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It was not before the publication of The Glass Menagerie in 1945 that Williams earned public attention. Why has 27 Wagons Full of Cotton been obscured by the success of his later work ?
Compared to his more famous and popular plays such as The Glass Menagerie, A Streetcar Named Desire (1947), and Summer and Smoke (1948), his one-acters seem to be considered markedly inferior to his later work. Both his characters ? especially the female ones - and the plots of these early plays are not fully elaborated as can be said about his later plays, in which he perfects his females. Therefore, this early work is rightly neglected as mere exercises in creating characters and themes for his famous and much more elaborated later work: The one-act plays that will be examined more closely in this paper barely present a picture, much like a still-frame or a captured moment, but nothing much happens as regards the action or development...
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