ITALIAN REDEMPTION OF CINEMA: NEOREALISM FROM BAZIN TO GODARD, THE

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No expressive means besides cinema has the possibility to convey knowledge to the greatest number of people"5 (Neo, 98). After initial, reductive efforts to interpret neorealism as a sign of sociopolitical redemption, historians of Italian cinema have tended to downplay the importance or cogency of neorealism, as have many directors such as Fellini, Visconti, and Antonioni who in their early careers came under neorealism's sway, only to disavow the influence in later years...
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No expressive means besides cinema has the possibility to convey knowledge to the greatest number of people"5 (Neo, 98). After initial, reductive efforts to interpret neorealism as a sign of sociopolitical redemption, historians of Italian cinema have tended to downplay the importance or cogency of neorealism, as have many directors such as Fellini, Visconti, and Antonioni who in their early careers came under neorealism's sway, only to disavow the influence in later years...
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