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New York; Continuum, 1993. --UCB Moffitt PN1995.9.F54 B66 1993
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Abbott, Megan E. The street was mine: white masculinity in hardboiled fiction and film noir New York: Palgrave Macmillan, 2002. --MAIN: PS374.D4 A23 2002 Agostinelli, Alessandro. Una filosofia del cinema americano : individualismo e noir Pisa : ETS, 2004...
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Film Noir At It'S Finest In Double Indemnity and Sunset Boulevard the films began by revealing who the killer was or who was murdered in the opening scene. This was very effective in that it allowed the audience to concentrate more on other elements of the film, which was Billy Wilder’s goal...	2 / 525
Femme Fatale: Evil or not Double Indemnity is one of the film noir masterpieces that follows and has the majority of film noir characteristics. The film portrays a sense of melancholy, pessimism, moral corruption, evil, and guilt with advance filming techniques at its time such as low-key lightings, skewed camera angles, deep shadows, and settings at empty streets or gloomy interior to suggest the tone of the movie (Spicer127)...	6 / 1509
"Chinatown" as film noir Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions...	4 / 849
To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? In double indemnity the role of the femme fatale is played by Phyllis. She talks about her husband to Walter "I feel as if he was watching me. Not that he cares, not anymore...	3 / 634
Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts Basically, I’m disagree that almost film noir plots involve crime, the private eye wearing trench coat and fedora, the male are not admirable and the dangerous femme fatale and so on...	3 / 836
Femme Fatale Monsters Since creation, when Eve gave Adam the forbidden fruit from the Tree of Knowledge (The Student Bible, Genesis 3), women have been portrayed as flawed creations and therefore monstrous...	3 / 753
To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? Feminism is a social progress that has had a large impact on film theory. Cinema is said to be taken by feminists as a medium which represents myths about women and their femininity and men and their masculinity...	8 / 2206