1 / 285 |
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Book Review |
2 / 473 |
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Filmmaking |
4 / 1027 |
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fight club |
4 / 1117 |
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American Historass |
2 / 315 |
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John Woo: from Hong Kong to Hollywood, The Killer and Face/Off |
3 / 859 |
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breaking the grade |
3 / 803 |
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Like waster |
1 / 266 |
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Obesity |
3 / 620 |
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Movie Piracy is Stealing |
5 / 1226 |
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Blockbuster |
6 / 1641 |
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Indonesian Cinema by Christine Hakim |
5 / 1323 |
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Rock Hudsons Classic Hollywood Image |
5 / 1319 |
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Spellbound |
2 / 434 |
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Harry Potter and the Camber of Secrets |
2 / 557 |
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La De Da |
3 / 618 |
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Netflix Case Study |
4 / 1092 |
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Rebellious, Risk-taking Youth |
1 / 241 |
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Critique ( Choices) |
3 / 892 |
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Semiotic Analysis |
3 / 733 |
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Testing Algorithms |
2 / 339 |
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Symbolism in Run Lola Run |
2 / 559 |
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Examine the ways in which Hollywood cinema has conventionally represented African Americans. |
6 / 1743 |
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A long time ago?Luke was on the Road |
2 / 384 |
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Jaws |
1 / 145 |
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Inherit The Wind |
3 / 897 |
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Crash of 29 |
1 / 119 |
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Inherit The Wind |
3 / 898 |
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Tootsie |
2 / 449 |
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John Wayne |
6 / 1681 |
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Myth in Baseball |
5 / 1296 |
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count of monte cristo |
1 / 242 |
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Franki |
3 / 723 |
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Star Wars and its Buzz Marketing Campaign |
10 / 2839 |
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health |
2 / 374 |
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the conversation |
2 / 406 |
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Term Paper |
1 / 141 |
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Narrative Essay |
2 / 525 |
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Rabbit Proof Fence |
4 / 1073 |
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Treatment outline |
2 / 495 |
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ghost world |
3 / 754 |
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To what extent to victimization surveys give a clear measurement of crime |
4 / 1120 |
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Film Violence |
2 / 412 |
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Tragically Real |
5 / 1371 |
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Office Politics |
3 / 780 |
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25th Hour |
4 / 1090 |
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New School |
1 / 207 |
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Netflix Who? |
5 / 1495 |
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mexico culture |
2 / 544 |
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Comparison of Charlie and the Chocolate Factory Book Vs. Movie |
3 / 888 |
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Pop Culture in the Global Context |
3 / 876 |
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Othello: Shakespeare vs. Parker |
2 / 596 |
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Lotr |
3 / 698 |
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Rin Tin Tin |
5 / 1307 |
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Mel Gibson |
5 / 1365 |
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the relationship between African American Cinema and Hollywood |
11 / 3063 |
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Crash Overview |
2 / 380 |
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Normalize a database to 3NF |
4 / 918 |
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narrative structures |
3 / 616 |
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Mindwalk: International Relations |
2 / 327 |
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Blaxpoitation |
2 / 325 |
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Ingrid Bergman |
5 / 1488 |
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Movie Analysis - Monster In Law |
4 / 1117 |
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Schindler's List, The Pianist, and Life is Beautiful |
1 / 259 |
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David Selznick And Since You Went Away |
8 / 2370 |
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How has James Cameron presented and adapted the true story of the Titanic? |
5 / 1413 |
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Reading summary |
3 / 793 |
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film history |
4 / 1047 |
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Nature of Logic and Perception |
3 / 771 |
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International Retailing |
3 / 766 |
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Blockbuster Inc. |
10 / 2990 |
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Hong Kong Cinema |
3 / 709 |
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Nino Rota |
1 / 129 |
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Myself |
2 / 335 |
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A film I have seen |
2 / 523 |
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full monty |
2 / 414 |
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Directing: More than Fame and Fortune |
4 / 1040 |
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rosemary's baby |
4 / 1123 |
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Hollywood in WWII |
5 / 1403 |
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What eating gUlbert Grape |
3 / 713 |
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Film Noir |
8 / 2295 |
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Teenagers Should Not Undergo Plastic Surgery |
3 / 678 |
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Ca Twiste a Popenguine |
1 / 123 |
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Netflix |
4 / 1191 |
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"the matrix" film review |
3 / 663 |
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What makes a film great |
3 / 630 |
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Jazz |
2 / 444 |
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The Quiet American |
3 / 794 |
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James Bond |
1 / 295 |
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Culture Of Film |
6 / 1579 |
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Conflict |
2 / 353 |
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Horror movie time comparison |
3 / 818 |
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Richard Cory |
2 / 505 |
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Film genres |
2 / 479 |
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Mis |
2 / 335 |
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Review Of Oleanna |
3 / 623 |
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Malcolm X |
5 / 1232 |
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Historical Accuracy : Gangs Of New York |
2 / 330 |
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Rabbit Proof Fence |
2 / 479 |
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Steven Spielberg |
1 / 207 |
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Wizard Of Oz |
1 / 185 |
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No Ns Or Us |
2 / 399 |
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Grade Wheight |
3 / 853 |
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high school drop out statistics |
1 / 260 |
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300 vs the world |
5 / 1498 |
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The Beach |
3 / 655 |
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The Beach |
3 / 655 |
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Leading men |
1 / 287 |
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Requiem for a Dream |
2 / 328 |
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Jane Wyatt |
4 / 945 |
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Celebrity Infatuation |
2 / 460 |
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Cinematic Techniques |
3 / 735 |
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Cinematic Techniques |
3 / 735 |
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What Is Good |
1 / 247 |
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How does Steven Spielberg make the opening scene of Jaws so dramatic? |
5 / 1370 |
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Powder |
3 / 608 |
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walking your walk |
3 / 677 |
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The Wild Bunch |
2 / 375 |
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Catcher In The Rye |
3 / 840 |
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Catcher In The Rye 4 |
3 / 840 |
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Abstract cr/dr x-rays |
2 / 306 |
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The Day Of The Locust Essay |
3 / 883 |
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Analysis of Singin in the Rain |
4 / 953 |
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film noir |
3 / 693 |
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2001 A space odyssey |
2 / 566 |
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Blaire Witch review |
2 / 475 |
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fallacies |
1 / 98 |
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movie |
1 / 214 |
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Comparing Sprains and Strains |
2 / 332 |
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Marilyn Monroe the babe |
3 / 659 |
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Logic and perception |
2 / 579 |
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