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Portrayl of Asian American in Film

   
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Title: Portrayl of Asian American in Film
 
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Subject: History
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Date: August 8, 2008
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Length: 11 / 2856
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Such false acting implanted a false image of Chinese people which the native born Americans expected to see in actual Chinese people. Though in the earlier times, it was more understandable to use yellowface in films because of the lack of Asian actors and actresses...
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However, even after 200 years, this performance was still present. In the 1961 film Breakfast at Tiffany's starring the famous Audrey Hepburn, Mickey Rooney, non-Asian actor, played the role of a crazy Japanese man (Ito 8). Ito presents three explanations for the use of yellowface after the period of Asian immigrations which should have increased the number of Asian actors and actresses: one, because the audience preferred to be able to relate to the actors and actresses, therefore, they expected to see White actors, not Oriental, even if the characters were supposed to be Asians; two, because they lacked ?qualified' Asians or Asian American actors; and three, White actors were able to depict ?Orientals' better than Asian actors (4)...
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Common topics in this essay:
 
black and chinese americans   Compare The Colonial Policy Regarding Native Americans, And The Corresponding Relations Between European Colonists And Native Americans In New France And Pennsylvania   The Spirit Of The Chinese People   A Study Of The Factors That Will Increase The Number Of Chinese Tourist Visits To South Africa, With A Particular Reference To The Chinese Tourism Industry In Shanghai.   Some People Are Born Winners   Portrayl of Asian American in Film   Chinese Americans   Chinese Americans   Chinese-american Culture In Un   The Response Of The Chinese Intellectuals To Thought Reform By Chinese Communists: 1949-1955   Depiction of Native Americans in American Film   Ordinary People - Analysis Of Conrad's Self Image   Psycology: False Memory (+Psyc Outline: False Memory)   Autism: False Words And False Hope   Asian American Stereotypes in Film  
 
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